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THE FOOTSTEPS 
AT THE LOCK 



BY 




RONALD A. KNOX 



•r . i 



FOURTH EDITION 



4 




METHUEN & GO. LTD. 
36 ESSEX STREET W.G 

LONDON 



- , ,3 



4' 



• i - . 



First Published .... April izth 1928 

Second and Cheaper Editiotx . . July 1929 

Third Edition (Cheap Form) . . Apnl 193* 

Fourth Edition (Cheap Form) . 19 33 



PRINTED IN GREAT BRITAIN 




TO 

DAVID 

IN MEMORY OF THE TJNCAS 



d C c v 



5557 



k 1* F 



I 



CONTENTS 



CHAP. 



I 


Two Cousins. .... 


i 


II 


Shipcote Lock .... 


14 


III 


The Canoe Adrift. 


23 


IV 


The Indescribable has its Doubts 


3 2 


V 


Mr. Burgess Expands . 


42 


VI 


The Archimedes Touch 


• 54 


VII 


The Camera Cannot Lie 


64 


VIII 


A Common-room Dinner . 


7^ 


IX 


Nigel Goes Down .... 


• 83 


X 


Discordant Notes .... 




XI 


Mr. Erasmus Quirk 


. 105 


XII 


The Secret of the Island . 




V T TT 

All! 


Pursued 


• 125 


XIV 


The Man in the Punt . 


• 134 


XV 


A New Legacy .... 


. 144 
• 153 


XVI 


Bredon Plays Patience 


XVII 


Mr. Quirk Disappears . 


. 163 


XVIII 


In Undisguise .... 


. 172 
. 181 


XIX 


The Story Nigel Told . 


XX 


A Reconstruction 


• 193 

• 203 


XXI 


A Walk in the Dark . 

• • 

Vl\ 



viii THE FOOTSTEPS. AT THE LOCK 

CHAP. ; \ \ K PAGE 

XXII Another Story . . . .212 

XXIII Bredon Plays Patience Again . 221 • 

XXIV Backed Both Ways . . . .231 

XXV A Postscript 242 

'LA! X 



• 



THE FOOTSTEPS AT THE 

LOCK 

CHAPTER I 
TWO COUSINS 

IT is an undeniable but a mystifying fact of 
natural ethics that a man has the right to 
dispose of his own property at death. They 
can do him no good now, those ancestral acres, 
those hard-won thousands, nor may any of the 
trees he planted, save the grim cypress, follow 
their ephemeral master ; yet, before the partnership 
of hand and mind is altogether dissolved, a brief 
flourish at the tail of a will may endow a pauper 
or disinherit a spendthrift, may be frittered away 
in the service of a hundred useless or eccentric 
ends. No good to him— at least, there was once a 
theory that a man might be happier in the after state 
for the use of his means here, but we have abolished 
all that long since ; no good to him, but much to 
expectant nephews and nieces, much to life-bxit 
iiinds and cats' homes, much to the Exchequer, 
wilting for lack of death-duties. Of all this he is 
he arbiter. Yet we have it on the authority of all 
the copy-books that money does far more harm in 
the world than good ; why, then, do we leave the 

1 



THE FOOTSTEPS AT THE LOCK 



direction of that harm to the one man who, ex 
hypothesi, will be out of the way when it happens ? 
Why let the testator arrange for the unworthy 
squandering of his property, when he is to have 
no tenure in it henceforward except the inalienable 

grave ? 

Such doubts, entirely methodical in character, 
are suggested by the last will and testament of 
Sir John Burtell, a barrister of some note in his 
day, that is, in the latter years of Queen Victoria. 
A safe man, with no itch for politics or ambition for 
titles, he retired soon after the death of the Great 
Queen, leaving the world open to his two sons, 
John and Charles, then in the flower of their age. 
He came of a sound stock, and found, besides, some 
zest in country pursuits ; nor, in the end, was it 
years that carried him off, but the severe influenza 
epidemic of 1918. By that time, his two sons had 
predeceased him. Both took their commissions in 
1 91 5 ; both were killed two years later. John's 
wife had died long since, Charles' widow alienated 
the old man's sympathies by marrying again and 
settling in the United States. His will, therefore, 
on which this story turns, left the bulk of his pro- 
perty, some fifty thousand pounds, to his elder 
grandson Derek ; in the event of his death it was 
to revert to Charles' son Nigel. 

So far, you might have thought the old gentleman 
would cheat the lawyers and die intestate. But 
certain conditions attached to the will made it a 
document of importance. The testator reflected 
that one child was an orphan, the other fatherless 
and as good as motherless ; that they had to grow 



TWO COUSINS 



3 



to manhood with no parental supervision in times 
of great unsettlement. Very wisely, then, he left the 
fifty thousand (which was not the whole, but the 
bulk of the legacy) in trust, until such time as 
Derek (or, failing him, Nigel) should reach the age 
of twenty-five. Meanwhile, the boys were rare 
visitors to their grandfather's house, and scarcely 
welcome ones ; a kind of precocious boredom in 
their manner exasperated the old gentleman, none 
the less bitterly because it was assumed to be typical 
of a period. The avital thunders about politics, 
art, morals and religion may be supposed to have 
formed the grandsons' character by repulsion. 
Derek lived, mostly, with old friends of the family 
in the South of France, who let him run wild on the 
facile excuse that ' anyhow, the boy will have 
money'. Nigel, who never took to his step- 
relations, was little better handled ; an exile when 
at home, an unappreciated rebel at school, he flung 
himself, with a pathetic illusion of originality, into 
the career of an aesthete. 

The two cousins met little, whether before or 
after their grandfather's death ; there was little 
in the character of either to make it desirable 
They went to different schools, neither of which 
(since schools have a reputation to lose) I intend to 
specify But Oxford, though her critics have been 
unkindly of late, has too broad a back to need the 
shelter of anonymity ; both matriculated at the 
older University, both at Simon Magus College. 
E ection t0 C o U eges is a mystery, as election should 
be but the two years which Derek had misspent 
there might surely have warned the fellows against 



4 THE FOOTSTEPS AT THE LOCK 



risking a second experiment with Nigel. On the 
other hand, Derek was a normal creature, though 
morose in disposition, idiotically extravagant, and 
with a strict periodicity of drunkenness. There 
was nothing in him, it must be admitted, which 
gave promise of Nigel's unendurable affectations. 

Derek was dissolute with a kind of lumpish 
unimaginativeness which may infect youth in any 
century. If he gambled to excess, it was because 
nobody had succeeded in introducing him to any 
other method by which you could kill time until the 
age of twenty-five. If he drank, it was with the 
stupid man's haste to forget and to disguise his own 
dullness. His dress, his manner, his associates 
were of the equestrian world ; but his taste was 
neither for horses nor for horsemanship, only for 
horsiness. With the Dean he was continually 
in conflict ; but there was a regularity in his irregu- 
larities, you knew beforehand just when he would 
be drunk, and just how drunk he would be ; and 
there is that in the academic mind which appreciates 
consistency in whatever direction. He was not 
clever enough to devise organized mischief ; he was 
too indolent (it seemed) to bear malice ; he accepted 
his fines, his gatings, and a couple of rustications 
with the complacency of the school-boy who (in 
the language of his terminal report) ' takes punish- 
ment well '. He made little stir in the University 
world, and it is probable that during the whole 
period of his residence he never had an enemy, 
except his cousin. 

Nigel's perceptions were infinitely more acute, 
his faults infinitely less excusable. He had grown 



TWO COUSINS 



5 



up in the aftermath of war, under the infection of 
disillusionment. He looked out upon a world of 
men (school-masters especially) who had fought 
and bled for the sake of certain sample emotions, 
with a submerged jealousy which took the form of 
resentment. These others had had the opportunity 
which was denied to him, of exploiting the full 
possibilities of manhood ; he would console himself 
for the loss by denying that the opportunity was 
worth having. They had been born to set the 
world right ; he would retaliate on the cursed spite 
of his late nativity by doing his best to put the 
world out of joint again. He would rebel against 
everything his neighbours bowed down to ; would 
embrace every form of revolt, however tawdry, 
however 'trite ; he would have no aim or ideal 
except to shock. At school, he had the sense to 
keep his powder dry, to lock up his splenetic poems, 
to revenge himself upon his uncongenial surroundings 
by the secret satisfaction of an undivulged irony. 
'Loony Burtell' they called him; and he was 
content, like another Brutus, to bide his time. 

Among all her immemorial traditions, Oxford 
cherishes none staler than that of aestheticism. A 
small group in each generation lights upon the same 
old recipe for setting the Isis on fire, and (since 
undergraduate memory only lives three years) is 
satisfied that it is a group of lonely pioneers Nigel 

frlTt W ^ C ^ SCh °° 1; he pilla S ed Wa«is 
rom Saki without appreciating that ironic reserva- 
tion which is his charm. He offered absinthe to all 
^ visitors, usually explaining that he did not really 
care for it, but kept it in his rooms in order to P u^ 



6 THE FOOTSTEPS AT THE LOCK 



temptation in the way of his scout. He painted 
his walls a light mauve, and hung them with a 
few squares of blank cartridge paper on which he 
was always threatening to do crayon drawings ; 
the beauty of art, he said, lay in its promise — its 
fulfilment only brought disillusion. He talked in 
a very slow drawl, with a lisp and a slight stammer 
which he had cultivated to perfection. He never 
attended lectures ; the dons did not understand, 
he complained, that undergraduates come up to 
Oxford in order to teach. He was desperately 
callow, and quite inordinately conceited. 

The older Universities tolerate everything. There 
are times, and there are Colleges, at which the 
essential rowdyism of youth clothes itself in a mantle 
of righteous Philistine indignation, and breaks up the 
aesthetic group with circumstances of violence. 
But you can fool some of the people some of the 
time ; and at Simon Magus men cared little what 
their neighbours did, short of the bagpipes. Nigel 
found disciples, or at least comrades-in-arms for 
his movement, in that home of impossible unbeliefs. 
If you were the kind of person who liked that kind 
of thing, that was the kind of thing you liked. A 
round dozen of half-literary, half-histrionic young 
men from various colleges frequented his rooms, 
debated on the cut of clothes, and read out their 
compositions to each other. They spoke of them- 
selves, almost reverently, as 'the men who had 
made bad ' ; they declared it their mission to 
encourage immorality amongst the undergraduates, 
Bolshevism amongst the scouts, and suicide amongst 
the dons. It was their favourite creed that England, 



TWO COUSINS 



7 



and indeed all the English-speaking races, were the 
spoke in the world's wheel. ' Why should I admire 
the country I was born in ? ' expostulated Nigel ; 
and indeed the reason alleged seemed inadequate. 
His favourite method of denunciation was to say, 
' I don't like it ; it's unforeign '. 

It will easily be imagined that little sympathy 
was wasted between the two cousins. Not, indeed, 
that the desperate poses of the younger could affect 
the elder with any sense of personal concern. Oxford 
is a broad stream, in which the varied regatta of life 
can be managed without jostling. Derek himself 
was too listless to condemn any form of behaviour ; 
and his friends, though they agreed among them- 
selves that Nigel was the kind of thing which wasn't 
done, never dreamed of holding his cousin respon- 
sible for him. But the arrival of a namesake in the 
same college is never welcome ; your letters go 
astray, well-meaning people mix you up, and send 
invitations to the wrong man. The two were, 
moreover, somewhat alike; the male strain was 
strong in the Burtell family, and a resemblance had 
survived closer than is usual between cousins. 
Each was dark and rather short; either in a 
general way, insipidly good-looking ; each 'had a 
pink-and-white complexion. It irritated Derek to 
be addressed, sometimes, as if he were Nigel's 
brother ; it irritated him still more when Nigel's 

* Cqi f ntances him at a distance and 
saluted him by mistake. He ostentatiously avoided 

5nn 0 s US name ^ " M * m,ght ' the mention 
Nigel, on his part, was not slow to appreciate 



8 THE FOOTSTEPS AT THE LOCK 



this neglect in the attitude of his senior, or to devise 
means of retaliation. He identified his cousin as a 
centaur, and referred to him sadly as a kind of 
family failing. All the forms of abstinence he dis- 
played were dictated to him by this repulsion. 
' I can't get drunk,' he would say ; ' people would 
be certain to mistake me for the Centaur, and I 
might be too drunk to explain.' ' No, I don't play 
cards ; there is such an intolerable look of Vic- 
torian virtue about the Queen of Spades ; it would 
be dreadful to sit opposite her night after night. 
Besides, the Centaur plays cards.' ' I am really 
going to work this term ; then even the Master's 
wife will hardly be able to mistake me for the Cen- 
taur again.' They say the University is a micro- 
cosm, and it is certainly a microphone ; remarks 
like these, not always conceived in the best of taste, 
came round to Derek, and fanned, from time to time, 
the dull embers of his resentment. 

After a year of this, Derek went down ; but the 
feud did not stop there. Nigel spent his vacations 
in London ; and London is even a worse place than 
Oxford for avoiding your dislikes. Kind, but imper- 
ceptive hostesses threw the two cousins together, 
Neither had scaled any particular social heights, 
but each straddled on that uneasy ridge which 
connects Chelsea with Mayfair. Derek, conscious 
of his own conversational limitations, was for ever 
being reminded of his cousin's existence. ' Oh yes, 
charming fellow ; but have you met Nigel ? ' 
' Do tell me, Mr. Burtell, what is your brilliant 
cousin Nigel doing now ? ' These hollow insipidities 
of conversation were whip-lashes to Derek's self- 



TWO COUSINS 



9 



esteem. But there was worse behind it. In cer- 
tain subterraneous walks of London society, both 
cousins were well known ; and in that world, care- 
less of principle and greedy of originality, Nigel 
shone, a precocious proficient. Without heart, 
without worth, he dazzled feminine eyes with his 
reputed accomplishments. There was a woman who 
committed suicide ; she was a drug-fiend, and 
nothing was published in the papers ; but there 
were those, and Derek was among them, who 
believed that Nigel's callousness had been the cause 
of the tragedy. 

Meanwhile, Nigel was running his course at Ox- 
ford : he celebrated his twenty-first birthday by a 
kind of mock funeral, at which he lay, in ghastly 
splendour, on a black catafalque, while his friends 
stood over him and drank absinthe to the memory 
of his departed youth. Derek was more than two 
years his senior ; was in measurable distance, 
therefore, of his promised inheritance ; and others 
besides the solicitors began to speculate as to the 
ultimate destination of the fifty thousand pounds. 
Derek's Oxford bills were still largely unpaid' 
meanwhile, he lived recklessly beyond his modest 
income, secure in the consciousness of the fortune 
that awaited him. He ran up bills in London ; and, 
when these new creditors proved more importunate 
than the old, he applied for financial help to strangers, 
less Gentile than genteel. More than one promoter 
ot private loans found an excellent business opening 
in a young m an who was no longer a minor, and 
who had less than two years to wait before he was 
assured of a substantial capital sum. So things 



io THE FOOTSTEPS AT THE LOCK 



went on, with cordial feelings on both sides, until a 
faint tremor of apprehension fell upon the creditors' 
hearts. The loans were being piled up in a reckless 
way ; already the fifty thousand was almost swal- 
lowed up ; and Derek, as if conscious that the 
future had no longer any competence to offer him, 
was ruining his health in a way which suggested 
that he would not long survive the accession to his 
forestalled inheritance. His drinking bouts were 
now almost continual ; rumour whispered that he 
also drugged. Whether he lived beyond the age 
of twenty-five was a matter of total indifference 
to society at large. That he should live until 
he was twenty-five was the earnest prayer of a 
handful of gentlemen not addicted to the practices 
of religion. If Derek should die before his twenty- 
fifth birthday, the fifty thousand would go to 
Nigel, and the money-lenders would have no assets 
to satisfy their claims. Panic-stricken, they came 
together, and met Derek's further appeals for 
accommodation with a peremptory stipulation that 
he should insure his life. 

With discreet hesitations, a well-known Insur- 
ance Company declined to take the risk. Their 
doctor, with raised eyebrows, protested that he had 
never seen so young a constitution so seriously 
undermined. If Mr. Burtell took care of himself, 
he had no doubt a reasonable chance of achieving 
his twenty-fifth birthday, but ... to tell the 
truth, he was not fully satisfied either of Mr. Bur- 
t ell's will to do so, or of his power, if he had the 
will, to break with his bad habits. ' With a chap 
like Derek,' commented Nigel, to whom the cir- 



TWO COUSINS 



ii 



cumstances were reported, ' the world wants to be 
insured against his life rather than his death.' 
But there is a way out of every impasse, and usually 
it is the Indescribable. In case the reader is not 
already acquainted with the name and the character 
of this vast insurance agency, let him recall the 
name of that millionaire who recently flew to Nova 
Zembla, paying as he did so a shilling per second 
by way of insurance money. . . . Yes, that was the 
Indescribable. Human ingenuity has still failed to 
imagine any form or any degree of danger which the 
Indescribable are not prepared (for a consideration) 
to underwrite. The fact that Derek Burtell was not 
legitimate business made no difference to them. 
For a very reasonable premium they backed him to 
reach the age of twenty-five, without showing any 
curiosity as to his further destiny. 

One condition, however, they did make — even 
the Indescribable makes conditions. Mr. Burtell 
must really put himself under the direction of a 
medical adviser. . . . No, unfortunately it would 
not be possible for their own doctor to undertake 
the task. (It is a matter of honour, and indeed of 
income, with the Indescribable's doctor to refuse 
every other form of practice.) But if Mr. Burtell 
had no objection, they would like to see him put 
himself in the hands of Dr. Simmonds, a man in 
whom he could have every confidence, a man, indeed, 
who had made a life-long study of acrasia. So it 
was that, when he was within a month or so of his 
all-important twenty-fifth birthday, and when his 
cousin was just preparing, without any notable 
regrets on either side, to take his degree and go 



12 THE FOOTSTEPS AT THE LOCK 



down from Oxford, Derek found himself closeted 
in Dr. Simmonds' consulting-room in Wigpole 
Street. 

' Open air, that's what you want/ Dr. Simmonds 
was saying. ' Open air. Take your mind off the 
need for stimulants, and set you up again physically. 
See ? * 

' I suppose you want me to take a confounded 
sea- voyage,' grumbled Derek. ' You fellows always 
seem to want to send a man to the ends of the 
earth, in the hope that he'll be dead before he comes 
back.' 

Dr. Simmonds shuddered. He was not exactly 
an official of the Indescribable Company, but he 
was (how shall we say it ?) in close touch with 
them ; and the idea of such a valuable life, with 
such a short time to run, being exposed to the 
chances of wind and wave .did not impress him 
favourably. 

' Why no, not a sea-voyage. Take a sea-voyage, 
and the first thing you know you'll find you're 
edging round to the saloon. Don't mind my 
speaking frankly, do you ? No, it must be open air 
combined with exercise ; not very hard exercise, 
you ain't fit for it, but something that'll keep you 
occupied, see ? The river, now ; ever go on the 
river ? ' 

' I went to Henley once with some fellows.' 

' Well, look here, I'll tell you what. You hire a 
boat ; better say a canoe ; don't want to take any 
risks with that heart of yours, you know; you 
go down to Oxford and take a friend with you, and 
up you go to Lechlade, Cricklade, as far as you can 



TWO COUSINS 



13 



go without the canoe getting aground. Take it 
pretty easy, mind, but keep on the go the whole 
time as far as possible. Then you come back to 
me, and I'll recommend you some exercises and a 
diet, and we'll see what we can make of you.' 

It was something of a surprise to Derek's world to 
hear that he was indulging in anything so innocuous 
as a canoe trip up the river. It was still more of a 
surprise to them when they heard the company he 
was keeping ; the other place in the canoe was 
actually to be occupied by Nigel. And yet there 
was sense in the arrangement ; Nigel had to kill 
time between his schools and his viva voce ; Nigel 
was at Oxford, and knew how to manage canoes and 
where you hired the beastly things ; besides, there 
was a great-aunt in the background, who had 
expressed a particular wish to see the two boys 
getting on better together, and, though neither 
had seen her for a long time, Aunt Alma's circum- 
stances were supposed to be comfortable, and she 
had no other legal heir. As for Nigel, he assured 
his friends that the prospect of a centaur turned 
hippopotamus was altogether too much for him. 
It would be interesting to make a tour of rural 
England, and satisfy himself that the churches 
were really as depopulated as he had been led to 
believe. And then, whatever you said against 
nvers, at least you had to admit that they set an 
example of decadence. 



CHAPTER II 



SHIPCOTE LOCK 

THE morning sun shone on the upper reaches 
of the Thames with the hazy glow that 
recalls a night of rain and presages a day 
of baking heat. It was early July, and the time of 
day conspired with the season of the year to pro- 
duce an impression of almost uncanny perfection. 
The woods that threw out their flanking battalions 
towards the stream were heavy with consummated 
leafage ; the hay standing in the fields glistened 
and steamed with the evaporations of yesterday ; 
the larks sang in the unconscious egotism of their 
perpetual encore ; the hedges were still fresh with 
the year's last revelation, the dog-rose ; white 
wreaths of cloud sailed lazily across the distance, 
as if assured that they had no speaking part to- 
day. The cows stood whisking their tails gently, 
reserving themselves for greater efforts in the com- 
ing heat ; rabbits sunned themselves among the 
hillocks, and scuttled away, stricken with imaginary 
fears ; school-children dotted the lanes, their heads 
together in earnest debate over nothing ; the air 
was full of promise and expectation ; a wind blew, 
steady but with no chill, from the south-west. 

And through this world of loveliness the river 
flowed, a secret world of its own. Lower down, the 

14 



SHIPCOTE LOCK 15 

Thames mingles with the haunts and the activities 
of men ; overgrown towns straggle along its borders, 
Maidenhead, Reading, Henley, Wallingford Abing- 
don. But here, in these upper waters, it is divorced 
from the companionship of human life ; the villages 
stand to one side and let it pass, turning their backs 
on it contemptuously at half a mile's distance ; nor 
is there any spot between Oxford and Lechlade at 
which a cluster of human habitations fringes the 
river's banks, and owes its conformation to the 
neighbourhood. Unexpectedly it glides at your 
feet, in the middle of smiling hayftelds or at the 
corner of a country lane ; it has a traffic and a life 
of its own. Cushioned upon its waters, in punt or 
canoe, you see nothing but high banks on each side, 
deep in willow-herb and loose-strife, in meadow- 
sweet and deadly nightshade ; or a curtain of wil- 
lows cuts off the landscape from you ; or deep beds 
of reeds stand up like forests between you and the 
sky-horizon. To meet haymakers in a field, to 
pass under one of the rare, purposeless iron bridges, 
makes you feel as if you had intersected an alto- 
gether different plane of life. Your fellow-citizens 
are the fishermen, incorrigible optimists who line 
the banks at odd intervals ; the encampments of 
boy scouts, mudlarking in the shallows or sunning 
themselves naked on the bank ; your stages are the 
locks, your landscape the glassy surface and the 
tugging eddies of the stream. 

And the river, by virtue of its isolation, has its 
own sanctuary of wild life. It recks nothing of the 
road, a few hundreds of yards distant, where school- 
boys throw stones after rabbits and ransack the 



16 THE FOOTSTEPS AT THE LOCK 

hedgerows for nests. Here, in this lucid interval 
between two continents of human noise and labour, 
reigns no fear of the intruder Man. Frail and 
occasional visitors, the river-craft do not interrupt 
the solitude ; they become, themselves, a part of 
the landscape, \nd Nature accepts them, uncon- 
cerned. The heron leaves his lonely stance only at a 
minute's warning ; the kingfisher flies your approach 
without consternation, as if protected by natural 
mimicry against its background of blue sky ; fishes 
plop out of the water almost within reach of your 
hand, a sudden explosion amidst the silence ; water- 
hens bob to and fro on the surface, waiting till 
you are close by before they will show you their 
hydroplane and submarine tactics ; the voles race 
you along the bank, or let your prows cut through 
their wake; the dragon-flies provide an aerial 
escort, and flutter temptingly in the van. You 
are initiated, for once, into the craft of Nature's 
freemasonry; the highway you are following is 
older than the Romans, and you are not reckoned 
with the profane. 

It would be impossible to imagine two human 
beings less alive to these considerations than the 
Burtell cousins, as they made their return journey 
downstream. Neither Derek's cast of mind nor his 
education had predisposed him to feel or to inter- 
pret the impressions made by natural scenery. 
He lay now extended along trie floor of the canoe, 
a dead-weight amidships, the back of his head just 
kept erect by the little rest that leaned against the 
centre thwart, his eyes and face shaded by a brown 
Homburg hat, tilted extravagantly forward. Nigel, 



SHIPCOTE LOCK *7 

though better placed as a spectator, had equally 
little appreciation to spare for the scene. In hot 
weather it was his principle to spend his Urne in 
towns, where the sight of your ^ow-mortals hard 
at work, sweating on scaffoldings or huddled together 
on omnibuses, gave you an agreeable sense of cool- 
ness. The effects of summer were always inartistic ; 
Nature overcrowded the canvas, Like a good artist 
who had struck on a bad period. He had no eyes, 
then, for his surroundings ; his own appearance, as 
he sat paddling in the stern, was sufficiently incon- 
gruous. As one who must always be acting a part, 
he had dressed up very carefully as a ' river-man ' ; 
' the Jerome K. Jerome touch ', he had explained, 
1 is what impresses the lock-keepers '. This robust 
attire was in strange contrast to the delicately- 
complexioned face that looked out from it, and the 
long black hair brushed elaborately backwards. 
A passer-by in a solitary punt, shading his eyes as he 
watched the pair vanish downstream, might have 
been pardoned for wondering at the vision. 

The blurred roar of a waterfall, and a bifurcation 
of the stream with a danger-notice on the right- 
hand branch, heralded the approach of a lock. 
Shipcote Lock is not a mere precaution against 
floods ; it is also a short-cut. The channel that 
flows through it is dead straight for nearly a mile, 
and only at the end of this is it rejoined, after 
unnecessary windings, by the weir-stream. Lock 
and weir are both at the higher end of their respec- 
tive channels, and behind them, to right of the one 
and left of the other, stretches a considerable 
island, the further part of which is woody and uncul- 



18 THE FOOTSTEPS AT THE LOCK 



tivated. A narrow plank bridge, thrown across 
the weir itself, renders the island accessible from the 
right ; you can pass over the other branch by way 
of the lock itself, or (when this is shut up at nights) 
by a light iron bridge that crosses the lock-stream 
about a hundred yards below. The lock-keeper's 
house stands to the left on the mainland ; but of 
his garden the greater part covers the upper end of 
the island, jutting out like a wedge and washed 
by the river on both sides. 

If any man has a distaste for the society of his 
fellows, and loves work out of doors, and running 
water and the companionship of flowers, who could 
wish him better than to end his days as a lock- 
keeper ? Or rather, to live as a lock-keeper until 
he can no longer stoop to wind up the winches, or 
strain to open the reluctant gates. In these upper 
reaches, only pleasure-boats go by ; and their 
brief season is limited by the uncertain whims of 
an English summer. For the rest, when he is not 
actually plying his trade of outwitting nature, the 
lock-keeper can give himself wholly, it seems, to 
gardening, assured from the first that his flowers 
will grow in ideal surroundings, neighboured by 
the pleasant wedding of water with stone. Ship- 
cote Lock is among the most ambitious of these 
fairy gardens ; its crowded beds of pinks and sweet- 
william, stocks and nasturtium, snap-dragon and 
Noah's-nightcap, seem to rise out of the water's 
edge like a galleon of flowers, with crimson ramblers 
for its rigging. Man, you would say, has first done 
violence to nature by dividing the stream, damming 
up one half and forcing the other into a stone collar ; 



SHIPCOTE LOCK 19 

and then, adding insult to injury, he has outdared 
with this profusion of blooms the paler glories of the 

river bank. , , v 

'There' (as Homer says of Calypso s garden) 
' even an immortal might gaze and wonder as he 
approached.' It was not the habit of Nigel Burtell 
to gaze in wonder at anything. To flowers, especi- 
ally, he had a strong objection, at least when they 
grew out of doors. ' They look so painfully natural, 
he said, ' like naked savages, you know, all quite 
simple and unself conscious. Put them behind the 
glass of a green-house, and there is something to be 
said for them; those Alidensian garments lend 
them a kind of meretricious charm.' It was not, 
then, any appreciation of the scene in general that 
made him bring out his camera as the boat drew 
near the lock. (Photography, he held, was the 
highest of all the arts, because the camera never 
tells the truth.) What had riveted his attention 
was the figure of the lock-keeper himself— a back 
view of him unexpectedly halved by the fact that 
he was bending double over some gardening opera- 
tion. ' Design for an arch,' murmured Nigel to 
himself, as he pressed the spring. Then he called 
out ' Lock ! ' with sudden violence ; the reproachful 
form of the unconscious model straightened itself 
and turned to meet them. The man's injured 
expression seemed to imply that he was only a 
gardener who made a hobby of lock-keeping. But 
he turned, whistling, to open the gates. 

Owing to the recent passage of the gentleman 
in the punt, the lock was at high level. Nigel 
paddled in slowly ; and the lock-keeper, not anxious 



20 THE FOOTSTEPS AT THE LOCK 



to waste time which might be devoted to his darling 
geraniums, hastened to the lower end of the lock 
and pulled up the sluices, leaving the collection of the 
fare till later on. Some incident of life downstream 
caught his attention as he stood on the bridge — 
your solitary liver is ever prodigal of gazing — and 
it was not till the water had well-nigh flowed out 
that he went ashore, and took up his familiar stance, 
buttressing the further end of the wooden lever. 
By that time, Nigel was standing on the bank, 
while the canoe, with its remaining occupant, had 
disappeared from sight below the level of the 
lock wall. A desultory conversation was in pro- 
gress, of which the lock-keeper could only hear one 
half, like one assisting at a telephone interview ; 
the other side of the discussion remained inaudible. 

' How long will it take you to get down to Eaton 
Bridge ? A couple of hours ? . . 

' Well, if you're going to take three hours over it, 
you may find me there waiting for you. If the 
examiners take me early, and don't show an inde- 
cent curiosity about the extent of my knowledge, 
I ought to be clear by eleven. Then I could take a ! 
taxi out and meet you. What's that . . . ? ' 

' Oh yes, quite a decent sort of pub, it looked. 
Wait for me there if you like. But I expect I'll 
be there ahead of you. Left to yourself, you will 
probably paidle in the burn from morning sun till 
dine. Well, so long . . 

' What ? Oh, all right, I'll bring it down. I'd 
throw it, only you'd never be able to catch it.' 

Nigel disappeared for a moment down the steps, 
and then came up again to settle with the lock- 



SHIPCOTE LOCK 



21 



keeper 1 No,' he said, ' he won't be coming back. 
I'm getting off here to join the railway. Its 
slightly quicker in these parts, I understand, than 
canoeing. By the way, how do I get to the station ? 

If possible, the Englishman always prefaces 
direction by correction. ' Want to catch the train, 
eh ? Well, you see, what you did ought to have 
done was to get off at the bridge. There's a bus 
from there goes all the way to the station, to meet 
the trains like. Yes, that's what you ought to have 
done, get off at the bridge. You'll have to walk 
there now, you see.' 

' It's not far, is it ? 9 

' Well, you see, if you was to go by road, you'd 
have to go all the way back to the bridge again ; 
that would take you better than an hour, that would. 
Your best plan, sir, is to take the field path. You 
want to cross the bridge, see, over the weir yonder, 
and keep straight on across the field, with the hedge 
on your left. You'll see Spinnaker's Farm across 
on the left, but don't you take no notice of that, 
you keep straight on. Maybe a quarter of an hour's 
walk it is, across the fields. Yes, that's your best 
way now.' 

' You don't happen to know the time of the train, 
do you ? There's one somewhere about a quarter 
past nine.' 

' Nine-fourteen, sir, that's the one you want, if 
you're going back Oxford way. Oh yes, you'll 
have plenty of time to catch that ; it isn't not hardly 
five minutes to nine now.' 

' Are you sure ? I make it nine o'clock.' 

' Well, your watch is fast, sir, that's what it is. 



22 THE FOOTSTEPS AT THE LOCK 



I get the time by wireless every night, you see, 
so that's how I know. Eight fifty-five, that's all. 
Your watch is fast, you see, that's what it is.' 

' Trains pretty well up to time, I suppose, on a 
branch line like this ? ' 

' Well, that's what you can't exactly say. Some- 
times you wouldn't wish to see a train come in more 
prompt than what they do ; sometimes I won't say 
but they're a matter of ten minutes or a quarter 
of an hour late. Depends on how quick they get 
away from the stations, you see, that's how it is. 
But if you're going to Oxford, sir, you won't find 
you're behind time, not but a minute or two ; the 
nine-fourteen wouldn't be later than that, not at 
this time in the morning she wouldn't. Thank 
you, sir ; very much obliged to you. If you keep 
straight along that path, you'll be at the station in 
good time, and it isn't much more than half an hour's 
run to Oxford from there. Good morning, sir.' 

Nigel crossed the lock, threaded his way between 
the bright nasturtiums and the Canterbury bells, 
and almost before the gate of the weir bridge was 
heard swinging to behind him, was out of sight 
behind the island and the trees. The lock-keeper 
turned his gaze once more downstream. Derek still 
lay motionless, with the paddle resting idly on the 
thwarts ; wind and stream were enough to drive 
the crazy bark at a fair pace through the cutting. 
' Well, he ain't in much of a hurry, anyway,' said 
the lock-keeper, and went back to weed among the 
geraniums. 



CHAPTER III 



THE CANOE ADRIFT 

IN spite of the computations mentioned in the 
last chapter, Nigel found himself without a 
ticket on Oxford platform. He had to accost 
the collector, to be waved back until the collector 
had dealt with all the other passengers, and to 
undergo the indignity of a personally conducted 
tour to the guichet. His digs, however, were in the 
High ; his education, incomplete in many respects, 
had at least accustomed him to quick changes, and 
it was only a minute or two past ten when he 
presented himself at the door of the Schools, white- 
tied and respectable. 
' What are yon, sir ? ' asked the porter. 
' History.' 

' History viva voce examinations don't start till 
to-morrow. Ten o'clock, sir.' 

Nigel turned away, hardly with the air of one 
disappointed, and retired to his digs. Oxford was 
full of all the horrors of a Long Vacation ; earnest 
Americans with guide-books, with sketch-books, 
with cameras; charabanc-loads of breezy Mid- 
landers, losing one another, hailing one another, 
i roaring inaudible jokes across the street ; patient 
little men who had come up for a summer school 
of Undertakers, trying to find their way back to 

23 



24 THE FOOTSTEPS AT THE LOCK 

Keble. There seemed to be no more room than 
during term, whether in the perilous streets or on 
the thronging pavements; North Oxford went 
marketing as relentlessly as ever; shop-assistants 
bicycled past, with lady shop-assistants perched 
stork-like on their steps ; Cowley Fathers stumped 
along, eyes in the distance and cloak on shoulder ; 
dons met, dons button-holed each other, dons asked 
each other when each other was going down ; only 
the undergraduate, for once, was a bird of passage. 
A grim notice of ' Apartments to Let ' hung in the 
window of Nigel's own sitting-room; a pot of 
ferns stood underneath it— no, this was no place 
for him. He changed his white tie, hailed a taxi, 
and within a quarter of an hour had been deposited 
at Eaton Bridge. 

The Gudgeon Inn stands close by Eaton Bridge, 
with a pleasant though untidy stretch of grass 
sloping down to the river; at the end is a tiny 
quay to which a few boats are moored, at the back 
of it a verandah, where holiday guests can have 
their tea in wet weather without actually going 
indoors. On the whole, there are worse places in 
which to wait for a dilatory cousin. Nigel explained 
his movements to the young lady at the bar, and, 
after consulting her as to the hour, ordered a large 
stone ginger. This, when it was brought out to 
him on the lawn, he fortified from a handy flask 
in his pocket, and sat down in its company to wait. 
It was impossible that Derek should arrive yet ; 
on the other hand, it was pretty clear that he 
ought to turn up within half an hour or an hour 
at most ; his course lay downstream, and he had 



THE CANOE ADRIFT 25 

a fair wind behind him. There was nothing for it 
but to sit here and philosophize. Indeed the slow 
swirl of the river at his feet invited to philosophy ; 
it chimed in with the mood of a man just coming 
down from Oxford, and with no very sensational 
achievements, so far, to be put down to his credit. 
A large peacock edged suspiciously into view: 
Nigel picked up some fragments of bread, doped 
them with gin, and threw them at the bird in the 
hope that it would become interested. A drunk 
peacock would surely be an exquisite sight ; to see 
it lose, at last, the shocked staidness of its demea- 
nour. A camping party on the other side of the 
stream, a little lower down, claimed his attention ; 
two brawny young men appeared to be washing 
up dishes, and hanging clothes out to dry. Nigel 
speculated whether it would ever be possible to 
enjoy the kind of life in which you had to wash 
up your own dishes and feed on tinned salmon. 
There seemed to be people who did it for the love 
of the tiling. Probably it was a compensation of 
some kind ; you could explain anything as a 
compensation nowadays. 

Half-past eleven came, and still no sign of the 
canoe. Nigel wandered up and down restlessly, 
consulting his watch at intervals ; at last he ordered 
and consumed a solitary luncheon, of which the 
main features were cold mutton and cherry brandy. 
At about a quarter to one he decided to wait no 
longer ; he approached the barmaid — he was getting 
anxious, he explained, about his friend in the canoe. 
Die gentleman had been in poor health recently ; 
it seemed possible that there might have been an 

3 



26 THE FOOTSTEPS AT THE LOCK 

accident of some sort. Anyhow, he intended to 
walk upstream and look for him ; would it be pos- 
sible for him to have a companion ? He himself 
was not much of a swimmer, and it might be a 
good thing to have somebody present who was 
more of an expert ; was there anybody connected 
with the inn who could come with him ? It appeared 
that there was. The odd man would be prepared 
for any emergency ; he swam like a duck he did. 
Nigel was introduced to the odd man, who turned 
out to be a very ordinary man. His engagements 
seemed to admit a walk of an hour or so spent in 
a good cause. Together they crossed the bridge, 
and set out upon the swathe of trodden hay, called 
by compliment a tow-path, which runs along the 
eastern bank of the river. 



The Muse of detective fiction— she must surely 
exist by now — has one disadvantage as compared 
with her sisters ; she cannot tell a plain unvarnished 
tale throughout. If she did, there could be no 
mystery, no situation, no denouement ; the omnis- 
cience of the author and the omnipresence of the 
reader, walking hand in hand, would lay waste the 
trail ; no clue would be left undiscovered, no 
detail lack its due emphasis. Needs must, then, 
that from time to time we should interrupt the 
thread of dull historical narration ; should see the 
facts not as they were in themselves but as they 
presented themselves to those who partook in the 
events concerned. Let me give you, then, the 
next stage of my story in the form in which it 
appeared next morning to a million readers. 



THE CANOE ADRIFT 



^7 



PLEASURE TRIP MYSTERY SEQUEL 
CANOE OCCUPANT FEARED DROWNED 

O.X FOR D. 

Alarm is felt here for the safety of Mr. Derek 
Burtell (inset), a visitor from London who should 
have returned yesterday from a canoeing tour to 
Cricklade. He was last seen at an early hour 
yesterday morning, leaving Shipcote Lock, which 
is situated in a somewhat lonely part of the river, 
about six miles above Eaton Bridge. His cousin, 
Mr. Nigel Burtell, who had accompanied him up 
to that point, returned from Shipcote to Oxford 
by train, it being his intention to rejoin the canoe 
at Eaton Bridge, to which he motored out from 
Oxford an hour or two later. After a time the 
non-arrival of his fellow-traveller gave rise to alarm, 
and he proceeded upstream by the tow-path in 
the direction of Shipcote, accompanied by George 
Lowther, a serving-man at the Gudgeon Inn. 

WATER UP TO THE GUNWALE 

At about half-past one they sighted the missing 
gentleman's hat, which was floating in the centre 
of the stream ; and shortly afterwards the canoe 
came in view, still afloat but full of water up to 
the gunwale. No sign was to be seen of its quondam 
occupant. Lowther immediately stripped and swam 
out to the canoe, which he brought in J.o shore 
without difficulty; then he pluckily commenced 
diving near the spot where the canoe had been 
found, to see if any further signs of the missing 
gentleman were forthcoming. On righting the 



28 THE FOOTSTEPS AT THE LOCK 

canoe and emptying it on the bank, it was discovered 
that a jagged hole of considerable size had been 
made in one of the planks of its hull, apparently 
by some violent collision with the sharp gravel 
which fringes the bank at various neighbouring 
points. 

HEART FAILURE THEORY 

Help was immediately summoned from Shipcote 
Lock, from Eaton, and from the village of Byworth, 
close to the scene of the accident. Watermen in 
punts were at work all yesterday afternoon dragging 
the bed of the stream, and search parties explored 
the neighbourhood of the banks, in case Mr. Burtell 
should have gone ashore and be in need of help. 
It is feared, however, that he may have succumbed 
to a heart attack, being prone to weakness of that 
organ, and fallen overboard through some lurch of 
the boat, the damage to its hull being inflicted 
subsequently. The river bed is overgrown with 
reeds at this point, and the search is necessarily 
a difficult one. Extensive inquiries have been made 
locally with a view to establishing the missing 
gentleman's whereabouts, but up to a late hour 
last night no success had been reported. 

NEVER IN BETTER SPIRITS 

A well-known figure in undergraduate Oxford, 
Mr. Nigel Burtell was yesterday interviewed by 
our representative. The sudden disappearance of 
his relative had been, he said, a great shock to him. 
He had been compelled to leave the boat at Ship- 
cote Ferry, as he believed himself to be due in 
Oxford for an important examination at ten o'clock 



THE CANOE ADRIFT 



29 



yesterday. ' I have never seen my cousin in better 
spirits,' was his comment. ' The doctor had told 
him to be careful about his heart, and I can only 
suppose that he neglected the warning and exposed 
himself, in my absence, to some fetal strain. We 
had been touring up to Cricklade, and it was on 
the return journey that the incident happened. My 
cousin did not often take exercise, and it is quite 
possible that the strain was too much for him.' 

ACCIDENTS UNAVOIDABLE 

Interviewed yesterday, a member of the Thames 
Conservancy Board explained that river accidents 
are by no means uncommon ; in his view, however, 
they were unavoidable. Life-belts were kept at 
all the locks, and the watermen, to whose splendid 
services he paid a glowing testimonial, did their best 
to ensure the public safety. There was, however, 
no method of patrolling the river in between the 
locks, and notices were prominently exposed warning 
the public that persons touring on the river did so 
at their own risk. Canoes were an unsafe form of 
boat for those unexperienced in swimming, since 
a very small alteration of equilibrium was liable to 
overturn them. 

Mr. Derek Burtell is the son of the late Captain 
John Burtell, killed on active service in France. 
Educated at Simon Magus College, Oxford, he has 
recently been living in London, where the mystery 
of his fate will be felt with keen sympathy by a 
large circle of friends. 

*** An insurance policy against accident free 
with every copy of this paper. 



30 THE FOOTSTEPS AT THE LOCK 

So far the ephemeral chronicler ; and if anybody 
thinks it is easy to write that kind of English, he 
does less than justice to the men who make their 
living by it. A few details may be added to com- 
plete the picture. The spot at which the canoe 
was found was perhaps some three miles down from 
Shipcote Lock, close to a disused boat-house on 
the western bank. The hole in the bottom of the 
canoe had jagged, splintered edges, as if it had been 
freshly made — there was no question of an old 
piece of caulking having come loose. The difficulty, 
unanimously expressed by a solemn crowd of 
watermen who inspected it, was how so deep a cut 
could be made by mere impact against a piece 
of shingle. It was difficult to imagine how it 
could be done even if the canoe was being paddled 
at full speed ; here it was probable that the pace 
was quite leisurely, even if the boat itself was not 
drifting at the time of the catastrophe. The owner 
of the canoe insisted that he had no reason to think 
it faulty ; and indeed its appearance showed that 
it was almost new. The two paddles were floating 
near the hat. Derek's luggage was found water- 
logged in the canoe. 

Eager bands of amateur detectives searched along 
cither bank, and far back into the woods, to find 
any trace of the missing man, but with no success. 
If he had landed on the left bank, he would naturally 
have made for the village of Byworth, wluch was 
only half a mile from the spot ; but none of the 
villagers, none of the labourers in the fields, had 
seen any trace of him. The further bank was 
more lonely (it was too early in the day for fishermen 



THE CANOE ADRIFT 3* 

to be out), but there was an encampment of boy 
scouts a little lower down, and it was unlikely that 
they would have let a dripping stranger go pas 
unnoticed. Before the end of the day the most 
optimistic of the bystanders admitted that they 
were out to find a corpse. 

Nigel went back to Oxford by the last train. He 
had, of course, communicated with the police; 
there were no parents to communicate with— 
indeed, it was the melancholy fact, in spite of the 
journalist's polite reference, that there was not a 
soul in the world who mourned for Derek dead, 
or cared whether Derek lived. He had made 
innumerable acquaintances, but no friends. There 
was nothing to be done, then, except to wait for 
news ; and from this point of view Oxford was as 
good a place for Nigel as any ; there was his viva, 
too, on the morrow ; and he had in any case to 
spend a day or two packing up before he left the 
beautiful city, ' breathing out,' as he said to himself, 
' from her gas-works all the disenchantment of 
middle age '. Reporters, no doubt, would be a 
nuisance, and even the police might want to ask 
questions — if Derek's body were found, there would 
be all the fuss and discomfort of an inquest. He 
must make up his mind to go through with it. ' It'll 
be experience for you,' said one of the dons, vaguely 
enough ; but this was poor consolation. Nigel 
held that nothing distorts one's vision in life like 
experience. 



CHAPTER IV 



THE INDESCRIBABLE HAS ITS DOUBTS 

WHEN I said that no human soul mourned 
Derek dead or cared whether Derek lived 
I spoke too hastily ; I should have 
excepted the Indescribable. To a Company with 
such vast assets, the sum needed to cover Derek's 
policy was of course a mere drop in the ocean. 
But (it has been finely said) business is business ; 
just as a prudent housewife will waste hours tracing 
a missing sixpence in the accounts sooner than pay 
in sixpence from her own purse, so the Indescribable 
would set agencies to work sooner than lose the 
paltry sum of fifty thousand pounds. It was a 
matter of principle. 

In this illiterate age, it is perhaps too much to 
expect that my reader is familiar with the name 
of Miles Bredon. I must, therefore, at the risk of 
being tedious to the better-informed, remind the 
public that Miles Bredon was the agency which the 
Indescribable always set to work on such occasions ; 
he was their very own private detective, paid 
handsomely to do their work for them, and paid 
still more handsomely to do nobody else's. The 
employment, naturally, was an intermittent one, 
which exactly suited the indolence of the man's 
taste — his round of golf, an evening spent over his 

32 



THE INDESCRIBABLE HAS ITS DOUBTS 33 

favourite and unintelligible form of patience, his 
country cottage, and the unstaled companions up 
of his really admirable wife, this was all Brcdon 
asked, and this, for some months at a stretch, 
would be all that he got. Then there would be a 
loss of fashionable jewels, a fire in an East-End 
warehouse, and Bredon, greatly protesting, would 
be launched out anew upon that career of detection 
for which he had so remarkable an instinct, and so 

profound a distaste. 

He had been summoned up to London for an 
emergency interview, and it was with an unpleasant 
sense of being ' for it ' that he entered the loathed 
portals of Indescribable House. I will not attempt 
to give any word-picture of the upstairs room into 
which he was shown, for that would be to suggest 
that I was familiar with it, whereas neither you, 
reader, nor I are ever likely to be shown up beyond 
the second floor, even if either of us is lucky enough 
to be insured with this admirable Company. Some- 
where in the vast labyrinth of the third floor Bredon 
disappeared from sight ; we may listen at the key- 
hole, if you will, but profane eyes must not peep 
through it. I picture gold ash-trays lying about 
on the tables, real oak panelling, and one or two 
Rubenses on the walls ; but perhaps I exaggerate. 
Anyhow, here it was that he was closeted with 
Sholto, an important cog in the business and a 
personal friend ; with Dr. Tremayne, too, that 
eminent practitioner who had been so highly paid 
to leave off saving life, and devote his talents to 
prophesying the probabilities of death. 

Bredon was given something to smoke — I suppose 



34 THE FOOTSTEPS AT THE LOCK 



a two-and-sixpenny cigar. 1 It's about this Burtell 
business,' said Sholto. 

' Oh Lord, not that ! I read about it in the paper 
as I came up. I was really delighted to notice 
how mysterious the circumstances were. I assure 
you, there is nothing more refreshing to my mind 
than not solving mysteries. Do you mean to tell 
me that the Company was involved ? ' 

' It was. It's a matter of fifty thousand.' 

' Fifty thousand be hanged ! Let 'em sack the 
under-porter and call it quits. How did this 
Burtell manage to pay his premiums, anyhow ? 
I know people who know him, and I always 
understood that he was never supposed to pay for 
anything.' 

' It wasn't he who paid the premiums ; it was 
his creditors. They sent a deputation round here 
about it ; I tell you, it was like the Flight from 

Egypt- You see » he d been raisin & neav Y loans, 
and he couldn't touch his money till he was twenty- 
five. That's where we came in.' 

' And how old is he, or was he ? ' 

' Policy's only got two months to run.' 

' Good Lord I Sounds like old Mottram again. 
What was all this about weak health, doctor ? 
You vetted him, I suppose ? ' 

' Weak health, my dear Bredon, isn't in it. The 
man was a wreck. I've never seen anybody who'd 
gone the pace so thoroughly.' 

' Punch ? Or Judy ?— as Father Healy used to 

say.' 

' Oh, anything you like. But this last year or 
two he'd been drugging. When I saw him, he'd 



THE INDESCRIBABLE HAS ITS DOUBTS 35 

obviously more or less reached the line of perpe^j 
snow And his heart was all to pieces. I wouldn t 
have given him two years ; but then we only 
insure! him up to twenty-five. Simmonds .said the 
same. He did his best for him, and tried to pull 

him round a bit.' . 

« Was it Simmonds who suggested this canoe- 

tn,P Yes, it's a fad of his. I think Simmonds must 
get a commission from the Thames Conservancy ; 
they'd never keep their locks in repair without him. 

' Well, he'd better recommend bath-chairs in 
future. What does he say about this heart-failure 
business ? ' 

' Oh, it's all right ; it's perfectly possible. If 

Burt ell had been slacking for a bit, say, and had 

suddenly tried to put on speed, he might quite 

easily have had a seizure, fallen over sideways, 

capsized the boat, and there he is at the bottom, 

with the Company responsible for fifty thousand.' 

' Seems to me my job is to save Simmonds' 

character. What about hocus-pocus, Sholto — you 

know, the disappearing trick ? ' 

' It's possible. I've fished on the Thames before 

now, and it's possible to go miles, sometimes, 

without meeting a soul. But how was the fellow 

going to do it ? You see, the money would go to 

the cousin ; and it's quite certain that there wasn't 

any love lost between them. Why should Mr. 

Derek Burtell obligingly disappear, to let Mr. Nigel 

Burtell come in for a nice legacy ? ' 

* What sort of fellow is this Nigel ? He wasn't 
inset.* 



36 THE FOOTSTEPS AT THE LOCK 

' We've made inquiries, and he seems to be a 
pretty poisonous sort of worm. Fifty per cent 
aesthete and the rest devil, I should say. But 
there are no convictions against him for murder so 
far, if that's what you mean.' 

' Well, we seem to be in with a gaudy crowd. 
Seems to me the Company ought to engage a 
parson to inspect people's morals before we insure 
them. What exactly am I expected to do ? 1 

' Oh, go down to the Upper Thames and look 
about for cigarette-ends. Not such a bad place 
either, at this time of year. If they fish out a 
corpse, it's all up. If they don't we shall have to 
presume death after a time, unless you can produce 
the man alive, or evidence that he was alive on 
September the third. It doesn't do for the Indes- 
cribable to keep people waiting. If I were you, 
I'd go down at once, because the papers have given 
the thing big head-lines, and there's the hell of a 
lot of trippers will be coming up the Thames before 
long. It's good for you, you know ; it'll take down 
your fat. I wish I could be there, to see you diving 
in the mud on the spot marked with an X. Well, 
go to it. Them's orders.' 

Bredon sent his wife an urgent request to pack 
and picked her up at the cottage. It was she who 
drove (while he, as he said, did the thinking) on 
the motor-infested journey to Oxford. ' I don't like 
it, Angela,' he said, as he sat beside her. ' I feel 
as if it was going to be the beast of a complicated 
business.' 

' It may be your idea of a complicated business, 
it's not mine. All you and I have got to do is to 



THE INDESCRIBABLE HAS ITS DOUBTS 37 

lounge about the Upper River in a canoe until the 
watermen dig out the body. It's a long time, you 
know, Miles, since you took me out in a canoe. 1 
shouldn't wonder if my service arm has got a bit 
flabby. I'm the only person who loses by this, 
because of course I shall look a fright on the river. 
Why is it that men always look like heroes when 
they're boating, and women always look like 
frumps? "These little ladies are determined to 
make the most of the sunshine "—that kind of 
thing. What's worrying you, anyhow ? ' 

' Oh, I've no theories about it, but even from 
what the papers print you can see it isn't a straight- 
forward case. It's a frame-up of some kind, that's 
the trouble. It wears all the air of a frame-up, 
and that means that somebody's been covering his 
traces, and we've got to find out who, where, and 
why.' 

* But why a frame-up ? 1 

' Why, don't you see, the whole thing's a little 
too good to be true. The canoe-trip's all right ; 
Simmonds is always recommending it. But why 
should Mr. Derek Burtell take his cousin, whom 
apparently he loathed, on a tour of that kind ? 
Nothing puts two people at closer quarters than 
a week on the river. It doesn't look right, their 
going together.' 

' But they weren't together when the accident 
happened.' 

1 I know, and why weren't they ? That's all 
wrong too. All the week, while they're together, 
Derek Burtell is at liberty to throw" as many fits 
as he pleases. But he doesn't— he waits till his 



3 8 THE FOOTSTEPS AT THE LOCK 

cousin is out of the way, and then conks out. 
Meanwhile, the cousin isn't permanently out of the 
way ; he comes back again just in time to be in 

at the death/ 

' Sure you're not being fanciful ? 9 

1 Woman, I'm never fanciful. I have no instincts, 
no premonitions, no unaccountable intuitions. I 
just see the logic of the thing, nothing else. And I 
say that all this is just a little too good to be coinci- 
dence. Remember, too, that it happens on one 
of the loneliest parts of the river ; that it happens 
in the morning, the one time when there wouldn't 
be any fishermen about. These young men, you 
see, had been up the river and were coming down 
again ; they had had full opportunity to explore 
the ground beforehand. No, somehow, somewhere, 
it's a put-up job.' 

' But what kind of a job ? Suicide ? I know 
how fond you are of the suicide theory.' 

' Suicide doesn't work. A canoe's a perfectly 
sensible kind of boat to go out in if you want to 
commit suicide, more particularly if you want to 
let on that it's an accident. Nobody can say, 
" How could he have managed to fall out ? " if 
you're in a canoe. But, just for that reason, we've 
no sort of use for a canoe with a hole in the bottom. 
If you want to drown, the simplest way is to drop 
into the water and have done with it, not to lie 
in a scuttled canoe feeling the water gradually come 
up and soak your bags. I don't believe there's 
anybody who could commit suicide in such a cold- 
blooded way as that. On the other hand, if he 
did just jump into the water and drown, leaving 



THE INDESCRIBABLE HAS ITS DOUBTS 39 

the canoe to mark the spot, why didn't he leave 
the canoe afloat properly-or waterlogged if you 
like, but at least without a hole in the bottom ? 
Assuming that he wants to make the thing look 
like accident, that's the very way to advertise the 
fact that he did it on purpose.' 

' Holmes, I seem to see what you are hinting at. 
We're on the tracks of a murder, after all.' 

* No, confound it, the murder idea is wrong too. 
The Upper River is the last place where you're 
likely to meet an old acquaintance with a grievance 
and a shot-gun. If it was to be murder, it would 
have to be this Nigel who's responsible, and that 
doesn't do. For it must have been the other one, 
Derek, who proposed the canoe trip. It's asking 
too much of coincidence to suppose that the mur- 
deree deliberately put himself, for a whole week, 
at the disposal of the murderer. Of course, we've 
got to take the possibility into account. But 1 
don't like the possibility.' 

' Disappearance, then ? The Mottram touch ? 
It might have been worth his while.' 

' Yes, but if you want to disappear, you want to 
disappear in an orderly and unobtrusive sort ol 
way ; you want to get clear before anybody notices 
a gap in the ranks of Society. You don't want 
people scouring round after you ; you don't want 
the papers making a stunt of it next morning ; you 
don't want to have the bows of your canoe stove 
in, so that the police might think you were murdered. 
That idea fits in with bits of the story— the deliberate 
way, for example, in which the cousin appears to 
leave him for two or three hours unaccompanied. 



40 THE FOOTSTEPS AT THE LOCK 



But the bottom of the canoe seems to knock the 
bottom out of it. No, it's no use worrying, we 
must have a good look round before we try to go 
any further. I'm not sure it wouldn't be a good 
thing to buy half a dozen canoes in Oxford, just 
to try experiments with.' 

' We're not going to stay in Oxford, then ? You 
know, you haven't been very communicative.' 

' Not if we can get a room at this inn by Eaton 
Bridge. The nearer the spot the better. It must 
be about twenty-four hours now since the thing 
happened, and I don't want the scent to get cold 
if I can help it. Besides, I want to get the atmos- 
phere of the place. Oxford's all wrong.' 

' I just thought you might be going to interview 
this cousin person. He must be about in Oxford 
still.' 

' I doubt if the young gentleman shares your 
admiration for me, Angela. What right have I got 
to go and interview him ? I can't send up a card 
with " Indescribable Company " marked on it, as 
if I'd come to see about the electric light. The 
Company prefers to remain anonymous in these 
cases. Unless I can scrape an acquaintance with 
him by accident, the cousin will have to continue 
in his lamentable ignorance that I exist. No, the 
Bridge for me, and the lock-keeper ; one can always 
get conversation out of a lock-keeper.' 

' This one may be .pretty peevish, though ; he 
must have been answering a lot of questions these 
last twenty- four hours.' 

' That's where you come in. There are times, 
you know, when I'm almost glad I married. You'll 



THE INDESCRIBABLE HAS ITS DOUBTS 4. 

? f > VP & 

shall it be? Dogs, iwy * gardens. 

ft IfS ffST. S ^interest 

" - mates' the husband of the gardener doing ? 
tJSLa of the gardener is look.ng for oo^ 
nrints on the back lawn. All right. It he seems 
difficile 1 shall ask for cuttings from his obeha s. 
£ don't quite see how we're to explain our 
presence at the lock. The road there doesn t go 
any further. Do we just say we've been told he s 
got a pretty garden and 

g ' On the contrary, we open the conversation by 
saying " Lock ! " Then you get to work. 

• Oo, are we really going to start boating at once? 
I say, you'll be pretty tired and pretty late by the 
time you've paddled me six 

« I had thought of obviating that by taking two 
paddles. Look out, this is going to be Magdalen 
Bridge, not Brooklyn Bridge; try to have some 
regard for the safety of the public' 



4 



CHAPTER V 



MR. BURGESS EXPANDS 

THE Gudgeon Inn proved to be empty of 
visitors, its management at once hospitable 
to strangers and incurious as to their errand. 
They secured a quite tolerable bedroom, whose 
windows looked down over the strip of grass on to 
the river itself. Luncheon was a hasty meal : 
Bredon was plainly full of impatience to be off, and 
Angela accommodated herself to his mood. They 
hired from the inn not only a canoe, but a substan- 
tial length of rope, and most of the journey upstream 
was in the end accomplished by towing — Miles 
walking on the bank while Angela steered and gave 
occasional dabs at the water in the stern. Few 
things travel quicker than a toWed canoe. Indeed, 
the only circumstance winch delayed them was the 
melancholy presence of a few dredgers, whose crews 
were occupied in dragging the bed of the stream 
for further traces of the catastrophe. At one 
point, where the whole stream was barred in this 
way, they found it necessary to pull over the bank. 
But this, fortunately, was the spot at which the 
boy scouts were encamped ; and Bredon looked on 
with benignant interest while no less than fourteen 
good deeds were registered in their juvenile Treasury 
of Merit. The scout-master, a man of some age 



MR. BURGESS EXPANDS 43 

and education, fell into conversation with bin, 
while the operation was being conducted. 

•Ironical' said Bredon, 'that so much help 
should have been so close at hand when the accident 

^^wS'said the stranger, ' I don't know that 
we should have been very much use. You see, we 
had only just moved in, and that morning the 
bigger boys had gone over to Wheathampton with 
the trek-cart to bring our stores over. Only the 
little ones were here, cleaning up and so on. 
' Then you were over at Wheathampton your- 

SCl,f Why, no ; it's true I was in camp. But there 
are endless little details one has to arrange for, and 
I wasn't keeping an eye on the stream. Not at all, 
not at all ; the boys enjoy doing it. Good morning 
to you, sir.' 

The plan of campaign had been amended so lar 
as the lock was concerned. If they demanded the 
opening of the lock, it would be necessary to go 
further upstream for the look of the thing, and 
this would be mere waste of time. Bredon hailed 
the lock-keeper, and asked if they might tie up the 
boat just underneath while they went over to 
Shipcote to get some tea. The lock-keeper paused 
impressively, like one struggling with the fallacy of 
many questions. 

' There isn't nothing against your tying up the 
boat there, sir, not if you wished to. But you 
won't get no tea at Shipcote, because Mrs. Barley 
at the inn don't give teas. No demand for 'em, 
she says ; that's how it is. You'd have got a nice 



44 THE FOOTSTEPS AT THE LOCK 

cup of tea down at the Gudgeon, but you won't get 
none not at Shipcote. Of course, if you aren't in a 
great hurry, I could ask Mrs. Burgess if she'd put 
the pot on for you ; she do sometimes in the season.' 

Miles rightly conjectured that Mrs. Burgess was 
the lock-keeper's wife. By a trick of human vanity, 
we always assume a knowledge of our own surname 
in conversation with strangers. This was better 
than anything they had dared to hope for ; the 
offer was speedily accepted ; their position was 
assured ; and Angela's appreciation of the garden 
would have been merely perfunctory, if it had not 
been genuinely forced from her by the beauty of 
what she saw. Within five minutes, she actually 
found herself applying to Mr. Burgess for horti- 
cultural advice ; she excelled herself in superlatives ; 
she called her embarrassed husband to witness that 
Mr. Burgess' pinks were a fortnight ahead of their 
own. So completely was she absorbed that in the 
end it was Mr. Burgess himself, full of importance 
over recent events, who called their attention to the 
fact that he was, so to speak, the scene of a tragedy. 

' Ah, yes, that drowning business,' said Bredon. 
' An extraordinary affair— have you ever known the 
bottom of a canoe stove in like that by running 
aground on a bit of shingle ? ' 

' No, sir, I haven't, and you can take it from 
me that I told you so. For a racing-boat I wouldn't 
say, being built for speed and that ; but those 
canoes is built very hard, if you see what I mean. 
Light, but hard, that's how it is ; it's the quality 
of the wood. In a flood, now, I won't say but you 
might smash one up, or if you were shooting rapids 



MR. BURGESS EXPANDS 45 

■ , i j, But there aren't no rapids here, you 
:\ „i than the Windrush, and if they done 

he damage to the boat on the Windrush how dd 
'they S ^ all the way here safe and sound? 
Tint's what I want to know. 

Looked sound enough. I suppose, when it passed 

through the lock ? ' , 
; Well, you see, sir, we don't take much stock of 
boats as they come through, not in the ordinary 
way. Sees too many of 'em, that s what it is 

« I suppose, if it comes to that, you don t take 
much notice of the people who come through either i 
Must be a nuisance when this sort of thing happens 
having to answer a whole pack of questions about 
what the gentlemen in the boat looked like, and 
what was the exact hour at which they went through, 

and all the rest of it.' 

' Well, it's curious you should say that, sir, 
because it so happened that I knew just when this 
boat came through, and was able to give information 
according. You see. sir, this young gent gets out, 
and he was anxious for to catch the train at Shipcote 
Station there. I told him, I did, he ought to have 
got off at the bridge higher up ; then you'd have 
caught the bus, I says ; the bus runs from the bridge 
to Shipcote Station, I says. Oh. he says, very la-di-da 
sort of gent he was. Oh, like that he says, I want to 
catch the nine-fourteen. Well, I says, you've time 
to catch the nine-fourteen by the footpath ; it isn't 
hardly not a quarter of an hour's walk, and it's 
only five minutes to nine now, I says. The devil 
it is, he says, begging your pardon, mum, I make it 
nine o'clock if it's a minute, he says. So I told him 



46 THE FOOTSTEPS AT THE LOCK 

I got the time here by wireless, and showed him my 
watch, same as it might be to you, and that's how 
it was I come to know what the time was when he 
went off, you see.' 

They had tea, to Angela's delight, in a little 
arbour overgrown with ramblers and commanding 
a long vista of the river. She was already losing 
interest in the purpose of their errand, and accepting 
the expedition as a holiday. Miles, though he 
affected an even more conspicuous languour, was 
addressing strictly business questions to Mr. Bur- 
gess, who still hovered about, unskilled to close the 
flood-gates of his own eloquence. 

' But of course that was the gentleman you saw 
on the bank ; he was out of the boat, so you had a 
good look at him. But you wouldn't have been 
able to answer for the one who stayed in the canoe 
— and after all, that's the corpse ; you might be 
called upon to identify him any day.' 

' No, sir, that's a fact, you don't see much of a 
gentleman who just comes through in a boat, 
especially if he's wearing of a hat, same as what 
this one done. Same time, I'd know the other one 
anywhere. Want to catch the nine-fourteen, he 
says. Oh, says I, you've time to catch the nine- 
fourteen by the footpath. And so he had, you see.' 

' But you'd be ready to swear that there was 
another. gentleman who passed through the lock ? ' 
asked Bredon. These reminiscences of a dialectical 
triumph were becoming somewhat wearisome. 

' Excuse me, sir, but were you in any way con- 
nected with the police ? ' asked Mr. Burgess, a chill 
of suspicion creeping into his voice. 



i ' y y 

MR. BURGESS EXPANDS ^ 47 

■ Good God, no,' answered B<U .fcrj-gr- ^ 

■No offence meant. «. But you ^e 
B the police comes to me and asks q ^ 
then I'm prepared ^ "««ttan that, can I? 

stand • but I don't hold with getting mixed up With 
he police, not if you can help it. Supposing 
you was the police, sir, and you come and ask me 
Was there another gentleman come through the 
lock? hke that, Oh yes, I says. And so there 
was. But seeing as you're not connected With em 
sir IH tell you more than that. There was one of 
'em in the canoe when it come through the lock but 
how long did he stay in the canoe ? That s what 1 
say, how long did he stay in the canoe ? ' 

' Well, if we knew that, we should be able to tell 
the newspapers something, shouldn't we ? ' 

* Ah, sir, them as knows isn't always them as 
tells. Now, look here, sir ; I'm a plain, ordinary 
man, you know what I mean ; and I don't set up 
to know more than another man. But I've got 
eyes, you see. Well, and this is what I'm telling 
you. When that young gentleman come through 
the lock in the canoe— same as it might be your 
canoe, only going down instead of coming up 
when that young gentleman come through the lock, 



48 THE FOOTSTEPS AT THE LOCK 

he was all sprawling on his back, same as if he was 
asleep ; not steering her, sir, if you'd believe me 
but just letting her float broadside on and go down 
as the wind took her. Ah, says I to myself, you've 
got some game on, you have. You wouldn't be 
shamming asleep like that if you hadn't got some 
game on, I says. Same time, I didn't take any notice 
of him ; so long as a gentleman pays his fare, 
that's all I've got to look to. But it stuck in my 
head like, you know what I mean. Didn't seem 
natural to me, that's how it was.' 

* So you didn't do anything about it ? 9 

' At the time, sir, no, sir. But a little after, 
may have been about half an hour after, or twenty- 
five minutes, I went down along the island a bit 
to see after some of Mrs. Burgess' hens as had got 
loose in the wood like. Well, sir, you remember 
that iron bridge as you come under, just a little 
way down the lock stream ? Kind of iron bridge for 
foot passengers, because there's no road leads to it, 
nor Like to be.' 

' Yes, I remember noticing it. Joins up the 
island to the West bank. What about it ? ' 

' Maybe you didn't notice that the steps of that 
bridge is made of cement, same as the lock here. 
Well, I goes past them steps, the ones on the island 
bank of it, and what d'you think I see ? Foot- 
marks, sir ; naked footmarks, for all the world 
like Man Friday in the tale. Seemed to me some- 
body 'd been swimming in the water, or paddling 
maybe, and left those marks along of his feet 
being wet. Of course, if you was to go there now 
you wouldn't see nothing of 'em ; they'd be all 



MR BURGESS EXPANDS 49 

way would they be po.nt.ng ? I mean, y 
go y u P the ^P, or = . And ^ ^ 
footmarks on the otncr sei 

bn ' d N e o ? sir only the one side, same as I'm telling 
vou ^ And coming down, sir, toes pointing towards 
^ island So that's what makes me say to myself, 

see Why he only left marks going down the steps, 

you don't recollect the 
bndg 'properly. Rises very sudden, sir, with iron 
barAo'suJport it, coming down close to water 
on either side. And I says to myself Whats to 
prevent the young gentleman having laid hold of 
those iron bars, standing up in the canoe, like, and 
pulled himself up by his arms on to the bridge . 
The banks is steep there, you see, and they was 
muddy after a night of rain ; so if he'd gone ashore 
he'd have been bound to leave some marks ot it. 
But those prints of his wet feet on the bridge steps, 
why, if I hadn't have come along within the hour, 
they'd have faded away altogether, and you and 

me none the wiser.' 

' Then you mean he just got out of the canoe, 
left it to drift, and went oft the nearest way to a 
road ? ' 

' Not the road. sir. the railroad. If he'd have 



50 THE FOOTSTEPS AT THE LOCK 



liked to go down to the end of the island, he'd have 
just had to swim the weir stream, and then he'd 
be on the field track that goes straight from the 
tow-path to the station. Though, mind you, he 
might have come right back to the weir, same as the 
other gentleman done, and crossed by the weir- 
bridge, and there he'd get the short path to the 
station, see ? Of course, I won't say as that would 
be easy without me seeing of him ; but you know 
how it is, sir, when a man's got his little bit of 
garden, he can't be always looking about him, and 
I've only one pair of eyes.' 

' Funny, though, that nobody else should have 
seen him. Because surely they would have men- 
tioned it by now.' 

' It would surprise you, sir, to know what a lonely 
place this can be, more especially when it's early 
morning. Of course, if he'd have taken the longer 
path, the one opposite the end of the island, I won't 
say but he'd have been seen going through Spinnaker 
Farm ; he had to pass through that, you see, to get 
to the station. But if he took the shorter path, 
from the weir, there wasn't nobody about, not a 
living soul. Come to think of it, there was a gentle- 
man went through in a punt just before they came, 
because I remember letting of him through. But 
he'd be out of sight, you see, before I'd got the 
water through the lock again.' 

' Angela, we ought to be getting back. We 
mustn't take up any more of your time, Mr. Bur- 
gess. I'd better see Mrs. Burgess about the tea, 
hadn't I ? Good afternoon ; I expect we'll be up 
this way again before long.' 



MR. BURGESS EXPANDS 5* 
Bredon, however, had f £ 

o the right bank and left Ang P Farm 

slowly while he -\;^Xo U s dog, fortunately 
Here he was greeted by a voaie 5 ^ 

«Wto»^^^JSSln the matter of 

ZSrJZ ^trtr'Brldon answered 
pronlptly he^had, fortunately for his success on 
such occasions, a good reaction-time. 

' Yes we found it sure enough ; my Flossie she 
see Uwhn shew-as out in the big ; field yesterday 
Oh she says, whatever is that ? But she s a goo 
Si F oss e she didn't open it ; she brought it 
Sight to me, and of course I kept it Ul case >t was 
called for. That'll be the one, sir > 

She produced a voluminous waterproof tobacco- 
pouch, tightly rolled into a hard cylinder Bredon 
knew at the touch that it contained something more 
interesting than tobacco ; but he saw no reason to 
mention the point. ' I couldn't be sure where 
I'd dropped it,' he said. ' Was it along the tow- 
path ? ' 

• Yes, sir, on the tow-path, sir ; just where it 
leaves the river over against the island. I thought 
at first it might have been dropped by the gentleman 
who came through yesterday morning early, and 
I said to myself, " Oh dear, he'll never come back 
for it", because he passed in such a hurry you 
could see he was running for the train.' 



52 THE FOOTSTEPS AT THE LOCK 



Bredon began to regret his role of pouch-loser ; 
it would hardly be decent to show too much interest 
in the stranger. ' I expect that was the gentleman 
I passed myself yesterday morning. About nine 
o'clock it would be ; a young, dark-haired gentle- 
man, with no hat on. I'm glad to know he caught 
the train, for he looked to me as if he were going to 
miss it.' 

'That would be the one, sir.' Bredon did not 
venture on any closer examination. He hurried 
back down the path, unrolling the package as he 
went. It proved to be. a spool of camera-films — 
one that had been used and rolled up by unskilful 
hands. ' That ', he said to himself, ' might be much 
worse. That might be very much worse.' And he 
thrust it away into an inner pocket. 

' Well,' he asked, as he executed a kind of back 
somersault into the canoe, ' how's that for a day's 
outing ? You obviously are the complete river- 
girl ; your disguise takes in everybody. I suppose, 
after all that, we shall hear at Eaton Bridge that 
they've fished up the corpse, and it's no business of 
ours how it got there.' 

' They'll fish up at least two corpses if you try 
to get into the boat like that again. Well, what did 
you think of the Burgess theory ? I thought him 
rather splendid. Of course, I may have been just 
carried away by his eloquence. But it seemed to 
me he was the complete detective. I was wondering 
whether you and he couldn't swap jobs ; I could 
do the gardening part, and I suppose you could 
manage to sit backwards on to a lock gate till it 



MR. BURGESS EXPANDS 53 
opened I'm sure the Indescribable would find Mr. 

To 5 . ^Burgess is all wrong. Anybody 
eould see he's talking through h,s hat. No don 
ask me why just now ; ask me after dinner, i 
want to try and work the thing out myself a bit 
I wonder Uthe Gudgeon has such a thing as a dark 

room ? ' 



CHAPTER VI 



THE ARCHIMEDES TOUCH 

THE Gudgeon Inn is the sort of institution 
that only exists for the sake of people 
who see life in inverted commas. Exter- 
nally it is just like a thousand other inns; the 
creaking sign-board, the modest lintel-announce- 
ment of the licence, the perspective of doors and 
passages that greets you as you enter, show no 
promise of disillusionment. But once you are 
really inside, you know the difference. The dining- 
room has no muslin curtains, there is no bamboo 
firescreen ; the tables are not covered with ash- 
trays and salt-cellars advertising beer and mineral 
waters ; there is no vast, unwieldy sideboard 
heaped with unnecessary coffee-pots. The tables 
are of fumed oak, and the flower-vases on them are 
of modern crockery in a daring orange ; the side- 
board is real Elizabethan, and serves no purpose 
whatever, any more than the three large pewter 
plates which rest upon it, obviously straight from 
an old curiosity shop. There are no stuffed animals 
in glass cases, no sentimental pictures with explicit 
legends in the manner of the later nineteenth cen- 
tury ; no strange sea-shells on the mantelpieces, 
no horse-hair sofas, no superannuated musical- 
boxes. The walls are very bare and beautifully 

54 



THE ARCHIMEDES TOUCH 



55 



i» , a few warming-pans and some 

whitewashed, a lew there are open 

mezzotints are all their ™ tUed floors , 

fire - P laees ^jgU^SUdc mot- 

S^^lTa word, the inn has been 

room only a place they call the Ingle Nook 
I " t find a dart-board anywhere, or an antima- 
cassar Their >dea of a beer-mug is a thing you 
stick up on a shelf and look at 

It's such a pity you've no taste/ suggested Angela 
« Taste ? Who wants taste in a country pub . 
You can get taste in your own drawing-room. A 
country pub ought to grow up anyhow ; with 
grandfather clocks that really belonged to grand- 
fathers, and a spotty piano all out of tune and 
sham flowers and things. Don't you see that this 
kind of thing isn't natural ? ' 

* Well, switch off the art-criticism and do a little 
brain work. Tell me why poor old Burgess is all 
wrong about the drowning mystery.' 

' Oh, that ? Well, in the first place, as I said 
this morning, what's the use of the hole in the 
canoe? If the man isn't really drowned, but 
wants us to think he is, why doesn't he pretend the 
canoe just tipped over on one side and swamped ? 

They often do.' 

' It only surprises me that they don't do it oftener. 

But go on.' 



56 THE FOOTSTEPS AT THE LOCK 

' Here's another improbability — Burtell's got a 
weak heart. Tremayne's vetted him, and Simmonds 
has vetted him, and they both know what they're 
talking about. Now, Burgess wants us to believe 
that that man pulled himself up by the arms from 
a canoe on to the top of a bridge, and then, probably, 
swam the stream. If he did do either of those 
things, it was suicide all right for a man with a heart 
like Burtell's. And that brings up a further point 
— why should he want to leave the boat just there, 
such a short way down the lock stream ? If he'd 
only held on another half-mile or so, he'd have got 
past the junction where the weir stream flows in, 
and then he could land and make tracks for the 
station without crossing any branch of the river 
at all. Again, Burgess found the prints of a naked 
foot. What on earth did Burtell want to go and 
take off his shoes and socks for ? He'd want 
them when he got ashore. Ninthly, and lastly, if 
he scuttled the canoe right up there, just below the 
lock, how did it manage to float down three miles, 
all water-logged, before it was found at half-past 
one ? ' 

' Still, you've got to give some account of those 
footmarks.' 

' Oh, I'm not denying there's been some hanky- 
panky at the bridge. Assuming, of course, that Mr. 
Burgess is telling the truth, and he doesn't seem to 
me to have much imagination. I'm only here to 
establish a death, or if possible the absence of a 
death. So I'm only concerned with what Mr. 
Derek Burtell has been up to. But if I were the 
police, and if I hadn't the singular fondness of the 



THE ARCHIMEDES TOUCH 57 

r for Irvine to find the body before you do 
£££ eS ! should be beginmng to wonder 

X Mr. Nigel Burtell has been up . to , 
• But his alibi is surely pretty sound. 
•Ifs too sound, that's the trouble. It looks so 
confoundedly like an alibi, if you see what I mean. 
£ tL canoe with just — 
catch his train. He engages the loc* ^keeper i 
conversation about the exact time so that the hx* 
keeper can swear not only to him but to the precise 
hour at which he left. Then he reappears here 
an hour or two later, and starts talking to the 
barmaid about the time-I found out that from 
her. Then he conceives some anxiety about s 
cousin-and why was he so anxious? Why du 
he set out almost expecting to find him drowned ? 
-and he marches oft up the river, not alone mark 
you, but with an independent witness who can 
swear to his actions. I dare say it's all right, i 
only get the impression that Mr. Nigel Burtell s 
behaviour is a little too like an alibi to be true. 

' Do you always suspect a man if he's got a good 
alibi ? ' 

No, but hang it all, there's the motive here as 
plain as a pikestaff. I gather he wasn't particularly 
fond of his cousin in any case. And he was the 
residuary legatee ; he walks into the fifty thousand 
if his cousin is proved dead. On the other hand, it 
was necessary to do something pretty quick ; be- 
cause by September Derek is due to be twenty- 
five, and then the money all goes to the Jews. 
On the principle that motive is the first thing to go 
for, Mr. Nigel Burtell is the first man to come under 



58 THE FOOTSTEPS AT THE LOCK 



suspicion. And his alibi has got to be pretty 
good wearing material. Though, as I say, it's no 
business of mine.' 

' What you mean is, you think Nigel Burtell 
slipped round to the wooded part of the island, 
waylaid his cousin, and murdered him just at the 
bridge ; then he scuttled the canoe — why ? Per- 
haps he thought it would sink, and so hide the 
traces. Then he ran back to the station and got 
there just in time for the train.' 

' If so, the young gentleman is probably suffering 
from a cold. Half an hour's journey in a railway 
carriage, when you are dripping wet in all your 
clothes, is trying to the strongest constitution. 
You seem to forget that he's got to swim the weir 
stream.' 

' But he could take off his clothes to do that.' 

' And travel as a third-class faun ? No, don't 
say that men have swum rivers with their clothes 
balanced on their heads. I don't deny that men 
have done it, but I'm quite sure Nigel Burtell never 
did. It's a matter of practice. No, let us amend 
your proposition by suggesting that he crossed . 
the weir by the bridge, ran up along the further 
bank of the weir-stream, stripped, swam across, ran 
through the wood, and so caught and murdered his 
cousin as he came past. That would explain why 
the marks on the bridge were the marks of naked 
feet.' 

' That isn't giving him very much time to do it 
in.' 

' Exactly. It isn't the running that is so apt to 
take up time ; it's the killing. A really tidy murder 



THE ARCHIMEDES TOUCH 50 

can seldom be arranged in the fraction of a second 
Besides what made him want to hop up on to a 
Srito ' The sides are open, so he wasn t hidden. 
b 0 bourse, if there were a body forthcoming we 
might know more about the cause of death, and 
8 ight be able to see the point of the bridge At 



present I can't. But the time ! t meant cutting 
the thing beastly close. It would be all right, 
perhaps, either to kill your man or to scutje your 
boat, but could there be time for both ? 

' Miles, I expect you'll think me a most appalling 
fool, but I've got an idea.' 

* I know what it is.' 
' I bet you don't.' 

* Tell me.' 

'Then you'd say you knew it was that. You 
tell me.' 

' Then you'd say that was your idea. 
' Write it down, then.' 

* We both will.' Miles scribbled a sentence on 
the back of an envelope, and Angela on a tiny 
memorandum sheet. Then the documents were 
exchanged. 

'Yes,* said Miles, 'I don't think you'd bettci 
take to crime. I can read you like a book, can't I ? 
You know, your idea's quite an ingenious one, and I 
dare say I didn't think of it more than half an hour 
before you did. But it won't do — you see that, 
don't you ? ' 

Angela seemed a little hurt. 1 You mean, who 
pushed off from the lock ? ' 

' No, that might just be managed. But the 
distance — how is a wind, short of a hurricane, 



60 THE FOOTSTEPS AT THE LOCK 

• 

going to blow a canoe a hundred yards downstream 
in ten minutes ? That's where it doesn't work.' 

' I suppose not. Blow, it was rather a clever 
idea. Still, you'd got it too. I suppose you're 
not going to release any theories, then ? I know 
that mulish face of yours when you want to look 
sphinx-like.' 

' I wasn't aware that I had any expression of the 
kind.' 

' Oh, but you have, dearest, it's quite notorious. 
Only this afternoon, when you were paying for the 
tea, Mr. Burgess said to me, " Why does he look 
so sphinx-like, standing among the pinks, like ? " 
Anyhow, you don't mean to part with your own 

ideas, do you ? ' 

' Not till I've got some. To-morrow, you see, if 
you're feeling very kind, you are going into Oxford 
to get that reel of films developed. If you get 
them done quick, and stand over the man to £ce that 
he does it, I suppose you ought to be able to produce 
some unfixed prints by the afternoon, oughtn't 
you ? Meanwhile, I shall have been conducting a 
few experiments.' 

' What sort of experiments ? ' 

* Oh, just in drowning myself.' 

' Well, don't be too successful about it. Or if 
you are, do get found all right ; it would be a great 
bore not to know whether one was a widow or not.' 

' You never know. I might get carried down 
into the paper mill, and come out at the other end 
in folio lengths. It would be very annoying to 
have the account of one's own death printed on one, 
wouldn't it ? Meanwhile, what do you say to a 



THE ARCHIMEDES TOUCH 61 
I could have started a patience. 

fir J- and the lot fell upon Bredon. Well, nc 
d' ' ve spent my morning in a way very un- 
common among English gentlemen. Largely. I 

"VSfifSS — - » »*- 

' *?\:r^l^<o the lock i,St below 
here, because that's where they've got the Burtei 
canoe -ifs lying careened on the bank. Of course 
I wanted the man to let me take it away with n e 
and have all sorts of fun with it, but it appeared to 
be more than his place was worth. I did, however 
by means of a bet, manage to find out what I wanted 
to know— which was, how long it would take the 
canoe to fill with a hole that size in its bottom. 
* You mean he let you sink it ? ' 
' No, but we put it in together and let it sink with 
a rope round each thwart to haul it out again 
with. I took care to lose my bet, of course. Mean- 
while I found out exactly how long it would take to 
fill. I also noticed how long it would take to get 
one inch of water in, and so on. Then I went 
off and did the Archimedes touch.' 
' Who's he ? ' 

1 SureLv vou have not forgotten Archimedes in 



62 THE FOOTSTEPS AT THE LOCK 



the Latin grammar, who was so intent on watching 
the way his bath was overflowing that he did not 
even notice his country had been captured ? I 
retired to a position where I could undress with 
decency, got into the canoe in my gent's University 
bathing suit, and drifted downstream, baling 
for dear life. Only I was baling in, not out, if you 

understand me.' 

* But how did you know how much to bale ? ' 

' It was only approximate, of course. But I 
calculated the time fairly easily by knowing how 
soon the first inch of water ought to get inside. 
I don't know if I ever told you that at school they 
thought me rather a dab at mathematics.' 

• You whispered it in my ear, darling, when we sat 
making love on the promenade at Southend. But 
what did all this tell you ? ' 

' Why, approximately how far a canoe would 
drift with wind and stream in its favour, when it 
was sinking at a given rate. It didn't get very far. 
Incidentally, I fell out after a bit, which was what 
I expected. One's balance is never perfect. How- 
ever, I swam to shore all right, and dressed. Then 
I paddled up here, got hold of another canoe, and 
repeated the same experiment, leaving our canoe 
to float down empty and baling into it as we went. 
That showed me how far a canoe would float before 
it filled when there was no heavy body in it.' 
' I still don't see exactly what use it all was. 
• You don't pretend to be able to say exactly how far 
the Burtells' canoe was paddled down from the 
lock, and how much it drifted ? Or h<w far it 
drifted before it got the hole made in it ? ' 



THE ARCHIMEDES TOUCH 



63 



stream, getting no help fro «< ^ or 

fore I'm in a position to say hat 
whatever it was, can t r0UgWv -calcu- 
hlgh r UP the stream han ^JJ t have 

lated point-i it haa, w w hich it was 

a all t nfway down from f ove^the 

lock-stream in the time given, with that 

B -t°L n t° whatever else happened at the iron 

wasn't there that the boat jjM^W? 
I see you're trying to exculpate Mr. Nigci » 

■I'm not trying to prove J?,^ 
experiments do seem to suggest that he can 

c\ hand in it. _ 



had a hand in it.' ruraiw vou 

' That's a tiny bit disappointing. Because you 
see, ., experiments do very much suggest that Mr. 
Nigel BurteU had a hand in it. 



4 



CHAPTER VII 



THE CAMERA CANNOT LIE 

ANGELA brought out six prints. She laid 
them before her husband one by one, 
tantalizing his curiosity by insisting that 
he should have a good look at each as it came. 

The first print represented a board with the title 
' Church Notices ' ; and underneath this title 
appeared a lurid poster of a cinema performance, 
combining a maximum of thrill with a minimum of 
clothing. It was obvious that the finger of the 
humorist had been at work ; that two photographs 
had been taken on the same film. 

The second was a close-up view of a particularly 
distressing gargoyle, probably attached to the same 

Church porch. 

The third represented a group of cows, knee- 
deep in the river, regarding the camera with that 
patient curiosity which cows register at the sight 
of any human activity. 

The fourth, also taken from the river, showed a 
thin promontory of land, overgrown with a wealth 
of garden flowers ; in the centre of these stood 
the figure of a stalwart gardener, from the waist 
downwards. 

The fifth, taken at an irregular angle which 
played havoc with the perspective, looked down a 

64 



THE CAMERA CANNOT LIE 



65 



m < of appar^yst- ^^^J- 

footprint was dlsce ™ b „; ' °„ f ocus to be clearly 

down ~ ffi ^ UseH had obviously 
dist.ngujshed. The can performer 

been held on a t It as U sight of this Bredon 
had manipulated it. At the signt 

whistled sharply. k from a 



thwart ; the head was turned sideways ^ MJJ 
propped up by a rest and a cushion. The w hole 
Sde suggested a complete a Wonment^ of 
repose ; something about the bend of the neck, 
something about the way in which the left arm 
lay crushed under the body, suggested that it was 
not the attitude in which a man would naturally 
have fallen asleep. A hat shaded most of the lace, 
but revealed a clean-shaven chin. The back seat ot 
the boat was empty ; the other paddle leaned care- 
lessly against it. 

* Is he d-dead ? ' asked Angela, her hand on her 

husband's shoulder. 

' Dead, or dead drunk, or drugged, perhaps. 1 
think the person who took this picture meant us 



66 THE FOOTSTEPS AT THE LOCK 



to think he was dead, anyhow. He's not a very 
pretty sight, you see, in any case. On the face of 
it, I must say it looks as if somebody had— well, 
had finished him off and then taken a photograph 
of him.' 

' But that's rather horrible. It seems so dis- 
gustingly cold-blooded.' 

' It needn't have been the murderer, of course. 
It might have been somebody who found him lying 
dead— apparently dead— and thought it important 
to have a snapshot of him looking like that. Any- 
how, the man who took that photograph is the man 
we want to get hold of. He must be able to give 
us news of Derek Burtell which is later than the 

lock-kccpcr's. ' 

' You're certain it was taken at the lock-stream 
bridge ? Oh yes, of course, the footprint-photograph 
shows that.' 

' Even if it didn't, there could hardly be any 
doubt. You haven't looked attentively enough 
at Number Four, or you'd have recognized an 

old friend.' 

* Oo, is that Mr. Burgess ? ' 

' There's no doubt about the lock and the island. 
There can't be two locks arranged like that. Now, 
you say this throws suspicion on Nigel Burtell. 
Let's hear how you'd work it out.' 

' Dash it all, it makes him out such a perfect 
brute. But you say he is one. Let's assume that 
his alibi is all wrong ; that he didn't really take the 
train to Oxford at all, but went there by a fast 
motor— if he ever did go to Oxford. No, that 
won't do ; he couldn't get to the motor soon enough. 



CAMERA — ' nT T1E 67 



Le fs say that he £t g - Ox^at A £ 

turned . which the island, 
thing to do; *en h ed»nted« { b ^ 

tUroug h fl-J^-^tider the influence of 

Ut S r'that s m P obable enough. He leaves 
a drug , that down a little 

llis camera on the bndg the" g ^ ^ ^ 

He S eom« up above the bridge again, swim, 
ready. Me comes uy an d— then I suppose 
out to the canoe as it floats by and tnen , 

he does bridge. 
iSK VSEf -n 

the canoe again ; brings it in to the bank, and puts 
. £*£. Then he sits down fa, the sUnt of 
the canoe, as if nothing had happened and pa dd e 
it down a good long distance. He ties a weight 
to the body digs a hole in the bottom of the canoe, 
gets out and makes tracks for the high road, or 
perhaps for Wheathampton Station. It doesn t 
seem to work out awfully well.' 

' What an imagination you've got ! But there s 
one point, don't you see, where you must be 
wrong. He took a photograph of the footprints 
before he took a photograph of the body in the 
canoe. Therefore the footprints were made before 
he climbed up on to the bridge, not after he went 
down.' 

'Blow, I'd forgotten that. But then how do 



68 THE FOOTSTEPS AT THE LOCK 



you account for the footsteps going down, not 
coming up ? ' 

' He walked up the stairs backwards. You can 
see that, if you look at the photograph carefully. 
The marks are the marks of heels. You don't walk 
downstairs on your heels, you walk on your toes 
and the flat part of the soles. These marks show 
that he walked up backwards.' 

' But why backwards ? ' 

' Possibly just to create confusion. More prob- 
ably because the prints of his toes might, in the 
millionth chance, have given him away. If he'd 
a hammer toe, for example, that would show up 
quite clearly. I dare say Messrs. Wickstead would 
be able to provide us with a very nice sketch of 
Mr. Nigel Burtell's foot. But heels are so much 
alike, you can't put in any Bertillon-work on them.' 

' Yes, I suppose that's true.' 

' But there's another thing. Nigel, if it was Nigel, 
hadn't been in the water when he climbed that bridge.' 

' I don't see how you make that out.' 

' Why, if one's been in the water one drips. A 
few drops would have been bound to fall on the 
steps, and then they would have been reproduced 
in the photograph. Since there are no marks 
except the footprints, it's clear that the prints 
were made by somebody who had nothing on, or 
anyhow nothing on his feet, who had not yet been 
into the water.' 

' Why were his feet wet, then ? ' 

' Because he'd been walking in the long grass, 
which was still wet from the night's rain. I imagine 
it had been raining in the night.' 



THE CAMERA CANNOT UE *9 

:E£?£3 -e. 

Four, you will see a puddle. 

cdvably be examined by so.™ passer-by, went up 
""•ST! SS't see what he wanted to photo- 

^^to^nk that he <hd ~f to. 
AU ™ know is that he did. I don't know if you 
often go u P sta lr s backwards, but if you have the 
habit you will realize that it's apt to make your 
stance I little uncertain. And if you are carrying a 
camera at the time, it is quite possible for some 
slight lurch to make you pull the trigger by mistake 
Then, realizing that you've pulled the trigger, or 
fearing that you have, you pass on from Number 
Five to Number Six. Number Five doesn t look 
to me like a photograph taken on purpose. It s 

all skew-eyed, you see. 
'I see. Then he photographed his man first, 

and murdered him afterwards ? ' 

' I don't know that he murdered him at all, in 
the way you mean. I think, after he'd taken the 
photograph, he let himself down by the framework 
of the bridge, put the camera on board, and pushed 
the canoe gently in to the bank, where his clothes 
were. Then he dressed again, sat down in the stern, 
and paddled on. I don't think he dug a hole in the 



70 THE FOOTSTEPS AT THE LOCK 



canoe and left the man in it to drown. I think he 
drowned his man first, tying a weight on him, I 
suppose, or getting him under a bank somewhere, 
and then scuttled the canoe. If you look carefully, 
you can see that the hole in the canoe was made 
from the outside, not from the inside. It's bigger 
on the outside, on the inside it's quite small, not 
the size of a threepenny bit. He must have hauled 
the bows of the canoe out of water to do that, and 
it would be easier to do it when the canoe was empty. 
Besides, I take it he didn't want to run any risks 
of a rescue. He saw to it, while he was about it, 
that his man drowned all right.' 

' And you do really think it was Nigel Burtell ? ' 

' I do and I don't. He's got a perfect alibi, as 
far as we know. Yet he stood to gain by the whole 
thing, because the money was coming to him. I 
love my Nigel with an N, because he was needy. I 
hate him with an N, because he was nowhere near. 
I don't see what to make of it. The old lady at 
Spinnaker Farm told me that a gentleman came 
through that morning in a tearing hurry, wanting to 
catch a train. I suppose that must have been the 
nine-fourteen. I supposed therefore that the gentle- 
man must have been Nigel. What was he doing at 
Spinnaker Farm, if he had really come from the 
weir bridge ? On the other hand, how on earth 
had he the time to do all the things we want him 
to have done ? All this is very perplexing, and 
I think I am going to have an interview with 
Nigel.' 

' I thought you said that was impossible.' 

' Not now, because I've got an introduction. I 



THE CAMERA CANNOT LIE 7" 

W take «• ' 

■ * - Numbers 

S„„ .1 tttas "»>'« »Evay S l.appc,„.. S - 

you and I are going to take the car over to Lech 
lade. Or possibly Cncklade. 

The porch at Lcchlade was clearly the pofditlg 
wanted it was a matter of more research to find the 
Tdenticai cinema poster, but fortunately £ remamed 
unchanged. ' We needn't worry to fake the thing 
too carefully/ observed Bredon < it will be easy to 
make him believe that he made a mistake. I he 
whole expedition only occupied some forty minutes , 
before the hour was up, they were on the river 
again, looking out for the sight, not uncommon 
on such a hot afternoon, of cows standing about in 
shallow water. For the sake of appearances, they 
paddled up a little beyond Shipcote Lock, returning 
there for tea. It was hardly to be expected that 
Mr. Burgess would be posing again for his portrait, 
and it was necessary for Bredon to understudy 
the part. Numbers Five and Six on the new film 
were exposed with the camera tilted up in the air, 
and the fake reel was complete. Angela had made 
some photographic purchases in Lechlade, and the 



72 THE FOOTSTEPS AT THE LOCK 



films were developed, successfully enough, the same 
evening. 

' They've all come out splendidly,' she announced, 
as she returned, wiping her hands, from the impro- 
vised dark-room. ' There's one thing, though. 
If it wasn't Nigel who took those photographs, 
won't he be a bit surprised at your assuming that 
it was ? And if it was Nigel who took them, 
won't you rather put him on his guard by letting 
on where it was you found them ? ' 

' I don't think we need worry very much over that. 
You see, I shall explain that I found them by 
accident, and had to develop them in order to get 
any sort of idea who they belonged to. Nigel 
may deny all knowledge of them, but he must admit 
that it was a reasonable guess of mine to suppose 
they were his, since he was known to have been 
up the river as far as Lechlade. And of course 
I shall have to practise a certain economy of truth 
in explaining where I found them. I shall have 
to say that I found them lying in a hedge somewhere 
near Shipcote Station. That won't tell him which 
path they were found on ; and if I put on a suffi- 
ciently stupid air, he won't suspect that I suspect 
anything. But I ought to be able to get a little 
out of him, I think. Archimedes to-day, Machia- 
velli to-morrow.' 



CHAPTER VIII 
A COMMON-ROOM DINNER 
T-fcY the next afternoon the prints were dry 

detained him at Carfax, and during its inch-by-inch 
tSm he was briskly hailed from the pavement 
bvS Robert. All families keep an uncle or an 
It in Oxford ; most families slink about Oxford 
with guilty eonseiences when they pay it a v sit 
becaufe the Uncle or Aunt has not been informed 
Uncle Robert's ' What on earth brought you down 
here ? * was distinctly tactless ; Brcdon had no 
desire to advertise his mission. In the end, he only 
got away by promising to dine with Uncle Robert 
in Salisbury Common-room that evening, alter a 
warning telegram to Angela. 

Nigel's digs were in that state of chaos which 
can only be achieved when rooms are being dis- 
mantled and re-furnished simultaneously. All Ox- 
ford lodging-house-keepers cling to the illusion 
that they can let their rooms to undergraduates 
' furnished ' ; generations of undergraduates come 
in, and tactfully extrude the unwelcome ornaments. 
It need hardly be said that Nigel had made a 
? 6 73 



74 THE FOOTSTEPS AT THE LOCK 

particularly clean sweep of all the ' things ' which his 
landlady had expected him to harbour. Now, 
Nigel's darling monstrosities had been swept from 
the walls, Nigel's French novels lay in piles about 
the floor, Nigel's mauve curtains were folded, never 
again to look out from those windows ; meanwhile 
the tide of redecoration was already beginning to 
flow in ; ' The Soul's Awakening ' and ' The Mon- 
arch of the Glen' stood ready to resume their 
immemorial places, and in that wilderness the 
aspidistra prepared to flourish anew. The outgoing 
tenant had a slight air of Marius sitting on the ruins 
of Carthage, and Bredon hastened to apologize for 
the untimeliness of his interruption. 

' Not at all,' was the answer. ' Life would be 
unlivable but for the interruptions. You'll have 
some absinthe, of course ? ' 

* No, really, thanks. It's very kind of you. I 
only looked in about a reel of films which I found the 
day before yesterday, near the river. I'd no idea, 
of "course, who they belonged to, so I had them 
developed. It was easy to see the photographs had 
been taken by somebody who had just been up the 
river ; and of course ... the papers ... one 
knew' you had been up that way, and I thought 
perhaps it might have been you who'd dropped 
them. I was coming in to Oxford anyhow, so I 
thought I'd look in on the chance.' 

There was a perceptible hesitation in the other's 
manner, but nothing of fear, it seemed— hardly 
even of embarrassment. ' Most awfully good oi 
you. It's a bore losing one's films, isn't it ? They're 
one's children, in a way— or rather, of course, they're 



A COMMON-ROOM DINNER 75 



mcnts, ana — ' . t0 scre am. 

Miles repressed a interview ; 

But he did not want to hasten over 

Hberly h Sd ' develop them ; but what 
cie was I to do ? I'm afraid the last two haven t 

come out very well.' 

The other still hesitated for a moment , but it was 
dimcuh to know whether he was wondering how 
JXh other knew, or merely collecting ; InmseK 
for fresh epigrams. ' I can't remember what they 
were/ he said at last. ' Did they convey anything to 
you _ SO me wraith of meaning ? ' 

' I'm afraid they were hopelessly fogged. 
' Ah, yes ; Apollo turned infanticide once more^ 
The God of light, but he strikes with blindness. 1 
do hope the cows came out ? I meant to enlarge 
that one, and give it to my landlady, if possible with 
a quotation from Wordsworth underneath.' 

Bredon had by now taken the parcel from his 
pocket and unwrapped it. 'Yes, yes,' went on 
Nigel, ' the church at Lechlade ! A fantasy, you 
know ; an idea of poor Derek's— he was fond of 
faked photographs. And that gargoyle— I took 
that because it's the precise image of our Dean. 
I only wished it had been a rainy day. The cows, 
as I say, were for the landlady ; they are in my 
simpler manner. But the lock— that is my chef 
d'oeuvre\ A lock-keeper really keeping his lock, 
really defending it; "You shall come through," 



76 THE FOOTSTEPS AT THE LOCK 

he seems to say, " only by playing leapfrog over my 
living body ". It's a souvenir, too, because it was 
at that lock I had to take leave of my cousin. Did 
you ever notice how annoying it is to have to talk 
regretfully about a person you quite particularly 
disliked ? ' , 

' Those last two are very badly fogged, you know, 
said Bredon, refusing the invitation to digress. 
' It looks to me as if there was something wrong 
with your shutter. You wouldn't like me to 
have a look at it, I suppose ? I know something 

about cameras.' 

For the first time in the interview, Nigel seemed 
really taken off his guard. ' What ? . . . The 
camera ? ... Oh, well, it's packed. In fact, I 
believe it's sent off. It's extremely kind of you— 
but of course, you are a sort of foster-father to these 
picture-children of mine. You must really keep the 
copies you have taken ; I can have some others 
printed. I wish you would have had some absinthe. 
By the way,' he continued abruptly, ' where was it 
exactly that you picked up the film ? In a hedge, 

you said ? ' • 

' You remind me, I must apologize for forgetting 

something ; I found it wrapped in a waterproof 

tobacco-pouch, which presumably belongs to you 

too. Here it is. Yes, I was joining my wife, you 

know, on a river trip, and she had gone on ahead 

—she' was to pick me up at Shipcote Lock. So 

I went to Shipcote Station, and took the field path 

to the weir. You may remember, perhaps, that 

there is a point at which two paths join, one leading 

to the weir and the other to a farm. It was just 



A COMMON-ROOM DINNER 



77 



in the grass. ^ sh.pcote Station alter 

that you took the tram at P it occurred 
V ou had left your cousin- son J 
to me that the films mfifj™ was a UtUe 
• That would be it, to oe tQ ^ 

station. The train w *» c tbat a train like 
station, and one always assumes that 
that is just about ^ movf-vhy I d 

for it is contrary to ^^^ms must have 
trains. Anyhow, I ran, and the n ^ 

b-n jolted, out of my g**^ » out 



think of them in tne ™ 6 -. , ~ 
their orphaned hands to an Wjjg*. about 
And with all those undeveloped possibilities 

them I It affects me deeply. 
U " Funny the way things do disappear and don t 
Tfs more than two days now, isn t it since you 
first Z ed your cousin, and nothing's been heard 
o Wm afive or dead. You'll excuse a stranger s 
m"nce, I hope, but I should be tremendously 
interested to know if you yourself have any guess 
what has happened. One's always hearing the 
. tag tied oT don't you know, and it seems so 
silly to be able to say I've met you, without being 
able to say what you thought about it all. 

• Oh personally I think he committed suicide. 
There wasn't much else to do, you know ; he was a 
hopeless crock, and he couldn't get on without the 

dope/ i 
* But the hole in the bottom of the boat ... 



afraid you trespass 



78 THE FOOTSTEPS AT THE LOCK 

history. I don't think he wanted it to be known 
that he'd committed suicide, because there's some 
property I should fall heir to if he died. He hadn't 
much imagination, Derek, but he hated me with a 
hatred that was almost artistic. He wanted every- 
body to think that he had just disappeared. And 
in his vague, stupid way he thought the canoe had 
better disappear too. So he dug a hole in the bottom 
of it, expecting that it would sink.' 

1 That's a very interesting idea. Very interesting. 
But I really oughtn't to be keeping you from your 
packing any longer. I suppose you'll be off to- 
morrow ? ' 

' Unless they find anything, and there's an in- 
quest. My last term, you know. Poor Oxford ! ' 

' May I have the envelope back with the prints ? 
I've nothing else to take them in. It's very kind 
of you to let me keep them as a memento of my 
little rencontre. No, please don't come down. I 
shall find my way out all right. Good evening.' 
And, as the door closed behind him, Bredon added, 
' If Providence ever turned out such another ghastly 
little worm as you, I should begin to doubt whether 
there was a Providence '. However, he had the 
picture of Nigel's appearance, and the imprint, if he 
wanted it, of Nigel's thumb, so that the afternoon's 
work had not been wasted. His evening, too, for all 
the hasty anathemas he pronounced against Uncle 
Robert, was destined to be not entirely uneventful. 

A Common-room dinner is an experience which 
strikes a chill into the heart of the bravest, when it 
comes to him for the first time. True, it has not 
all the horrors of High Table ; he has not to endure 



A COMMON-ROOM DINNER 79 
the fancied scrutiny of --gj^^SK 
phere is all tne m ' ^ Who is this man next 

In the latter ca F authority, if only you 

SJ££ O^L^ A- the fed advances 
occasionally made to you an attempt at welcome ? 
LTnTo/can you gauge from their 1 frequency or 
heartiness the local popularity of your host ? Uncle 
Robert was a supernumerary member of the Com- 
mon-room, and a bore at that. His guests were 
usually men of his own kidney, and there was a 
general tendency to glare at them without speaking. 
Bredon felt, in an expressive modern phrase, like 
something the cat had brought in. 

The conversation turned, at first, on greyhound- 
racing a subject which the company treated with a 
broad-mindedness that sprang from inexperience 
One very old gentleman had to be convinced, with 
great difficulty, that it was the hare, not the hounds, 
which worked by electricity ; he was positive of 
the contrary— it was notorious. The shaded lights 
cast a decorous radiance ; portraits of old Fellows 
looked down quizzically from their frames, as if 
enjoying a joke at the expense of their successors ; 
scouts whispered at your elbow in accents which 
suggested the attempt to achieve efficiency without 
servility. Exquisite pieces of silver reflected your 
neighbour's face at a hundred ridiculous angles. 
The wine saved the situation ; the wine was good. 



So THE FOOTSTEPS AT THE LOCK 



' Did it ever strike you,' an old gentleman was 
saying just opposite, in a loud, well-modulated 
voice that sounded as if it had been designed to 
control traffic— ' did it ever strike you, Filmore, 
what a very singular thing it is that dogs should 
bark when they are in pursuit of their prey ? Very 
much as if Nature intended that they should be 
given warning of their enemy's approach. Doesn't 
work, you know, from the evolution point of view ; 
in a Darwinian world the dog which barks lowest 
ought to catch the most rabbits, and so the bark 
ought to disappear, don't you see ? There was a 
man reading a very interesting paper about that 
at one of these congresses the other day ; and he 
said, you know, he thought the bark of the dog 
was intended to drown the squealing of the rabbit, 
so that the other rabbits shouldn't know anything 
disastrous was happening. A most singular idea.' 

' Is he a scientist ? ' asked Bredon in a low voice. 

' No. Ancient history,' returned his Uncle. 
' Man called Carmichael. Always full of odd ideas. 
Never stops talking.' 

The man next Bredon on the other side was 
now heard to say, in answer to some question, 
' Yes, Magus men, both of them. The younger 
one only just going down. Good riddance '. Bre- 
don had the instinct we all sometimes have, that 
the subject of the conversation would interest him. 
He stole a look at his neighbour, and suddenly 
realized why there had been something reminiscent 
about his appearance. There was only a touch of 
the Lcchlade gargoyle about his face, but it was 
perfectly unmistakable. This, then, must be the 



A COMMON-ROOM DINNER 



81 



Dean o, Simon Magus, and his topic, obviously, the 

^iXTsuppose I ' asked a voce from beyond 

h ' m ! don't think so^ Burte^nough instinct 
of tidiness to finish up » that way. « 

« Talking of detectives,' broke in Mr Carmichad 
fromTe other side of the table, ■ I had a very cu, 
ious experience myself once in connexion with a 
murder case ' (As this story has already been told 
Tgtter length, even, than Mr. Carrnkhae used 
in telling it, I will not even give an abstract oi it 
here.) ' Which just shows \ he concluded how 
one's judgments are apt to go astray. If it wasn t 
for that warning, I should be inclined to say hat 
there is no difficulty in solving this Burtell business. 

no difficulty at all.' . . t „ 

' Oh, good, Carmichael/ chuckled a junior fellow. 
' This is in your best form. Tell us all about it. 

« I was wrong. I should have said, it is very 
easy to see why the Thames watermen have failed 
to recover the body. Whether the young man is 
the victim of accident, murder, suicide, or disappear- 
ance I don't know at all. But it's quite easy to 
see why the body hasn't been found. They are 
looking in the wrong place for it.' 

' Oh, come on ; where ought they to be looking ? 



82 THE FOOTSTEPS AT THE LOCK 



' Above Shipcote Lock, not below it. They 
must have found the body by now, if there was a 
body to find. Yet, if the young fellow had been 
wandering about between Shipcote and Eaton Bridge, 
somebody must have come across him. I say, then, 
his disappearance, whatever its cause, must have 
taken place above, not below the lock.' 

Bredon broke in in spite of himself. ' But the 
elder Burtell was in the canoe when it left the lock. 
The lock-keeper saw him.' 

' I saw the lock-keeper. I make a hobby of these 
things, you know. I asked the lock-keeper, " Could 
you take your oath in a court of law that the gentle- 
man in the canoe moved ? " And of course he 
couldn't. All he saw was the figure of a man, with 
the hat well drawn down over the face. Very well, 
then, the figure in the boat was a dummy. Con- 
sider, the hole in the canoe shows that the boat 
was intended to sink, or at least to overbalance, and 
discharge its load. Why ? If there was a dead 
body in the boat, why not let it be dragged up ? 
Unless of course it was the wrong body, but I dis- 
miss that suggestion as too fantastic. The face, 
the hands, would no doubt be made of soap. What 
the clothes were made of I don't know. But it 
must have been a dummy. Otherwise there was 
no motive for letting it sink.' 

Bredon excused himself early on the ground that 
the lights of his car were deficient. ' No,' he said 
to himself as he settled down at the wheel, ' Mr. 
Carmichael has still something to learn about the 
possibilities of life. But I like his negative criticism. 
Why did they want the boat to sink, after all ? ' 



CHAPTER IX 
NIGEL GOES DOWN 

x NGELA came down to , Ij-tf- « 
A husband bending over a ^p. on s 
/\ ^ed to be un« g n JJ^ ^ 
inns or villages along the nver 
distances between them .with a D £ ^ 

• It's a good game, she saia, 
in the morning for it.' 
:SgItTou ? might be playing shove-halfpenny. 

*3 ^Si 1 ^** a haU * enny is an 

inch in diameter.' man thrup . 

^«^ 6 that's the 

^ SSffSI UUe the motor out to-day and 
try some of these places along the nver to see 
where it was the Burtell cousins stopped on their 
ST ^ might be able to collect 
cences of them-whether, for example, there was 
a third person with them at any stage of their 
journey. You know, Em beginning to want a 



person badly 

83 



84 THE FOOTSTEPS AT THE LOCK 

' Are you going to have beer at all these pubs ? 
It looks to me as if I should have to drive home/ 

' Heaven help the woman, she talks as if you 
could go into a pub and order beer at any hour 
of the day you like. No, we've got to think up 
some reason for visiting these places and asking 
questions. What shall it be ? ' 

' Give your name as Carmiehael, and say you 
want to look in the bath-room to see if any of the 
soap's missing.' 

' Don't rag. This is the sort of he you are gener- 
ally rather good at thinking up.' 

' Don't flatter, and don't put the corner of the 
map in the marmalade. You could, of course, 
arm yourself with a set of cheap railway-guides or 
something of that sort, and pretend to be travelling 
them— ask them to put one in the commercial room. 
But you wouldn't get much out of them that way. 
No, I think you'll have to tell a little of the truth, 
Miles dear. I think we must pretend that the 
Burtells left something behind— say a camera ; we 
know they had a camera with them. In decency 
they'll have to let us go up into the bedroom and 
look round for it. Or in the coffee-room, at places 
where they stopped for luncheon. You'll have to 
be just a friend of Nigel Burtell's, and you happen 
to be motoring in this part of the country. You're 
not quite certain which pubs they stopped at, 
because Nigel Burtell couldn't remember all the 
names himself. Wouldn't something like that do ? 
Of course you can have a drink as well, when it 

isn't closing-time.' 

This, eventually, was the plan of campaign 



NIGEL GOES DOWN 85 

1 t , It w0U ld be tedious lo record their 
adopted. K «oma d out t , 

P XbK«ies viJh some accuracy, assuming, with 
Set Ihat on the morning of Derek/s MPJ» 
thev had come from the nearest inn above snip 
ote, that at Millington Bridge. Everywhere the 
unp essions left behind them were those of an 
ordinary pleasure tour ; nothmg remarkable was 
r corded about their behaviour. The only excep- 
on was at Millington Bridge itself, at which they 
had arrived late after a long day on the nver 
about ten o'clock, and had not wanted an evening 

meal. i 
' Very late they was, and it was your speaking 

of the camera put me in mind of it ; because the 

first gentleman came up and he said have you got 

two rooms, and I said yes, but you're late you 

know, we don't ordinarily take in people so late ; 

where's the other gentleman. Oh, he says, he 

left his camera behind in the canoe, and he s gone 

back to fetch it, in case it should rain in the night. 

And rain it did, too, regular downpour. I'll go up 

to my room, he says, for I'm dog-tired, and the 

other gentleman won't be more than ten minutes 

or so. It wasn't hardly that, not hardly five 

minutes, before I heard the second knock, and as 

soon as I saw some one with a camera standing 

outside, Oh, I says, you're the other gentleman ; 

you'll be in Number Three. So Lizzy showed him 

the way upstairs, and that's the room the camera 

should have been in if it had been left behind. 

Let's see, that was the gentleman that had his 

breakfast in bed ; left it on a tray on the mat, 



86 THE FOOTSTEPS AT THE LOCK 



I did. Number Two came down to breakfast, and 
it was him as paid the bill ; I see him go off myself, 
but whether he had the camera with him or no 
I couldn't really say. The other gentleman must 
have gone on earlier, for I never saw him go off, 
and of course it would be more likely he took the 
camera with him. I did both the rooms myself, 
after they'd gone, and it isn't likely I should have 
failed to overlook anything, is it ? ' 

Bredon, who was alert for any indication, sug- 
gested afterwards that it sounded as if the two 
cousins might have quarrelled, since they neither 
reached nor left the inn together ; but he agreed 
with Angela that this was very little result to 
derive from their morning's inquiries. 'It's all 
very well,' he said, 'but we must do something. 
If the fellow's still alive, he's stealing a march on 
us all the time, and may be God knows where by 
now. Besides, one of the papers has been suggesting 
to its readers that they should all take their holiday 
on the Thames, and lend a hand with searching ; 
they'll be all over the place by to-morrow.' 

It was at about six that evening, when they were 
sitting out on the lawn by the river, that a visitor 
was announced for Bredon. He had scarcely had 
time to rise from his chair when the visitor followed 

in person. ..<■_■ 

' Leyland ! ' cried Bredon. ' Are the police begin- 
ning to take the thing seriously, then ? ' 

' Yes, too late, as usual. How are you, Mrs. 
Bredon'? And, as usual the county police didn't 
call in Scotland Yard until they had made an utter 
mess of the thing themselves. Let your man get 



NIGEL GOES DOWN &7 



away> give him four hours start .and then call in 
the Yard-that 's the way its done. 
' Let what man get away ? ' 
' Why, this Burtell.' 
' Which Burtell ? Nigel ? ' 
' That's the one.' , 
' Nisei Burtell ? But I saw him yesterday. 
' It would have been a go«.d deal more interesting 
to me if you'd seen him to-day. Did he say any- 
thing yesterday about leaving Oxford > ' 

' He said he'd probably be going down. But 
that's all right, he'd been packing up for some time. 
1 suppose he'd got a home address where you could 

get at him ? ' 

' Lost Luggage Office, Paddington, that s all the 
address he's got. At least, that's where his trunks 
have gone to. But where he is, God knows ; he 
may be in Weymouth by now, or Bath, or Bristol, 
or Newport, or Cardiff, or Swansea; he's gone, 
anyhow.' 

' Disappeared too, by Gad,' said Brcdon. 

'These things do run in families,' suggested 
Angela helpfully. 'In our family, we're always 
appearing when we're not wanted to, witness Uncle 
Robert. What makes you so certain, Mr. Leyland, 
that the young man is seeing his own country first ? ' 

' We can stop him if he tries the mail-boat to 
Rosslare. But I don't suppose he has. South 
Wales is a wonderful place for disappearing — a 
network of towns, and all the trains crowded, and 
the local police spending their whole time looking 
out for labour troubles. Anyhow, it's too late now 
to do anything but go back on his tracks a bit.' 



88 THE FOOTSTEPS AT THE LOCK 

1 You seem to have hunted us down pretty suc- 
cessfully,' said Angela. ' Who told you we were 
here ? I thought we were most frightfully incognito. 
Unless Uncle Robert gave us away, of course.' 

' Well, you see, I'd been studying up this case 
a bit beforehand. I knew it would come to us in 
the long run. And in hunting out the dossier of 
the Burtell family, it didn't take long before I came 
across the Indescribable. So I knew Bredon would 
be on the case, and would have got two or three 
days' start of me — these lucky devils of amateurs 
always do. So I thought I'd come straight here 
and find out if he'd any tips for an old comrade- 
in-arms.' 

'As a matter of fact,' said Bredon, 'you're 
welcome to any information I've got. I suppose 
I know as much about this job as anybody. But 
the curse of the thing is, I know too much ; I know 
enough to make it a sight more complicated than 
it looks. You want to get on the trail of Nigel 
Burtell. Well, all I can tell you is that as far as 
I can see Nigel Burtell had no hand in his cousin's 
disappearance. He wasn't there ; he simply wasn't 

on the map.' 

' How do you make that out ? ' 

' Why, somebody paddled the canoe downstream, 
or towed it, or got it downstream somehow, over 
a mile before it was scuttled. If somebody hadn't, 
the canoe could never have got down as far as it 
did—even assuming that it would drift straight, 
which most canoes don't ; they nose into the bank 
and out again. Getting the canoe that far down- 
stream would take at least a quarter of an hour. 



NIGEL GOES DOWN *9 

t i, n1ir after the canoe left 

*** V^reurfeU w a £*• Station, or 

t "St iterefore it was not Nigel who brought 
close to it. Inereiore 

the canoe downstream. If it wasn it Nigei^ 

aP Pr g r eTyou ^ButThat depends on the alibi being 
rood Have you found out whether the train was 
up to time ? And whether Nigel Burtell really 
caught it ? He's a bit slippy, you know, with 
trains. That's how he got off to-day.' 
' Yes, by the way, how was that ? 
•Well, of course, the county police had just 
enough sense to keep him under observation When 
he went to the station, one of their men followed 
him He took a ticket to London, had his luggage 
labelled Paddington, all but a hand-bag he carried, 
and got into a coach on the fast train, twelve 
fifty-two. He put his bag down on the seat, and 
stood waiting about on the platform. The man who 
was watching him took a carriage just behind him 
—same corridor. Just as they were beginning to 
shut the doors, Burtell bought a paper and strolled 
into his compartment, as cool as you please. He 
must have walked straight up the corridor, forward, 
dodged out at the other end, and tucked himself 
away somewhere just as the train was starting, 
men the train had gone, he strolled through the 
barrier, bought a ticket to Swindon, picked up a 
second hand-bag which he'd left lying about, and 



go THE FOOTSTEPS AT THE LOCK 

took the one five— Swindon and Weymouth train. 
All that, of course, we only found out afterwards. 
The man next door didn't notice his absence for a bit, 
then had to search the whole train for him, finally 
got off at Reading. By that time it was too late 
to do anything. It wasn't a very bright trick, but 
it was well carried out— played his part to the life. 
Mayn't he have done something clever over that 
journey from Shipcote ? ' 

' Well, you can test the alibi for yourself. I 
couldn't go round interviewing porters and people. 
It's a pretty one-horse sort of station, Shipcote, and 
I dare say they'll remember as far back as Monday. 
But it's dead certain he arrived here in a taxi that 
morning before eleven o'clock. Where did he get 
that taxi, if not at Oxford ? And how did he get 
from Shipcote to Oxford, if not by train— the 
nine-fourteen train ? I believe you'll be barking 
up the wrong tree there.' 

' But hang it all, look at the motive — a cool fifty 
thousand ! And look at this sudden disappearance ! 
You can't not suspect Nigel Burtell.' 

' I've been doing nothing else for the last week. 
You don't know all the facts yet.' And Bredon 
proceeded to outline the lock-keeper's disclosures, 
while Angela went upstairs and fetched the photo- 
graphs. ' Now,' he concluded, ' you'll see that I 
had some ground for suspecting young Nigel. It 
wasn't mere Scotland Yard ofhxiousness. Who 
could possibly be interested in having a photograph 
of Derek Burtell 's corpse, except the man who stood 
to win a legacy by his death, if that death could be 
proved ? ' 



NIGEL GOES DOWN 9 1 

u trained them a good deal. Looks mu» 
£ althtd Santed tin, out In that hedge on 

^,1 thought of that too,' said Bredon. ■ And 
so nicely packed away in a watertight cover You 
"e^ Suppose, he wanted some stranger to .fad 
those films by accident, and hand them over to 
the police, so that the police should have evdence 

of the death ? ' . , 

« That would have to be it. Though, mind you, 
it's pretty poor evidence of the death. And quite 
unnecessary evidence, if only the body had been 
found. Did Nigel Burtell not expect the body to 
be found ? Did he spirit it away somewhere ? 
And if so, why on earth should he ? ' 

*Yes, but we're going ahead too fast. We're 
speculating about Nigel's motives when, as far as 
we can sec, it can't have been Nigel.' 

'What about his alibi at the other end? He 
arrived here at eleven, or thereabouts; why 
shouldn't he have gone up river, brought off the 
murder, come back again, and sat down on this 
very lawn with his watch in his hand, wondering 
when dear Derek was going to turn up ? ' 

' I know, I know. But it would be pretty risky. 
Anybody might have come out on to the lawn, and 
noticed his absence. There were some men camping 
on the opposite bank, who might see him going 
away and remember seeing it. If he went along 
the tow-path, he had to pass a whole encampment 



92 THE FOOTSTEPS AT THE LOCK 



of boy scouts. Finally, I may remark that he 
hadn't paid for his ginger-beer. I got that fact out 
of the barmaid. And somehow, if you order your 
drinks and don't pay for them, all inns have a 
curious way of noticing it when you leave the 
premises.' 

'Still, it's worth looking into. Even if Nigel 
Burtell had no motive, who else could it be ? Who 
else was there about, to come under suspicion ? ' 

' There were lots of other people about. The 
folk at Spinnaker Farm, for example, and the lock- 
keeper, Mr. Burgess, though he is not one of your 
strong, silent men. He is a man of words rather 
than action.' 

' Yes, but what conceivable reason could casual 
strangers like that have had for murdering one of 
the Burtells ? ' 

' If you knew Nigel Burtell better, you'd know 
that any stranger might easily be impelled to kill 
him at sight. Still, the other one need not have 
been so revolting. I admit the difficulty. But, 
you know, it seems to me there is evidence that a 
third party somehow comes into the case.' 

' What evidence ? ' 

1 Why, the old lady at Spinnaker Farm was 
positive that she'd seen somebody hurrying through 
that morning to catch the train. Now, that some- 
body wasn't Derek Burtell.' 

' Why shouldn't it have been Derek Burtell, 
disappearing ? ' 

' Because he hadn't time to get there. He hadn't 
had time to paddle a mile downstream ; and I 
don't believe in his coming across country, because 



NIGEL GOES DOWN 93 

his heart was so rotten he wouldn't have dared to 

swim the weir stream.' . . , 

He might have crossed at the weir bridge. 
•eLc Iv. but then, being in a hurry, he would 
have taken the direct path to the station the same 
path Nigel took. There would be no earthly object 
in wandering round by way of Spinnaker Farm 
And there's the same difficulty in supposing that it 
was Nigel Burtell who passed through Spinnaker 
Farm. He had just time to do it, but what motive 
had he ? It was bang out of his way. 

' Couldn't he have gone out of his way deliber- 
ately, so as to plant out those films on a spot where 
he was supposed not to have been ? ' 

' Yes, but why just there ? Why go the whole 
way round, at the risk of missing his train, when 
he could have cut through the hedge at any point, 
and finished up via Spinnaker Farm, dropping the 
films just outside it, and so making sure that they 
would be found first thing ? It doesn't really work, 
you know, as a motive. But look here, you'd 
better try Spinnaker Farm ; I couldn't question 
the old lady, you see, because I'd no locus standi.' 

' I'm going to try Spinnaker Farm, and a whole 
lot of other places besides. No, thanks, I mustn't 
stop to dine. I'm making my headquarters at 
Oxford, because I want to be able to dash away 
in any direction at short notice. But I'll look in 
to-morrow some time. By Gad, Brcdon, I wish I 
could always pick your brains like this.' 



CHAPTER X 
DISCORDANT NOTES 

THE Burtell sensation was still making good 
copy in the newspapers. It was part of 
Leyland's technique, perhaps a fault in it, 
that he never put a suspected man on his guard; 
consequently, although the police and the harbour 
authorities were warned of Nigel's disappearance, 
nothing revealed the fact in print. On the other 
hand, descriptions of Derek were widely circulated, 
and it was understood to be the ' official theory 1 
that the unfortunate young gentleman, who was 
known to be in weak nervous health, must in all 
probability be wandering about somewhere, suffering 
from a loss of memory. Nothing stimulates the 
public imagination so powerfully as the existence 
of an official theory ; its merits and demerits were 
hotly debated in clubs and railway-carriages ; bets 
were freely exchanged, hairdressers became intoler- 
able on the subject, and even dentists would gag 
you and then let you have the benefit of their 
opinions on it. The forebodings Bredon had 
expressed were amply justified. To the intense 
irritation of the local fishermen, the banks of the 
river were lined all Saturday afternoon by amateur 
detectives who had bicycled over to try their hand 
at the game ; the locks were almost congested with 

94 



DISCORDANT NOTES 95 

did not prove a disappointment. . 
It was not only on the Upper River or » the 
ne hbonrhood of Oxford, that the ^search went on. 
Photography has made it possible for us all, where 
ever we are! to join in the cnminal-hunt ; and that 
peculiarly blurred impression which reproduction m 
r daily paper superinduces on a photograph has 
added'zest to the sport-there is scarcely any 
stranger whom you cannot, by a stretch of imagin- 
ation, identify with the wanted man. So far as 
Nigel was concerned, the police were in a difficulty. 
Nigel, though he affected the camera himself, could 
never be induced to sit for it. No portrait of him 
was forthcoming except a photograph taken when 
he was seven, and a Futurist sketch by a friend 
in Chelsea which might equally well have repre- 
sented any other man, woman, or ant-heap. But 
Derek's portrait was forthcoming, and was printed 
in thousands of papers, with the most encouraging 
results. Imaginary Dereks were held up at Aber- 
deen, at Enniskillen, and at Bucharest ; all three 
had to be released with profuse apologies. A well- 
known medium published the fact that Derek was 
dead ; but happy, very happy. Unfortunately, on 
the same day a rival medium announced that Derek 
was alive and well, but had lost his memory. Which 
put revelations, for the moment, at a discount. 

But this world-wide publicity hardly affected the 
persons genuinely concerned. What was more 
serious was that one or two gentlemen of leisure 
had apparently set their hearts on solving the 



96 THE FOOTSTEPS AT THE LOCK 

mystery ; and these showed every sign of infesting 
the district permanently. One of them, a Mr. 
Erasmus Quirk, took rooms at the Gudgeon itself 
on the Thursday, a short time before Leyland's 
arrival, and it looked as if the Bredons would have 
to live at close quarters with him. That Mr. 
Erasmus Quirk was an American, his pronunciation 
of our common speech gave ample evidence. His 
personal aspect hardly lived up to his speech, apart 
from the ritual horn spectacles. One's impression 
of our male visitors from the United States is that 
they are all very fine and large, with square shoulders 
and a certain attitude of domination. Mr. Quirk 
seemed to be a little weed of a man, who stooped so 
that you almost put him down for a hunchback ; 
his face was very pale, and disfigured by a yellow 
blotch on the left cheek ; his hair closely cropped, 
so that it revealed to the full a little tonsure of 
apparently premature baldness. Every movement 
of his was unobtrusive ; his hands were glued in his 
coat pockets; and— a rare gift among his com- 
patriots—he seemed altogether disinclined for 
company. 

He was not allowed, however, to indulge whatever 
disinclination he may have felt. Angela had an 
inexhaustible capacity for acquaintance with stran- 
gers ; it did not matter if they were boring strangers 
—she collected bores. She had that useful habit 
of enjoying an interview in retrospect which makes 
it possible to sit through hours of conversational 
tedium. Mr. Quirk had got to be brought out of 
his shell, and he came out obediently after dinner. 
Angela sat knitting, with that air of pleased atten- 



DISCORDANT NOTES 97 

ft. which only knitting can g ,ve in the inferably 
rh**tr drawing-room of the Gudgeon, wim 

X d L hi, -.ess conhUence, He was. 

of his membership. He naa dcui v b * 
Burford, not far off, when the newspapers pu Hum 
wise to the Burtell mysUfication; and * . was a 
matter of little difficulty to pack his traps and 
proceed to the scene of action. He invited Angela 
Tsay whether it wasn't just an extraordinary 
piece of luck. It was lus conjecture that he might 
have gone round Europe on all fours with a magni- 
fying glass without managing to strike oil like this. 
In the States they had a very great admiration for 
the methods of detection used over here ; he could 
assure Mrs. Bredon that every development in the 
Burtell case was being followed with the very 
greatest interest by every paper on the other side. 
He didn't suppose Mrs. Bredon quite understood the 
way he felt about it ; but it seemed to him just 
extraordinary the way the police in England allowed 
every fool of an amateur to get busy over a case 
like this ; why, in Chicago it was to be surmised 
that the civilian population would be being held 
up with revolvers at a barrier. It was just another 
instance of the remarkable hospitality you always 
got from the British nation. 

To all this monologue Angela paid a demure 
attention, and it was not until Mr. Quirk began 
speculating whether he owed the presence of such 
delightful companions as Mr. and Mrs. Bredon to 



98 THE FOOTSTEPS AT THE LOCK 

the tragedy recently reported in the locality that 
she was suddenly faced with the necessity of dis- 
closures on her own part. It would be absurd to 
deny that Miles was interested in the case; his 
daily proceedings would have given a ready he to 
the statement. She fell back, therefore— I am 
afraid it was her custom — on a misleading series 
of half-truths ; her husband had been remotely 
acquainted with the young man who had dis- 
appeared, and certain business friends had urged 
him, since he was at leisure, to apply what diligence 
he could to the solution of the mystery. His was 
not in any sense an official errand. And so the 
difficulty was tided over, with a minimum of 
prevarication and a minimum of enlightenment. 

Mr. Quirk assured her that he would be the last 
person to jump another man's claim in any way, 
but he would esteem it a very great privilege if 
Mrs. Bredon could inform him, without any breach 
of confidence, what was generally thought to have 
been the exact scene of the tragedy. It would be 
a bit discouraging to have to go over six miles of 
river with a fine-tooth comb ; and if Mr. Bredon's 
deductions had led him to any conclusion about 
the precise locality that was concerned, why, Mr. 
Quirk would be extraordinarily obliged if Mrs. 
Bredon could put him wise to them. 

' Oh, there's no secret about that,' said Angela. 
' You'll find the spot marked, not with a cross, 
but with a troop of about sixteen boy scouts with 
no clothes on, diving into the river all day in the 
hopes of fishing something up. Or, if for any 
reason their operations should be suspended, you'll 



DISCORDANT NOTES 



99 



know the place because Wg^&^SSL 
boat-house, the only on o .ts k nd. ^ 

because of the tow-path. 9oon 
Leyland called round he ^ nex ^ ^ ^ 



^iTS who had returned from a morning 
while Mr. yuirK, wnu Anppla from the 

ramble, watched them w, h Angela I 
drawing-room window. Leyland and 15 ca 

what looked like ph^graphs How 
lucky', observed Mr. Quirk, t nat y 

^ZfrOTXSZ *~ V asked 

A "f iffSfSfft, -ch on my ener- 
vation Mrs'Bredon, but I think I can recogn e 
the stains on a man's hands when he has been 
developing films recently.' 

Leyland had a long tour of examination to report 
which for the most part had produced painfully 
negative results. They remembered, at Slnpco e 
Station, a gentleman catching the mnc-fouiteen to 
Oxford at the last moment. The ticket-collector 
at Oxford remembered a gentleman trave hng by 
that train who had no ticket, and had to buy one 
at the guichet. The porter at the schools remem- 
bered a gentleman presenting himself for his viva 
a day too soon. All these agreed roughly in their 
description of Nigel; and the fact that it was 
really Nigel who went back on that train seemed 
established beyond all possibility of doubt by the 
testimony of his landlady, who had met him at the 



ioo THE FOOTSTEPS AT THE LOCK 



door when he came to his digs. With some diffi- 
culty, Leyland even found the taxi-driver who took 
up a fare close to Carfax and put him down at the 
Gudgeon ' round about eleven o'clock '. 

' That alibi seems all right, don't it ? ' suggested 
Leyland. 

' Yes, only (as I say) it's just a bit too perfect. 
The young man seems to have been at such elaborate 
pains to leave memories of himself wherever he 
went. There's not a link missing in the chain, you 
see ; it looks as if he'd definitely meant to establish 
his whereabouts at every moment of the day. But 
perhaps I'm fanciful. What about the other end ? 
Did you get any evidence about his staying here 
all the time between eleven and one o'clock that 
morning ? ' 

The evidence here seemed less satisfactory. The 
barmaid could remember Nigel's arrival ; she had 
told him that it was not possible to serve him with 
cherry brandy at that hour ; she had served him, 
however, with ginger-beer. She had not watched 
him at all as he sat on the lawn, though she had 
passed by once with a message, and had seen him 
sitting there — she was not quite sure what the time 
would be. The people camping on the opposite 
bank had been conscious of his presence ; they had 
noticed his attempts to feed the peacock ; but they, 
too, could only say that it would be some time 
between eleven and twelve. His further move- 
ments were not definitely dated, except by the fact 
that he ordered luncheon at a quarter, or it might 
be, half-past twelve. ' Granted that he was feeding 
the peacock about a quarter-past eleven,' said 



DISCORDANT NOTES 



IOI 



r i a - that Kives him an hour to hurry along 
Leyland. that gwes and back 

th H^ you do-^eheve that. You don't 

belief' he Juld take the risk. This is what I 
believe ne alibi— a natural one. He 

S into tt bar for a cherry brandy for example 
exa ,ct y at twelve o'clock. No, my feeling » that 
C U p todeven. Master Nigel was very carefu to be 
where somebody could see him ; after that he 
d esn't appear to have minded. I 
Dash it all, I suppose it ought to suggest something. 

Leyland shook his head. ' All too confoundedly 
theoretical. I tried Spinnaker Farm too but 
there they could give me nothing in the way 0 a 
description. The old lady had only seen the stranger 
from an upstairs window as he hurried through the 
yard ; she had guessed that he was running for the 
train, and had looked out to see the smoke of the 
train later on, from anxiety to know whether he 
had caught it or not.' 

' Did the stranger see her ? ' asked Bredon. 
' Yes, oddly enough he must have ; because he 
took oft his hat to her. Rather an unusual^ exercise 
of politeness, for a man catching a train.' 

' Precisely. But, you see, once more he makes 
absolutely certain of his alibi.' 

' Then I tried the lock-keeper. He was absolutely 
positive that he saw nobody else about so early in 
the morning, except the boy who brings the milk, 
and the man who went up in a punt just before 
the Burtells passed. He never saw the man in the 

x ■ T T i j."U A ;~ +V» ^ tmit^+ rnmp Hfirk 



102 THE FOOTSTEPS AT THE LOCK 



yet ? (I asked). He wasn't certain, didn't think he 
had, but hadn't paid much attention to him. As 
for the canoe, he described Nigel quite unmistak- 
ably ; he was sure that there was another gentleman 
in the punt, but had not seen him move ; nor had 
he heard him speak, because he was below the level 
of the lock, mostly. I asked, Mustn't he have 
moved so as to push the boat out of the lock ? 
Mr. Burgess, who sticks (I fancy) to his old mump- 
simus, thought that the other gentleman might have 
given the canoe a shove to get it clear of the lock- 
he was down at the bottom of the steps, it seems, 
at the time. So that was all Mr. Burgess could 
tell me, except about his discovery this morning.' 

' A discovery this morning ? You never told me 
about that.' 

1 1 was saving it up. Yes, Mr. Burgess, it seems, 
is neglecting his garden nowadays, and spends his 
odd time poking about in the lock-stream with one 
of those long hayfork things (you must have seen 
them) which watermen always have. Well, this 
morning he was prodding about off the island, just 
below the bridge, and, more by accident than by 
design, his hayfork came up with something that 
looked like a pouch on the end of it. It fell in 
again, but Burgess fished round and got it out 
again. Here it is.' 

Leyland took out a green leather wallet, much 
faded and disfigured by water, which was clearly 
mfeant to contain Treasury notes. From its inner 
pocket he produced two five-pound notes — it was 
these that Mr. Quirk mistook for photographs. 
There was nothing else in the wallet. 



DISCORDANT NOTES I0 3 
•You know, that's confoundedly interesting ' 
said bIZ. ' I must say it looks as if that waUe 
had topped oft a genuine eorpse. Imagine -tot 
there was no corpse-that Derek was simply doing 
^appearing trick ; it would surely have been 
possible"' find a less expensive souvemi : tc - cave 
lying about-a shoe, for example. And even if he 
had to jettison a purse, one note would have been 
quite enough to leave in it. Whereas wallets do 
fall out of pockets. But of course, we ve no evidence 
that it was Derek's at all.' 

' Excuse me, we have. I telegraphed to his bank 
for the numbers of any notes he'd drawn out in 
the last three weeks, and these numbers were among 

them.' , , , 

' Come, that's better. . . . The actual notes-and 

two of them. It certainly looks like an involuntary 
jettison. And that would presumably mean, either 
that he met somebody just below the bridge, and 
the wallet fell out, perhaps in the course of a struggle ; 
or else that that was the exact spot at which the 
canoe toppled over and the body fell out. I can't 
see any other way to it, unless it were sheer insane 
accident.' 

1 That's about my own feeling. It's not far, 
mark you, from the place where the tobacco-pouch 
was found, with the films in it.' 

' There's a little lad to see you, sir,' announced 
the landlady without warning. 

Bredon had not been slow to cultivate the acquain- 
tance of the boy scouts, and he had little doubt 
that it was one of these unofficial allies who was 
looking for him. It must surely mean a discovery. 



104 THE FOOTSTEPS AT THE LOCK 

Excusing himself to Leyland, he hurried to the 
front door, and found his expectations justified. 
The matted hair proclaimed that his visitor had 
not been long out of the water ; and the disorder 
of his clothes seemed to suggest that their resumption 
was only a reluctant sacrifice to the convenances. 
On his face was a broad smile, and in his hand a 
small, dark object. 

' Found the gentleman's money-purse, sir/ he 

said. 




CHAPTER XI 

MR. ERASMUS QUIRK 

T'S no good,' said Leyland ; ' it doesn't make 
the least little bit of sense. Don't say that 
the second wallet didn't really belong to Derek 
Burtell ; that his card was put inside it for a ruse. 
That note is numbered continuously with the ones 
we found in the other wallet ; all three were among 
the notes he took out of his bank about a fortnight 
ago, Two purses, one opposite the end of the 
island, one opposite the disused boat-house ; two 
notes in one, Derek Burtell's notes, one note in the 
other, Derek BurtelJ's note, and a card, Derek 
Burtell's card— what on earth has he or anybody 
else been up to ? ' 

' No, you can search me. I've known men wear 
two handkerchiefs, or two watches, or two pipes ; 
but never two purses. Besides, even if he did', 
what's the good ? Unless, indeed, one fell out in 
the course of a struggle or in some moment of 
excitement, while he was alive, and the other 
slipped from his pocket as his body rolled over into 
the river. That's the nearest I can get, but it 
seems pretty fantastic' 

, ' Well' it's better than nothing,' admitted Leyland. 
fantastic, but not impossible.' 
'Yes, but you don't realize the worst of it,' 
8 105 



io6 THE FOOTSTEPS AT THE LOCK 

Bredon pointed out. ' The place at which Burgess 
found the first wallet, just below the bridge of the 
island, wasn't the place at which the canoe was 
scuttled.' 

' How do you make that out ? ' 

' Don't I keep on telling you that a canoe with 
a hole that size in it could only float a few hundred 
yards before it got water-logged ? And that, once 
it's water-logged, it makes practically no headway 
at all, because it's only got the stream to drift it, 
not the wind ? The stream couldn't possibly have 
floated the canoe down all that distance between 
(say) half-past nine and half-past one. So that 
you have to make two separate episodes in this 
mad canoe journey— one at the bridge, where the 
pouch was dropped, one lower down, where the 
boat was scuttled. It's all too dashed untidy for 
words/ 

' I'll tell you what ; I'm coming to feel that the 
only thing is to get on to Nigel Burtell's tracks. 
Derek Burtell may be alive or dead ; to go chasing 
round for him is possibly to make fools of ourselves. 
But Nigel Burtell is presumably alive ; he's done 
a clear bolt, which shows he's got a guilty conscience 
— he must be able to tell us something. I believe 
we ought to devote ourselves to tracing him.' 

' That's all very well for you ; but it's not what 
I'm paid to do. If there's been a murder, the 
Indescribable doesn't care a tinker's curse who did 
it ; my job is to find Derek. But incidentally, 
there is surely one other person to track down.' 

'Who?' 

' The man in the punt. He wasn't far off when 



MR. ERASMUS QUIRK 107 



the thing happened. He had only to cut across 
by land, and he could overtake a canoe that was 
being slackly paddled, or wasn't being paddled at 
all. He could get back to his punt, and go on 
upstream, looking as innocent as you please. I 
say, then, that (though there's nothing to implicate 
him directly) he's a possible suspect. And mean- 
while his movements ought to be traceable. He 
must have hired the punt somewhere to start with ; 
he must have left it somewhere, or else be still 
in it, probably somewhere upstream. It's surely 
worth finding out who he is.' 

It was at tins point that their conversation was 
interrupted by Mr. Quirk. How long he might 
have been listening to them was not apparent ; 
he moved softly over the grass, and seemed to be 
interested in the view as he walked. But it was 
plainly with a purpose that he approached them ; 
and, with the candour which makes for the American 
people most of its friends and all its enemies, he 
plunged at once into business. 

' See here, gentlemen,' he said, ' you don't need 
to tell me that you're both on the Burtell stunt. 
Now, I'm very much interested in the Burtell stunt 
myself. And I've none of your advantages ; I only 
know what I read in the newspapers, and' I guess 
what's printed in the newspapers is just about 
what you want known. But, see here, I've a pro- 
position to make to you which I'd like you to 
consider. I may not be up to all your dodges this 
side, but I hold my Ai Sleuth certificate from the 
Detective Society of America, and I do try very 
humbly to follow in the footsteps of your great 



io8 THE FOOTSTEPS AT THE LOCK 

Holmes. And my proposition is this : if I can lay 
my finger on a point in this case which you gentle- 
men, with all your wonderful advantages, haven't 
yet noticed — an important point, mark you, that 
may put you on the right track — then you gentlemen 
will let me work in with you to find this Burtell. 
It would give me very great pleasure to be associated 
with you in your researches, and of course, if this 
gentleman here is connected with the police, I don't 
want him to spill any secrets to me that the Force 
might not want spilled. That's only reasonable. 
All I want is to get a pointer from you now and 
again, so that we can have a common policy, and 
our researches shan't overlap. Now, I don't know 
what you're going to say ; I dare say you're wanting 
to kick me downstairs for my confounded imper- 
tinence ; but if you've got any use for me, here 
I am.' 

' I'm on, so far as I'm concerned,' replied Bredon. 
1 But then, thank God, I'm a free agent. What 
do you say, Leyland ? ' 

' Well, I'm not a free agent. But I don't mind 
giving Mr. Quirk pointers, as he calls them, when 
I think he's on a wrong track, if he really has got 
something to contribute to the clearing up of all 
this business, and is prepared to prove it now. It's 
not a case for bargaining, Mr. Quirk. If you can 
really put us on the track of something, here and 
now, then I shall believe that you're a man worth 
having on my side, and I shall be prepared to keep 
you there.' 

' Well, I guess I'll have to be content with that. 
Mind you, I 'm not saying that this fact is an impor- 



MR. ERASMUS QUIRK 109 



tant fact ; I can't just relate it to the other facts 
of the case ; and there, you see, you have the pull 
on me, knowing more of them. But let me put it 
to you just like this : What proof have you that 
Derek Burtell slept at Millington Bridge last Sunday 
night, the night before he kind of disappeared ? ' 

' But why on earth not ? ' expostulated Brcdon. 

' That's what I can't say, why not ; I only ask 
whether he did.' 

' But I mean, what earthly reason is there for 
doubting that he did ? ' 

' Well, I hope Mrs. Bredon hasn't been indiscreet, 
but she was telling me these Burtell cousins didn't 
seem to have been any too fond of each other. 
And she said the landlady at Millington Bridge told 
her that they didn't come to the inn together, those 
two, and didn't breakfast together, and didn't 
leave together. Now, in the States we pay a good 
deal of attention to the problem of human testi- 
mony ; and some of our greatest speculators in that 
line have pointed out that an uneducated person 
will always pass inference for fact. Now, supposing 
that the same man came up to the hotel twice in 
the same night, pretending to be a different man 
the second time, isn't it likely she would say two 
strangers came to her inn to spend the night ? 
What we don't know is that she ever saw the 
two strangers together.' 

'Bredon,' said Leyland, 'I believe it's worth 
looking into this. Couldn't we go over and examine 
tnat landlady again ? ' 

I'm R f L ft haVe SOme lun< *eon first, though. 
I m hanged lf I see what it all means, if this 



no THE FOOTSTEPS AT THE LOCK 



turns out to be true, but it's certainly worth 
trying.' 

The landlady was thoroughly flustered by the 
appearance of a police inspector, and became more 
garrulous than ever. Leyland began by demanding 
the production of the hotel register, which put the 
poor old lady in the wrong from the first, because, 
like most country inn-keepers, she had failed to 
keep any register since the War. Yes, it would have 
been about ten o'clock the first gentleman came, 
. and it was quite dark there at the door, so she didn't 
take much notice of what he looked like; she 
thought he was a nice-looking young gentleman, 
held himself very straight, and talked in a slow 
voice, very drawling and easy. 

' That's Nigel all right,' said Bredon. ' And he 
had no camera with him ? ' 

The landlady hadn't thought to look. He carried 
a pack over his shoulders, same as if it might have 
been his luggage. ' I'll go up to my room,' he had 
said, ' for I'm dog-tired ; no, no supper, thanking 
you all the same.' She had then showed him Num- 
ber Two, a low room on the first floor, facing the 
back-yard, and Number Three, just opposite, which 
was a more comfortable room in every way, with 
a nice view over the front of the hotel, so she thought 
he'd take that one ; but no, nothing would serve 
him but he must have Number Two. 

•Instructive,' said Leyland. 'If Mr. Quirk is 
right, our friend probably wanted to climb out of 
the window. May we go round and see it ? He 
couldn't climb out of the front room without risking 
being seen.' 



MR. ERASMUS QUIRK 



in 



The window of Number Two certainly seemed 
to bear out the theory. It was large, and low in 
the wall ; and an outhouse roof made it a very 
simple climb down. Proceeding, the landlady 
explained that the second gentleman arrived about 
five or ten minutes later, and she knew who he was 
by the camera slung across his back. She couldn't 
hardly say whether he was like the other gentleman, 
but she thought yes ; and as for his voice, why, 
the second gentleman didn't hardly so much as open 
his mouth, except to say Thank you. Had the 
second gentleman a pack on his shoulders too ? 
Why no, she thought not, but she didn't feel sur- 
prised over that, seeing as the pack the first gentle- 
man had was plenty for two ; very big pack it was. 
Was the first gentleman still moving in his bedroom 
when the second gentleman came upstairs ? Ah, 
she'd have to ask the girl that, it was Lizzy took 
the second gentleman upstairs. Lizzy was then 
summoned, and said No, she had not heard the 
other gentleman move, not to remember it. 

' Were his boots outside the door ? ' asked 
Leyland. 

No, it appeared that neither gentleman had put 
his boots out to be cleaned. Recalled, and asked 
whether this behaviour was usual among travellers 
the landlady deposed that she couldn't hardly say ; 
some did, some didn't. But these river folk would 
as ike as not be wearing sandshoes or something 
of that ; and if so, why then their boots wouldn't 
want no cleaning. Were both beds slept in > 
Lizzy had to be recalled. Yes, both beds had been 
slept in, very much tumbled about they was, and 



H2 THE FOOTSTEPS AT THE LOCK 

■ 

both basins used. The first gentleman gave no 
orders about calling ; the second asked to have a 
tray left outside on the mat, with a pot of tea and 
a couple of nice poached eggs. That was at half- 
past seven, and the other gentleman, that was the 
gentleman from Number Two, he came down about 
a quarter before eight. Did he have breakfast ? Oh 
yes, a pot of tea and a couple of nice poached eggs. 

' Good God,' said Bredon, ' did the man get 
through four poached eggs in a morning ? ' 

' Might have shied the bedroom eggs into those 
bushes,' suggested Leyland. ' The birds would have 
got them by now/ 

Number Two, it appeared, had not taken long 
over his breakfast, but had paid his bill and set 
out for the river about a quarter-past eight. As 
for Number Three, there wasn't nobody could speak 
to having seen him go out. But the bill was paid 
for both. 

' Has anybody been staying here since/ asked 
Leyland, ' or would the rooms be more or less as 
they were left ? ' 

No, there had been no later visitors ; it wasn't 
hardly the season not so early in the month. But 
Lizzy, of course, she had done the rooms after the 
gentleman left. Still, they were welcome to go up 
and see. They inspected both rooms, Leyland and 
Bredon addressing particular attention to the 
window-frame of Number Two, in the hope that 
they might find some traces of a hurried exit. But 
no scratches were apparent ; and it looked as if 
they would have to return home with the unsatis- 
factory experience of a theory formed, tested, and 



MR. ERASMUS QUIRK 113 



corroborated, but not proved. They were already 
on their way downstairs when the American spoke 

almost for the first time : 

' It's with considerable diffidence that I make 

4 any suggestions to such competent investigators, 
but isn't it possible that we might still find some 
thumb-marks ? Our experts in the United States 
have laid it down that, if there was any grease on 
the hand, a finger or thumb-mark, even when 
invisible to the naked eye, may persist lor a con- 
siderable number of days. And I've noticed myself 
in your country that the hotel servants aren't always 
just very particular in the way they do the rooms. 
Now, I would suggest, that if you've got any powder 
in your kit, you might just try the carafes in those 
rooms for finger-prints.' 

> It seemed a desperate remedy ; but in default of 

a better suggestion it was tried. The impossible 
resulted ; on either decanter appeared at least one 
thumb-print, in tolerably definite outline. There 
was a tense silence as Leyland carried them to the 
window, and held them up side by side. There 
could be no reasonable doubt of the fact— the 
thumb-marks were exactly similar. Both decanters 
were carefully wrapped up, and carried off as spoils 
of the victory. 

' Mr. Quirk,' said Leyland, ' I'm hanged if I know 
what to make of your discovery. But you've 
proved your idea up to the hilt, and I must say I 
hope you'll keep on working at the case. I'm 
1 always ready to give you any " pointers ", as you 
call them, within reason. You're staying at the 
Gudgeon, I think ? * 



ii 4 THE FOOTSTEPS AT THE LOCK 

1 You'll find me right there until this business is 
cleared up, Inspector. I don't know what it is, 
but a real detective puzzle kind of gets hold of a 
man the way he can't drop it if he wanted to. And 
I have to be on this side for nearly two months yet, 
so that the Gudgeon Hotel is a good enough address 
for me. Without mentioning the company.' 

1 Bredon,' said Leyland, ' you're being very silent. 
I believe you've got one of your ideas— you're on 
the track of a solution.' 

'Not within miles of one/ admitted Bredon 
cheerfully. 'But I enjoy fresh complications, as 
long as they're not off the point. And I don't 
think this complication is off the point/ 



CHAPTER XII 
THE SECRET OF THE ISLAND 

BREDON did not expand until he and Lcyland 
were alone together. ' I'm going to leave 
it to you he said, ' how much you take Mr. 
Quirk into your confidence. Meanwhile, I must tell 
you that I've got Nigel Burtell's finger-prints ; and 
I'm confoundedly glad that I did. When I called 
on him to show him those photographs, I took good 
care that he should finger the envelope in which 
the photographs were, and that he should return 
it to me. As soon as I'd left him I took a photo 
of the prints, and here it is. Unless my memory 
is at fault, I think it's the duplicate of the marks 
on those decanters.' 
His forecast was fully justified. « Well,' said 

tint i n Q' ?' eVe , got the facts clear ' ™y h ™. 

Until Sunday night, according to what you tell 
me the Burtell cousins travelled together. On 
Sunday night Nigel Burtell was the only one 
who slept at Millmgton Bridge ; and he took par- 

was there too. He must have been at pains 
^example, to tumble the bedclothes in Number 

can'T tl a K? make any mistake ab ™t it-you 
can t tumble the bedclothes in ten minutes. People 

us r 



n6 THE FOOTSTEPS AT THE LOCK 

do in books, but in real life you can't make a bed 
look as if it had been lain on unless you actually 
lie on it for an hour or more. Nigel Burtell, I take 
it, must have divided his night between the two 
bedrooms and the two beds. That night, of course, 
he climbed out of the window and came back again 
to the inn door posing as the gentleman with the 
camera. He had the reputation, you know, of being 
quite a decent actor as amateurs go. The next 
morning found him in Number Three — he had locked 
the door of Number Two when he changed beds 
in the night. He made a feint of eating the break- 
fast, washed in that room and then in Number Two, 
packed, came down and ate his second breakfast, 
and went off, paying the bill. Not a bad night's 
work. But whatever for ? ' 

' I may be a fool,' said Leyland meditatively, 
' but I believe I'm getting nearer the solution of 
the whole thing. Look here, let me just rough it 
out, and see what you think of it. I'm taking it 
as a fixed certainty— almost the only fixed certainty 
we've lighted on so far— that Nigel Burtell deliber- 
ately pretended to be two people on the Sunday 
night, although his cousin was certainly with him 
when they paddled down the river next morning. 
The only strong motive I can see for Nigel's fan- 
tastic behaviour is a fantastic motive. He acted 
as he acted because he wanted it to be thought that 
Derek Burtell was alive, whereas in reality he was 
dead. That means he had already murdered his 
cousin, on the Sunday.' 

' It would be an ingenious idea, certainly. You 
mean that he left the body in the canoe, and tethered 

- ■ 



THE SECRET OF THE ISLAND 117 

the canoe somewhere where it was not likely to be 
found ? ' 

' Possibly. Or possibly he sank the body, some- 
where where he could get at it again easily. Mean- 
while, since there had been two gentlemen staying in 
aU the inns they had visited hitherto, he must create 
the impression that two gentlemen had slept at 
Millington Bridge. He did that, as we know. But 
his precautions went further ; he was determined 
to play the old Cid trick with his brother's body, 
pretending he was still alive, I mean ; and to do 
that right under the nose of the lock-keeper. He 
arranged the body in the attitude of a man lying 
asleep— or possibly drugged— on the floor of the 
canoe, and then solemnly paddled down to Ship- 
cote Lock. By a piece of luck for him, the water 
in the lock was at high level. If it had been at 
low level, the lock-keeper would have come out on 
to the nearer bridge to turn the winches, and would 
have been staring right down into the canoe. As 
it was, the lock-keeper had only to open the gates 
at that end ; and he did so, after the manner of 
lock-keepers, with his back turned to the audience.' 

Yes Nigel was taking a risk. But, as you say, 
the luck was with him.' 

' From the further, lower end of the lock there 
was not much danger. In turning the winches, the 
ock-keeper still had his back to the canoe ; and 

t Jf'f ' 1 thG Watcr S ot lower « the canoe 

self faded out of sight. Then it was that Nigel 

stood on the edge of the lock, and began a one-sided 

conversation with the lifeless figure in the canoe 

No answers were audible, but that would not create 



n8 THE FOOTSTEPS AT THE LOCK 



any surprise in the lock-keeper ; between the depth 
of the walls and the rushing of the water he wouldn't 
be likely to hear the other side of the conversation. 
Only one difficulty remained — how to get the canoe 
clear of the lock, when the man inside it was dead. 
This difficulty Nigel solved, rather ingeniously, by 
pretending that he had remembered something at 
the last moment — the camera, or something like 
that — and running down the steps to the canoe. 
Here, still out of sight, he gave the canoe one good, 
straight shove, enough to carry it out into the 
stream, where the wind would catch it and help 
it along. Then he proceeded to establish Ins 

alibi.' 

' And meanwhile ? ' 

' Meanwhile— why, I'm coming round to your 
idea of a third person, only I believe that third 
person to have been an accomplice. The accom- 
plice's job was to dispose, somehow, of the body, 
and then paddle on downstream, to a point remote 
from Shipcote, where he would scuttle the canoe 

and make off.' 

' You're suggesting that this accomplice disposed 
of the body first, and then paddled downstream 

without it ? ' 

' Yes. You see, as a matter of fact both the 
river and its banks appear to have been entirely 
deserted at that hour in the morning. But they 
couldn't bet on their being deserted. Now, if they 
were seen, it was essential that there should be 
only one human figure in the canoe. If there were 
only one, the casual passer-by would be prepared 
to swear afterwards that it was Derek. Casual 



THE SECRET OF THE ISLAND 119 

passers-by will always swear anything. The accom- 
plice, therefore, went on by himself; it didn't 
matter how many people saw him, except at the 
precise moment when he was engaged in scuttling 
the boat. It meant, you see, that he must leave 
the body somewhere, and somewhere where it 
wouldn't be found.' 

' Yes, I see that. I suppose, by the way, you're 
taking it for granted that they meant to spirit 
the body away somewhere, not to let it be found 
in the river ? ' 

' I'm working on that supposition. After all, 

though it is possible for a body to sink and never 

be recovered, the chances are very much against 

it. So that if the dragging hasn't brought a body 

to light, that means there probably isn't a body 

there. And if so, that's because Nigel and his 

accomphce-to call them that for the sake of 

argument— didn't want the body to be found ' 

' Excellent. And, of course, that means in its 
turn ' 

' That the body itself wouldn't bear inspection ; 
there > were marks of violence, or some other marks 
on it, which wouldn't look well at a coroner's 

ioTftL e T» body ' thcn ' must be Ieft ^ ab °* 

for a time. The accomplice couldn't take it in his 

twoi.H f C ° U , ldn,t takC 11 in WS railw *y carriage. 
It would have been possible, but laborious to sink 

VSS r d r T ver i{ aft ™* s - » -Tid 

oegan about four hours afterwards/ 



120 THE FOOTSTEPS AT THE LOCK 



' Exactly. All the better reason for choosing a 
place where people wouldn't look. And, for that 
reason, I'm inclined to think that they hid the body 
on the island. That other end of the island, you 
remember, away from the lock, is all deep in woods, 
and there's plenty of bracken and undergrowth. 
Searchers would go up the river all the way to the 
lock, and would scour either bank for miles round. 
But the island would be just the place where they 
wouldn't look. They would assume that if Derek 
had lost his memory, or if he had done a bolt for 
it, he would be miles away by that time. Did 
anybody search the island, as a matter of fact ? ' 

' I don't think they did. But there's one point 
to consider— leaving the body on the island would 
make it precious difficult to cart it away again. 
They could hardly reach it, either by land or on 
water, without being seen.' 

' I know. And yet, would it be so very difficult 
for them to take advantage of the searching opera- 
tions ? Nigel, at all events, seems to have been 
up till all hours on the Monday night looking for 
the corpse— what if he knew where it was, and 
found it ? And having found it, proceeded to 

dispose of it ? 

'Well, there's still time to have a look round. 
Or do you want specially to get back to Oxford ? 
If you're a strong man with the paddle, it wouldn't 
take us long to go up there in the canoe, and that 
makes it easier to hunt round.' 

' Just the two of us ? ' 

' I'm not going three in a canoe for anybody. 
Angela has insisted on spending two nights at home | 



THE SECRET OF THE ISLAND 121 



she has some absurd idea that her children like her 
to be about. And I don't think Mr. Quirk is on 
in this act. Let it be just the two of us.' 

The river lay infinitely beautiful, windless under 
a cloudless sky. The tiniest fidgeting motion of 
your body pencilled fresh ripples on the cool surface 
of the stream. The red earth of the banks, and 
the green fringe that surmounted them, showed in 
mellow contrast under the equable light of evening. 
The reeds stood straight and motionless as sentinels, 
just fringed with a distant horizon of tree-tops. 
The splashing of cows in the shallows, the churning 
of far-off reaping-machines, the cries of children, 
punctuated the stillness with companionship. Mint 
and meadow-sweet and lying hay blended their 
scents with intolerable sweetness in that most 
delicate of all mediums, the smell of clean river- 
water. The stream, now dazzling in the sunlight, 
now mysterious and dark under the tree-shadows, 
seemed to conspire with the easy strokes of the 
paddle. Nature had determined, it appeared, to 
forget the tragedy and go on as if nothing had 
happened. Only the occasional dredgers reminded 
them of the past and their grim errand. 

The island confronted them at last, a haunted 
spot, you would say. with its laced interplay of 
sun and shadow. There must be a complex in the 
Wood of us island-born people that makes us feel, 
m the presence of an island, something of mystery 

castlet a o r n m th,h ^ * US ^ WC ** 

h wat. r * e i b f ^ ,t 1 Cdnws ° Ut in us sti11 whe ^ver 
or in £ 1S ° Ia / e V he Iand ' But above all in lakes 
or in rivers ; for here the strip of sundering tide is 



122 THE FOOTSTEPS AT THE LOCK 



so narrow, the unattainable shore so near. Who 
has ever seen a Thames island that has not peopled 
it, in his imagination, with merry, lurking outlaws, 
or with the shy forms of some forgotten race of 
men ? As you approached Shipcote Island, experi- 
ence might remind you that at its higher end it 
was yoked with bridges and tamed with the laborious 
effort of human cultivation. But the illusion per- 
sisted in fancy; it seemed a spot remote, holy, 
uncontaminated by the daily instance of the sur- 
rounding world. 

' Just here, I think/ said Leyland. 1 It was 
immediately off this part of the island that Burgess 
found the note-case. By his description it must 
originally have been lying quite close in to the 
shore— as if somebody or something had disembarked 
just here. There's no sign of any disturbance on 
the bank, though, is there ? ' 

But this impression proved only skin-deep. They 
had scarcely landed, when they found an unmis- 
takable path through the bracken ; a path, as they 
noticed with excitement, such as would be made 
by the dragging of a weight through the tangled 
fronds, not the mere casual wake left by a foot- 
passenger. For a few yards it diverged only a 
little from the line of the shore, then, behind a 
screen of overhanging bushes, it climbed up the 
slope towards the centre of the island, through the 
thickest of the fern. Here and there was a bare 
patch of clayey soil, and always the clay was seamed 
as if by the jutting extremities of some heavy 
weight dragged over it. Yet the direction was 
uncertain, as if the man who had made this path 



THE SECRET OF THE ISLAND 123 



had been doubtful of his objective ; it had pur- 
poseless (or were they purposeful ?) windings. It 
came to a standstill, you might say, close to the 
summit of the island, where the trees grew thickly, 
but there was an interval in the carpet of the fern ; 
a bare patch of clay, still wet under the protecting 
shadow of the branches. And here, it seemed, the 
burden must have been laid down, for there was 
a firm though indistinct impress on the clay. Bre- 
don and Leyland drew nearer, scanning the surface 
for any trace of a more definite outline. ' Look ! ' 
said Leyland suddenly. About half-way down the 
area of the disturbance was a tiny depression which 
only one object could have caused. It was the 
imprint of a button ; to judge by its size, a coat- 
button. 

' M'm ! ' said Bredon ; ' those are hardly the 
tracks of a living man.' 

' He'd be a fool, wouldn't he, if he wanted to rest 
or sleep, to rest or sleep on a rheumaticky spot 
like this ? He had plenty of bracken to make his 
bed if he wanted to. No, the body that lay there 
was dead, or at least drugged.' 

'Not much difference, either, if Derek Burtcll 
was in question. He hadn't the sort of constitution 
that would stand a clay bath.' 

• rv^u What ha PP ened ? ' asked Leyland. 
Did they take it back the same way or-no, the 
rack goes on further. But it wasn't dragged any 

mus t have been carricd - Th ™sh r» 

bound to say there's no clear mark of two men 
toe . they must have been careful to keep the 
same track. Let's see the thing through/ 



124 THE FOOTSTEPS AT THE LOCK 



This time, the path made no divagations except 
where they were imposed on it by the steepness of 
the ground. It led straight down to the water of 
the weir stream, and came out on to a patch of 
open grass by the water side. The bank itself was 
of hardish clay, and here, just opposite the end of 
their track, they found the unmistakable indentation 
that is made by the sharp bows of a boat run 
suddenly in to land. 

' And then ? ' asked Leyland. 

' No need to ask what they did then. They 
didn't take the body downstream again, to be 
found by the first fool who searched for it. They 
didn't put it ashore on the other side and give 
themselves the trouble of lugging it across country. 
They took it up to the weir, dragged the canoe 
and the body across the bank, then paddled up- 
stream a bit, and lowered the body, weighted, of 
course, into the stream. They left it exactly where 
no living man was ever likely to look for it— in the 
wrong stretch of the river, on the wrong side of a 
Thames Conservancy lock.' 

' By Gad, yes, that was the thing to do. What 
about looking for traces by the side of the weir ? ' 

• No good ; it's hard ground and smooth grass ; 
you wouldn't get any traces. Besides, anybody 
drags his boat over there if he wants to avoid the 
lock fee. I've done it once myself, I'm sorry to 
say, in the course of the last week. But that s 
what they did ; that's what they did, unless they 
were fools. The question is, can we start dragging 
the river above Shipcote Lock without looking like 
madmen ? ' 



CHAPTER XIII 
PURSUED 



LEYLAND had determined to devote the 
next day to making inquiries about the 
man in the punt. Brcdon, who had decided 
to take things easily, contented himself with looking 
through Leyland's notes of his preliminary infor- 
mation about the case ; some of which may as well 
be here transcribed for the reader's benefit 

Relations living.-(i) Mrs. Charles Burtell, now 
f^L h f^ J^ A H-erford, 5x3. 2 _4th 



lived in ITS • """-'"-<"' lawyer. Has 

n\ed m U.S. ever since her marriage; Nigel B 

ZTJ°J° tHere durmg Summer holida ys and 
vacations Is now travelling on the Continent of 

Europe, address not known 

father! ^^Tr"' ^ ° f John Burte » (grand- 
father), w.dow of James Coolman, Lancashire busi- 

Housfw 10 'f ^ V - W6U °«- Address Bdrnly 
House Wallingford. No will known to exist ■ sh, 

rXi^H'ar ^ * Burte » - "-s 
ie atives. Has not seen them since infancy hut 

^ ofher su ^" 0t h T ° f h6r bei "g interviewed. 
thCr SUmvin g relat 'ves of any importance. 

'Motives of disappearance.-^) B y death of D., 

IOC * 



126 THE FOOTSTEPS AT THE LOCK 



N. stands to gain £50,000 free of encumbrance, + 
expectations from " Aunt Alma ", i.e. Mrs. Coolman. 

' (2) D. might evade creditors by successful dis- 
appearance ; but this only possible by secret 
arrangement with N., who would be treated as 
heir. This v. improbable, since D. notoriously on 
bad terms with N. 

« (3) Origin of this bad feeling not exactly trace- 
able, but certainly increased by discreditable love 
affair eighteen months ago. The two cousins rivals ; 
N. apparently successful, but woman committed 
suicide (drugs). Consult records of inquest. 

'(4) Possibly D. merely wished to slip out of 
society (heavy drug taker). But circs, seem un- 
necessarily elaborate. 

'Personal characteristics.— D. is reputed slow, 
lazy, and unimaginative ; fond of low friends. 
Talks French well. Bets and gambles considerably. 
N. gives himself out Bolshevist etc. ; some brains, 
talent for acting ; Bohemian pose (?) ; friends say 
not to be taken seriously. 



' Next destinations.— D. apparently expected to 
return to London flat, where letters were to await 
arrival. N's. letters were to be forwarded to same 
address. Did N. mean to stay in London with D. ? 
No other address given to Oxford lodgings ; luggage 
only marked (railway label) " Paddington ". * 

Tf 

- Possibility of murder by persons unknown.—lt 
does not appear D. had any violent or bitter enemies. 
Mo nnp hxri anv motive for killing him except N. 



PURSUED 



127 



Add, however, the possibility of some one interested 
in Mrs. Coolman's money. Mrs. C. has a protege, 
£(dward ?) Farris, orphaned son of friends, who ha? 
been brought up by and lived with her. Some 
chance that she may have left property to him by 
will ; perhaps contingently ; if so, he might have 
motive for disposing of (one or both) Burtell cousins. 
(N.B. Letter from Mrs. C. to D., found among his 
papers in London, expresses strong desire for D. and 
N. to be reconciled, since they were reported to her 
as having quarrelled. Perhaps significant.)' 

Leyland had, of course, jotted down other notes, 
but these, for the most part, would be no news to 
the reader. Bredon, as he read, admired both the 
thoroughness of his method and the directness of 
his mind ; you could see Leyland's suspicions leaping 
up (he said to himself) like the little numbers on an 
automatic cash register. Then his thoughts turned 
to Mr. Quirk, his solitary companion at the inn 
What did Mr. Quirk suspect, what did he wish it 
to be thought he suspected ? It would be inter- 
esting, if it were in any way possible, to sound Mr 
Quirk on the subject, without giving away (in 
Leyland s absence) their discoveries on the island, 
and the doubts which those discoveries had cor- 
2 n su §§ested. Perhaps, after all, an 

?Sm h m T' s vanity was simplest 

t would be no harm trying. He went down into 
under it ^ ' shudde ™g as he passed 

buf a iSi - 1P ^ Mr Quirk was n * there, 
laid as ^ g C ; garette - end - a nd a novel carelessly 

ust l e t t Pag R e " d0Wn ^ ds » P^ved that he had only 
just left it. Bredon p lc ked up the novel, wondering 



128 THE FOOTSTEPS AT THE LOCK 

what volume in the limited and old-fashioned library 
of the Gudgeon would have appealed to the Ameri- 
can's tastes. It was Warren's Ten Thousand a 
Year. ' Yes/ said Bredon to himself, ' that 
clinches it.' 

Mr. Quirk himself entered a moment or two later. 
' Ah, Mr. Quirk,' said Bredon, ' I was just running 
through some notes of the case which Leyland made, 
and I'm sure he wouldn't mind my mentioning one 
fact which might help us to solve our little difficulty 
of yesterday. Did you know that the Burtell 
brothers had a great-aunt who was very much 
concerned about their rumoured dislike of each 
other ? And that only a little over a week ago she 
was urging them to a reconciliation ? ' 

' Why,' said Mr. Quirk, ' that's a very interesting 
fact ; but as far as my observation goes, what we 
do in life is one thing and what our great-aunts 
want us to do is another.' 

' I agree. But this great-aunt was in some ways 
out of the common. She was very rich, and she 
had nobody else to leave her money to— nobody 
in the family, at any rate. Further, since her name 
was Alma, I think it's a safe guess that the year 
of her birth was not much later than 1854.' 

' You mean that her testamentary dispositions 
were on the way to becoming a practical problem. 
Why, that's so. And you think these young men 
kind of faked their river trip so as to give auntie 
the idea they were old school chums.' 

' Well, it's at least possible. Now, suppose that 
they have a quarrel. From all that one hears of 
them, nothing is more likely. Supposing, on the 



PURSUED 



129 



last day of their trip, that the elder, Derek, said 
he couldn't bear it any longer — got oif the canoe 
before their night stage was reached, and went ofi 
to an inn by himself. The younger would have no 
impulse to call him back ; he goes on to their 
arranged destination ; and then, on his way up to 
the hotel, he has a sudden doubt. What if Aunt 
Alma— she lives not very far from Oxford— should 
make inquiries about their trip, and find that after 
all they finished up in two separate hotels ? Is it 
worth running the risk, when a comparatively little 
ingenuity will create the impression that two travel- 
lers spent the night there ? ' 

' I should be the first to compliment you, Mr. 
Bredon, on your very remarkable piece of analysis. 
But if you ask me, I think it would need some 
more powerful motive than that to account for the 
young man's behaviour. I've studied the records 
of crime a good deal ; and it's my conviction that 
people don't resort to desperate shifts unless they're 
in desperate situations. Now. when you find this 
kind of juggling going on on the very eve of a great 
fatality, doesn't it suggest itself to you, as it suggests 
itself to me, that that fatality was foreseen, and 
tnat the juggling was practised in an effort to 
avoid it ? 

' Yes ; that's sound ; thafs quite sound. Don't 

D R C °? fr 06 " y ° U can he 'P il ' You tWnk 
Derek BurteU knew he had enemies on his track ? 

enemTe^ ♦ ™' W6 ' Ve n0 record of an M such 
enemies existing. 

' That young man seems to have lived in the 
Bohemian world a deal more than was good for 




130 THE FOOTSTEPS AT THE LOCK 

him. It isn't likely that the police have got a full 
record of all the embroglios he may have been 
involved in. And it's to be remembered he was a 
very rich man besides that.' 

' Only in prospect. To murder him before he 
was twenty-five would be killing the goose that lays 
the golden eggs.' 

' That's so. And yet it's not at all impossible 
that some gang of crooks were after him, with the 
idea of murdering or kidnapping him and then 
personating him to get the money. You may not 
be aware, Mr. Bredon, that in our country kid- 
napping is almost a recognized means of getting 
your living. But I can't say ; it may have been 
that, it may have been a private vendetta. But 
it seems to me when a man pretends to sleep in 
a particular place, and then sends another man 
there to personate him, it means that man's going 
in peril of his life, and he's anxious to sleep anywhere 
else except just there.' 

' It's a very interesting idea of yours. But suppose 
it's true, why should his cousin consent to put him- 
self in such a position of danger ? Surely the odds 
were that the murderer would do him in by mistake. ( 

' I've thought of that, and I'll tell you how it 
seems to me — he didn't know just how close these 
people were on his track. He didn't think they 
were near enough to do him any harm that night ; 
but he wanted to leave a false trail behind him. 
He wanted them to go on tracking that canoe down i 
the river, when he himself had left it and skipped 
off to London or wherever he reckoned he'd be safe.' 

9 But he did rejoin the canoe next day— at least, 



PURSUED 



unless all our evidence is incorrect.' Bredon thought 
for a moment of Mr. Carmichael, and his theory 
of the soap dummy. 

'That's just what complicates the thing; but 
I've two ways of explaining that. Either he changed 
his mind — heard some news which made that pre- 
caution seem unnecessary ; or, more probably than 
that, he was playing a game of double bluff, if you 
understand what I mean. These are pretty cute 
fellows (he'd say to himself) and it's not likely 
they'd be taken in by an old dodge like this. If 
they come here and make inquiries, they'll tumble 
to it soon enough that I didn't really sleep here ; 
they'll think I've tried to give them the slip and 
gone off to London. Meanwhile, the old canoe is 
good enough for me. So he joined the canoe again 
next morning.' 

' Crooks seem to have very complicated processes 
of thought by your account of them. But I dare say 
you're right. And you think that in reality the 
pursuit was far closer than poor Burtell thought ? 
So that the very next day they caught him up and 
did for him ? ' 

' That would be my idea. They must have been 
extraordinarily close on his tracks, shadowing him 
all the time— they didn't show up, you see, until 
his cousin had left the canoe.' 

' But there's another thing-granted that Nigel 
burtell ran no danger from his cousin's pursuers, 
wasn t there a worse danger still, the danger of his 
being mistaken for their accomplice ? ' 

' Their accomplice ? I don't just see how there'd 
be any. great danger of that.' 



132 THE FOOTSTEPS AT THE LOCK 

1 Why, juries are only human. Here is this young 
man, his cousin's only companion — the moment he 
leaves the boat, the cousin gets murdered. When . 
his cousin fails to turn up at the rendezvous, he 
shows a suspicious anxiety as to what may have 
become of him. He himself, it is to be observed, 
has been careful to cover his tracks by an alibi. 
All that business at Millington Bridge shows that 
he was aware of the danger winch hung over his 
cousin's head ; and what steps has he taken to 
avert it ? On the contrary, he has quietly walked 
out of the way, so as to let the murderers have 
their chance. If it is murder, he is the sole bene- 
ficiary of the murder ; if it is kidnapping, the kid- 
nappers can get no further with their plan unless 
they manage to square him. Doesn't all that build 
up rather a heavy case against young Nigel ? ' 

' Why, yes, in the abstract. But, the way justice 
works, you can't incriminate a man as an accomplice 
unless you catch the principals. You'll have to 
catch them first, and then confront him with them. 
And here's this besides, he may have a trump card 
up his sleeve which we know nothing about. We 
shan't hear of that until we find him ; and where 
is he ? You'll excuse my giving the impression of 
kind of criticizing your excellent police, but don't 
they attach any significance to his disappearance ? 
A man who's got an alibi like his doesn't want to 
arouse suspicion by making tracks for South 
America.' 

' You mean that the murderers ' 

' I say nothing about murder. I only say that 
these two cousins have disappeared, one after the 



PURSUED 



133 



other, and old man Burtell's legacy is going to God 
knows who. Isn't it natural to calculate that if 
we can catch the men who've mislaid one, we might 
catch the men who've mislaid both ? ' 

' I doubt if Leyland's thought of that. I should 
mention it to him certainly, if I were you. But 
Nigel's disappearance had the air of being a delib- 
erate performance. He took his ticket for one 
train and then hopped on to another.' 

' Say, you don't know much about crooks if you 
think they can't hustle a man on a platform the 
way he'll think he's getting into the right train 
when he's getting into the wrong one. Why, I've 
read of a case where they changed the labels on 
a coach merely to get hold of one man. But then, 
you seem to be making a dead set to fix the blame 
on this unfortunate Nigel. If he slips into a wrong 
train, you make out that he's trying to dodge the 
police. If he's got murderers on his track and 

themr' Why shouIdn,t he be J ' ust tr >' in s t0 dod e e 

' Yes, you do make it all hang together. Mind 
you, I think you're arguing too much from your 
experience on the other side. It seems to me that 
English criminals haven't usually the cleverness, 

of Si El? ° f Brtfcte ^ t0 brin e oft " a -u P 

th'J^? n d ^ WCre En * lish ? Haven 't I read 
of lE 7 M B T e11 WaS brou S ht U P in thc South 

iJSsv d . you ' it,s with the 

I'm onl ^ f n CnC Ki that 1 make aU these suggestions ; 
1 m only a humble amateur.' 



CHAPTER XIV 
THE MAN IN THE PUNT 

LEYLAND did not come back till early on 
Monday morning ; and when he came out 
to the Gudgeon he found Angela already 
returned. He was plainly despondent. 

'There's simply nothing right about this case,' 
he explained. ' Nothing ever seems to work out 
according to schedule. What could be easier, in 
an ordinary way, than to trace the movements of 
a man who's gone up river in a punt ? He must 
pass through the locks ; he must go up the main 
stream — you couldn't take a punt up the Windrush, 
for example ; he can't leave it about anywhere, at 
this time of the year, without its being noticed. 
And yet I've lost all trace of him.' 

'Poor Mr. Leyland,' said Angela. ' Did you 
start from Oxford, or where ? ' 

' Yes, naturally I went round the boat places on 
the Upper River ; that didn't take long. I found 
the man who'd hired the punt to him— the same 
man, as a matter of fact, from whom the Burtells 
got their canoe. It was a big punt, with awnings 
for sleeping out, and the man seems to have come 
on board with a great crowd of tins and things as 
if he meant to do his own cooking. He paid a 
deposit, and hired the punt for a fortnight— gave 

134 



THE MAN IN THE PUNT 



135 



his name as Luke Wallace, and an address somewhere 
in Cricklewood. I got through to Cricklewood at 
once — there are advantages about being a police- 
man — and the station there, after making 
inquiries, found that no such name was known any- 
where in the neighbourhood. A false address sounds 
promising, thought I ; we aren't on the track of 
some common holiday-maker. I found out the date 
when the man hired the punt : it seems that he 
had already spent two nights on the river when he 
reached Shipcote. That's natural enough ; he 
wasn't hurrying. I tried the locks between this 
and Oxford, to see if they could give me any infor- 
mation about the man ; they only seemed to 
remember the circumstance of his passing ; one 
of them showed me, with great pride, the counter- 
foil of his lock ticket, F.N.2— as if that did any 
good.' y 

' Better than nothing,' suggested Bredon. ' By 
an outside chance you might find it lying about 
somewhere.' 

' Yes, but who bothers about a lock ticket ? He 
wasn't coming back. Probably just pitched it into 
the water then and there. However, I got the 
number. And of course we know his number at 
Shipcote because it was the one just before the 
BurteUs . At the inns, so far, they'd seen nothing 

mil??* S - ? ' he mUSt haVe been usin S condensed 
milk, said Angela with a shudder 

chaS'i ab0V< \ S ^ PCOte L ° Ck he seems t0 ^ve 
changed his method entirely. At Millington Bridee 

for examples can't trunk why the landlady S 



i 3 6 THE FOOTSTEPS AT THE LOCK 



tell us about it — he went in and had an early 
luncheon. How early ? (I asked). Oh, about half- 
past eleven it would be. Now, notice — this man 
was clear of Shipcote Lock before nine. The dis- 
tance he did before lunch was only the distance the 
Burtells had covered between their breakfast and 
nine o'clock. Of course, there's the difference 
between a canoe going downstream and a punt 
going upstream. I suppose the distance will be 
about two miles— rather less, if anything. There's 
no reason w hy our friend in the punt should have 
been feeling energetic on a hot morning; but it 
naturally occurs to the mind that he may have been 
hanging about Shipcote Lock at the very time when 
the murder was committed. Which makes me all 
the more anxious to meet him.' 

' Did he show any interest in the movements of 
the Burtells ? ' asked Bredon. 

'That's the extraordinary thing. Hitherto he 
hadn't touched at a hotel, or asked a single question 
at the locks. But from now onwards he seems to 
have blazed his trail like a— like an elephant on a 
lawn-tennis court. At Millington Bridge, for example, 
he asked all sorts of questions about the Burtells 
—how long they stayed and whether they saw much 
of each other and so on. It was the maid he asked, 
not the landlady ; I suppose otherwise she'd have 
been certain to mention it. He even asked whether 
they'd been seen about together much. All this, 
of course, was before any news of Burtell's dis- 
appearance had come through. Then he went off, 
upstream.' 

' Are you sure he went upstream ? ' objected 



THE MAN IN THE PUNT 137 

Brcdon. 'That pub at Millington Bridge stands 
well away from the river ; they can't have seen 

him from there.' 

' No, but there's a boat place at the bridge, and 
the man in charge there saw him going upstream. 
He remembered it afterwards, of course, because the 
Burtell news came through, and everybody on the 
river began to remember everything that had 
happened that day, and a good many things which 
hadn't. I asked him why on earth he didn't 
mention the man in the punt before— why he 
never told the police about him. He said it never 
occurred to him, because the accident had happened 
so far down that it was impossible for a man punting 
upstream to have been anywhere near the scene of 
the accident, and yet reach Millington Bridge by 
half-past eleven. That was true, of course ; he had 
no reason, you see, to suppose that there'd been 
anything fishy happening at the lock. Anyhow, he 
was positive of the fact because he remembered 
discussing the matter with old Mr. So-and-so, and 
I could ask old Mr. So-and-so if I didn't believe him. 
I didn't worry ; the information seemed good 
enough. I walked up by the river to the next lock ; 
on the way I passed a rather derelict sort of inn, 
and made inquiries there just for luck. The Blue 
Cow, I think, it was called.' 

' I remember it,' said Bredon. ' That was where 
the Burtells had dinner, the same evening on which 
they reached Millington Bridge. You remember it, 
don't you, Angela ? ' 

' Yes ; we speculated, if you remember, what they 
could possibly have got to eat there, at such an hour.' 

10 



i 3 8 THE FOOTSTEPS AT THE LOCK 



' Did the man in the punt call there ? ' asked Bredon. 

' He did, and he actually called for letters. There 
were no letters here, only a telegram, which he read. 
It was addressed to somebody of the name of 
Wallace — that was the same name he'd given to 
the people who hired him the punt at Oxford. An 
alias, I imagine. As soon as he had read the 
telegram, he asked for a railway guide and a 'bus 
time-table. He had tea, and during tea he started 
asking the same set of questions about the Burtells 
—did they dine together ? Did they go off together? 
and so on. After tea he got into the punt and 
started off downstream.' 

' So you came down again ? 9 

' No, I went up to the next lock to make sure. 
The man there was quite positive that no punt 
had come up at the time mentioned. The news of 
Burtell's disappearance had been telegraphed 
through by that time, and he came downstream 
himself to help in the search. His wife, who looked 
after the lock in his absence, never had to open it 
all the time he was away. And, what's more, he 
didn't pass any punt of the type described on his 
way down to Shipcote. Burgess is equally clear 
that the punt never came back through Shipcote ; 
that is easy to determine ; for, if it had, the man 
would have shown his ticket. So, you see, the 
man in the punt seems to have vanished between 
Shipcote and the next lock above it, and taken his 

punt with him.' 

' Folds his punt like the Arabs, and silently fades 
away,' suggested Angela. ' But you looked for it, 
I suppose ? ' 



THE MAN IN THE PUNT 139 



* Very much so. I hired a boat and a waterman, 
and we rowed all the way down to Shipcote. We 
looked under the trees where they overhung the 
river ; we went through all the craft at Millington 
* Bridge ; we did everything to find the beastly punt 
except dive for it. One thing's quite certain— I'm 
going to have that upper reach dragged, even if I 
lose the last shred of my reputation for sanity.' 

' What about the man's looks ? ' suggested Brcdon. 
' Did anybody give you a decent description of 
him? ' 

' They were pretty clear about that. All agreed 
that he looked a very muscular man ; that he was 
clean-shaven, and had rather shiny hair, black ; 
that he was rather above the average height — 
nothing much that was positive (there never is) but 
9 enough to rule out plenty of candidates. Naturally, 
I also made a point of finding out for certain whether 
he was alone — did he travel, for example, with the 
awnings of the punt up, so that there might have 
been a second person concealed in it ? All my 
authorities seemed to agree, as far as they remem- 
bered the circumstances, that he was alone ; Burgess, 
indeed, is quite positive about that.' 

' Well, for heaven's sake let's try to get the 
crazy thing reconstructed. Angela, we've been 
making some advances in our business since you 
left, so you mustn't interrupt us.' 

' I will be as silent as a mouse. By the way, 
when you've finished, remind me to tell you what 
« John said about the perambulator; it was really 
rather smart. But for the present, have it your 
own silly way.' 



140 THE FOOTSTEPS AT THE LOCK 



1 Well, then/ said Leyland, ' we'd better start by 
assuming that Nigel and the unknown — let's call 
him Wallace, as it's the name he seems to travel 
by — that Nigel and Wallace were in collusion. On 
Monday morning, after occupying two rooms and 
paying his bill as if he were two people, Nigel leaves 
the inn at Millington Bridge. Somewhere he picks 
up his cousin, who is by that time probably dead, 
or at least drugged. He paddles down to Shipcote 
Lock, and just above the lock he passes, no doubt 
without pretending to recognize, his accomplice.' 

' Steady one moment,' said Bredon. ' Had they 
arranged to meet just there, or was it accidental ? ' 

' I think it must have been by arrangement. 
Nigel obviously had the nine-fourteen train in view, 
so there's no reason why they should not have 
arranged a definite time of meeting. And, from 
what followed, it seems as if they knew their ground 
all right. Nigel, as we know, left the lock for the 
station, probably giving the canoe a shove before 
he left, so as to push it out into the fairway. Here, 
for the time being, his job ended. Wallace, mean- 
while, had tied his punt up somewhere, just above 
the lock, and came down along the bank to inter- 
cept the drifting canoe. Now, which bank did he 
take ? The western bank, surely, on the side away 
from the weir. That would save him swimming the 
weir stream. Not much danger in passing Burgess' 
house, while Burgess was busy working the lock.' 

1 Yes, but if he did that, why were the footprints 
at the island side of the bridge ? Why not on the 
mainland side ? That's where he'd want to climb 
up, if your account is right.' 



THE MAN IN THE PUNT 141 ^ 

' You forget-he had to have his base on the 
island, so as to dispose of the body. He came down 
the western bank, crossed the iron bridge and then 
behaved precisely as we made Nigel behave. Be- 
took off lus clothes, climbed the bridge with his feet 
wet from the grass, took a photograph (Number 
Five) of his own footprints by mistake; took 
another photograph, Number Six, of Derek's body 
floating in the canoe— on purpose. Then he climbed 
down, put the camera on board, pushed the canoe 
into the island bank, and got back into his clothes 
again. He lifted the body out of the canoe, well 
on to the bank ; then he dragged it through the 
bracken up to the top of the island, and left it 
dumped on that clay surface. He's made no 
mistakes, has he, so far ? ' 

' Yes, one, and a very bad one. In lifting the 
body out of the canoe, he allowed that purse to 
slip out of the pocket. That— with the photograph 
of the footprints on the bridge— put us on to the 
idea that there had been dirty work at the island. 
They meant us to think that the whole business 
had happened much lower down.' 

' That's true enough. And yet they dropped the 
films just opposite the middle of the island. Surely 
that must have been done on purpose ? ' 

' Yes, but did they mean those films to mark the 
spot ? I think they were meant to look as if they'd 
been dropped accidentally just anywhere, by a man 
making his way along the tow-path.' 

' Yes, that's better. Wallace, then, joins the 
canoe, paddles it down, scuttles it, and makes off. 
He must have walked pretty hard to get back to 



142 THE FOOTSTEPS AT THE LOCK 

his punt. Then he fools about asking questions 
till the hue and cry starts. That is his signal : late 
at night, when the hue and cry makes the river 
full of traffic to cover his movements, he gets a 
second canoe, paddles up to the island, on the weir- 
stream side of it, embarks the body, with or without 
Nigel, on the canoe, ferries it up to the weir, drags 
over the weir, and finally deposits the body some- 
where above Shipcote. Two points remain obscure 
— what did he do with his punt ? And where or 
how did he get hold of the second canoe ? The 
answer to Number One may be found by searching 
the river bed. The answer to Number Two isn't 
really difficult — there are lots of canoes here, and 
most of them were out that night, when the body 
was missing. It would be easy for Nigel to get 
one of them, and hand it over to his accomplice. 
That's one of the things which makes me pretty 
certain that Nigel was in it all.' 

' I should go steady over that, though. Old 
Quirk has got a quite different story about it.' 
And Bredon detailed the American's speculations 
of the previous morning. ' We haven't yet found 
anything that makes it quite certain Nigel was in 
it. We can't prove that Derek Burtell was already 
helpless when he passed through Shipcote Lock, 
though it looks very much as if he was. We can't 
prove that there was a pre-arranged rendezvous 
with Wallace at the lock ; he might, as Quirk sug- 
gests, have seen Nigel get off at that point, and 
seen that it would be an excellent opportunity for 
carrying off his design. We still don't know why 
■ he took the photograph ; it's difficult to see what 



THE MAN IN THE PUNT 143 

Wallace, or any stranger, could have gained by its 
existence. But we haven't got the noose round 
Nigel yet, even if we succeed in finding him. Mean- 
While, at the risk of being wearisome, I must insist 
that there are two things we haven't accounted 
for.' 

' I know one, sir,' broke in Angela, waving her 
hand over her head after the manner of an impetuous 
school-boy in class. ' The second note-case— how 
did it come to exist, and how did it come to fall 
into the river just there ? ' 

' Second part doesn't matter,' replied her hus- 
band. ' If he had a second note-case, it might have 
been lying in the canoe, and fallen out when the 
canoe swamped. Or it might have been thrown 
in there as a blind. But we still dpn't know why 
he had two.' 

' And the other difficulty ? ' asked Leyland. 
' We still don't know who passed through Spin- 
naker Farm a little before a quarter-past nine that 
morning. Not Nigel, for it was out of his way. 
Not Derek, for he was dead. Not Wallace, for he 
couldn't have got there in the time. That still 
worries me a good deal.' 

' You'd better ask Mr. Quirk about it,' suggested 
Angela. 



CHAPTER XV 



A NEW LEGACY 

ON the Saturday before the interview recorded 
in the last chapter, Mrs. Coolman, sister 
of the late Sir John Burtell, died quietly 
in her sleep. 

I am sorry that so many characters in this story 
should appear only to disappear ; but in this case, 
at least, no mystery hung over the circumstances. 
Mrs. Coolman was seventy-two years of age ; she 
had been, for some time, in failing health ; she 
died, unquestionably, of heart failure, and the 
medical certificate was signed accordingly. Her 
acquaintance with her great-nephews had been, as 
I have already indicated, of the slightest. Her 
atmosphere, her world, were not theirs ; she had 
grown up, she had been wooed and won, in the great 
days of English respectability ; her marriage with 
a Lancashire manufacturer had precipitated that 
respectability in an acute form ; and if her 
brother, Sir John, irritated his grandsons by his 
fin de sidcle point of view, it must be supposed 
that the sister's attitude towards life would have 
been even less congenial. Derek and Nigel, there- 
fore, never visited her after they reached the age 
of protest ; and it might easily have been anticipated 
that they would pass out of her life altogether, in 

144 



A NEW LEGACY 145 

view of the company they kept and the uniform 
dissoluteness of their character. 

Moreover, though a widow and childless, Mrs. 
Coolman was a mother by adoption. Her young 
protege, Edward Farris, had been orphaned m 
infancy ; it was she who had given him a home and 
provided for his education ; she who had secured 
him an excellent commercial post ; she who, soon 
afterwards, had insisted upon his resigning that 
post in order to live at Brimley House as her sec- 
retary and dance attendance upon her declining 
years. It was assumed as a matter of course by 
her friends, and perhaps by Farris himself, that 
her adopted son would also be her adopted heir. 
But old age brings with it, often enough, a return 
to earlier loyalties and a fond memory of younger 
days. She had been singularly attached to her 
only brother ; that attachment extended itself to 
his sons, particularly to his elder son, John ; and, 
when all these ties were lost to her, something of 
that earlier affection seemed to reincarnate itself 
in a wistful solicitude about the career of her 
grand-nephew Derek, whose picture survived in her 
heart painted in all the false colours of nursery 
innocence. She made inquiries about him, and 
those inquiries were answered, by his tutors and 
friends, with that charitable evasiveness which was 
to be expected. You do not shock the refined ears of 
a lady who dates from the Crimea by describing too 
faithfully the habits of a young ne'er-do-weel. 
Derek was being rather wild — so much she gathered ; 
the euphemism awoke in her a touch of maternal 
pity, and she loved the imaginary Derek all the 



146 THE FOOTSTEPS AT THE LOCK 



more for being in need of 'something to steady 
him/ 

Edward Farris was human; and it is to be 
supposed that he cannot have seconded with a very 
good grace the overtures made towards Derek by 
his great-aunt. Yet it does honour to his altruism, 
or perhaps to his prudence, that the old lady did 
not learn from him any fact which was injurious 
to Derek's reputation except the fact, too notorious 
to be concealed, that Derek and Nigel were scarcely 
on speaking terms. It was, as we have seen, one 
of the latest washes she expressed that the uncon- 
genial pair should find more in common ; it was 
chiefly as the result of this wish that the canoe 
expedition was undertaken ; and we may regard 
it as certain that Derek had not neglected to inform 
her of his compliance. When Derek disappeared, 
his great-aunt had already been overtaken by her 
last illness ; the doctor would not hear of the grim 
news finding its way into her sick-room, and the 
papers were carefully kept from her. She died, 
then, in full knowledge that John Bur tell 's grandsons 
had effected a reconciliation, in ignorance of the 
tragic sequel which the reconciliation produced. 

It was in this stage of half-enlightenment that 
she drew up her last will and testament. For the 
adopted son, whose prospects she had made and 
marred, she secured a decent provision. The whole 
of her remaining property, she declared, — it meant 
nearly a hundred thousand — was to pass absolutely 
to her elder grandnephew, the son of her beloved 
nephew John. The lawyer's diplomacy was taxed 
to the uttermost. He knew, as he sat by her 



A NEW LEGACY 



147 



bedside, that half England was hallooing after 
Derek as a fugitive, the other half pronouncing 
obituaries on him as a corpse. He knew that any 
reference to the fact might precipitate his client's 
death. Yet the will, as she had outlined it to him, 
would mean, in all probability, that she would die 
intestate. The lawyer hummed and hawed ; he 
excelled himself in the iteration of those compli- 
cated rigmaroles by which the laity are hoodwinked. 
It would never do, he said, to leave the will like 
that ; it would be a severe breach of legal custom 
if no residuary legatee were named. Perhaps Mr. 
Nigel Burtell might be mentioned ? To his sur- 
prise, Mrs. Coolman was adamant. A few months 
before, her family fondness had inspired her to 
buy a book of poems which Nigel had produced, 
in the hope of paying his Oxford bills with the 
proceeds. Mens hominum praesaga parttm ! The 
book reached Aunt Alma's breakfast -table ; Aunt 
Alma read it. Neither the sentiments it expressed 
nor its manner of expressing them were adapted to 
the taste of the seventies. With a certain tightening 
of the lips, the dying Victorian consented to name 
Edward Farris her heir, as Derek's alternative. 

The firm of solicitors which drew up the will was 
the firm which also represented Derek's own inter- 
ests. Leyland had consulted them long and earn- 
estly as to the financial situation ; they knew, 
therefore, that Leyland was in charge of the police 
investigations. Throwing etiquette to the winds, 
they wrote an ' Urgent ' letter to Leyland at his 
Oxford address, detailing the circumstances in full 
and asking what action the police would like to 



148 THE FOOTSTEPS AT THE LOCK 



see taken — were the provisions of the will to be 
made public ? This letter was immediately carried 
over to Eaton Bridge by a man on a motor-bicycle, 
and Leyland was still closeted with the Bredons 
when he took it and opened it. 

' We must talk to Mr. Quirk about that,' was 
Bredon's rather unexpected comment, when the 
situation was outlined to him. 

' Mr. Quirk ? What's he got to do with it ? ' 

1 Well, you see, it goes to support his theory. 
He was insisting, only yesterday, that we had no 
evidence to incriminate Nigel Burtell ; in his view, 
both cousins were being pursued by a man, or a 
gang of men, who stood to gain by Derek's death. 
I pointed out that, as far as I could see, Nigel was 
the only person who stood to gain by Derek's death ; 
it left him heir to the fifty thousand. But this new 
development alters the whole look of the thing- 
assuming, of course, that the old lady's intentions 
were known. There was a much 'bigger sum, twice 
the amount, to which Derek was heir, in which 
Nigel is not interested.' 

' You mean that if Derek Burtell is alive — or 
rather, if he was alive on Saturday, the hundred 
thousand is his, and Nigel is the heir to it ? Whereas 
if Derek Burtell died before last Saturday, the whole 
thing goes to Farris, and Nigel has no more claim 
on it than you or I have ? ' 

'That's the situation, I take it. This will, mark 
you, was only signed last Wednesday. But assum- 
ing that Nigel knew, or had a good guess, how 
his great-aunt was going to cut up, he had less 
reason than anybody in the world to murder his 



A NEW LEGACY 



149 



cousin. There I'm with Quirk entirely. Only— 
did Nigel know ? ' 

' Meanwhile, Leyland, there's another man for 
you to watch. If there was a man who had a 
motive for murdering Derek Burtell, last week and 
not later, his name was Edward Farris.' 

Here the door opened, and Mr. Quirk himself 
looked round it. He was about to withdraw, seeing 
that a conclave was in process, but Angela quickly 
recalled him. ' Cuckoo, Mr. Quirk ! ' she said 
frivolously. ' You can come in now. There's been 
another triumph for Transatlantic methods.' 

' Is that so ? ' said Mr. Quirk, unruffled. ' I 
should be particularly glad to think that any little 
ratiocinations of mine had contribuled to the 
solution of a Class One mystery. But I'll remember 
my bargain, Mr. Leyland ; I won't ask you for 
anything more than pointers, if you can help me 
to keep on the straight track.' 

' Why, Mr. Quirk,' answered Leyland, ' I don't 
think there's any need to keep you in the dark about 
our latest piece of information ; it will be common 
property soon. Bredon, I gather, didn't care for 
your interpretation of the story yesterday, because 
you hadn't allowed for Nigel Burtell being either 
the murderer or the murderer's accomplice. He 
thought, then, that nobody except Nigel had any 
motive for getting rid of Derek. It proves now 
that a will was drawn up in Derek Burtell's favour 
last Wednesday, which makes him a rich man, if 
he's alive.' 

' And if he's dead ? ' asked the American, polishing 
his glasses. 



150 THE FOOTSTEPS AT THE LOCK 



' If he's dead, the person who stands to gain is 
not his cousin, but a stranger to him — a man called 
Farris, who was very much in the testator's confi- 
dence. An old great-aunt of the two cousins it 
was. This Farris, you can see for yourself, had 
abundant motive for disposing of Derek Burtell if 
he could.' 

' Then this Nigel wouldn't be concerned any way 
in the new will ? ' 

' Only if his cousin was still alive at the time when 
the old lady died, last Saturday. Then he might 
be.' 

' It's not an uncommon thing in the States ', said 
Mr. Quirk meditatively, ' for crimes of violence to 
be attempted in connexion with large legacies of 
money. In our country, it's considered to be one 
of the leading incentives. But, see here, did young 
Burtell know that this legacy was coming to him ? 
Because if he didn't know that, it's not likely he 
knew that there were murderers on his trail. And 
if he didn't know there were murderers on his trail, 
why, it's not just easy to account for his very 
peculiar movements at Millington Bridge.' 

' And there's this, too,' suggested Bredon. ' If 
he knew it was his money they were after, and if 
they could only touch the money by murdering 
him before Aunt Alma died, why didn't he take 
better precautions — put himself under police pro- 
tection, for example ? To go off on a canoe tour 
with only one companion, and that companion 
unfriendly, was surely asking for trouble.' 

' I can't say that I go all the way with you there,' 
replied Mr. Quirk. 1 Some people, if they hear that 



A NEW LEGACY 151 

gunmen are out after them, seem to take a regular 
pride in trying to dodge the pursuit by their own 
cleverness — it's a kind of sporting instinct, I reckon. 
And, mind you, a river trip isn't such a bad way of 
leaving your pursuers behind, unless they're pre- 
pared to shoot. They can't follow you in a boat 
without hiring a boat, and making themselves 
conspicuous that way. They can't follow you along 
the bank without giving you the chance to get 
away by landing on the wrong bank. No, I see 
more difficulty myself in finding out just how Derek 
Burtell caught on that his life was worth taking. 
If this will was only drawn up last Wednesday, it 
doesn't seem as if auntie had been very clear in 
her own mind about her testamentary dispositions. 
And yet it was before she made up her mind that 
the murder seems to have happened.' 

' That's true, you know, Bredon,' said Leyland. 
' Put yourself in this young Farris' place, even 
supposing that he's a practised criminal— is he going 
to risk committing a murder when it may prove, 
after all, quite unnecessary ? ' 

' It was now or never ' objected Bredon. 1 She 
was in bad health ; if her health got worse, it would 
scarcely be decent for Farris to leave her, and if 
once she died, no amount of murder would secure 
the dibs.' 

' That would have to mean said Leyland, 1 that 
Farris both knew Derek Burtell was the heir, and 
knew that he himself was the runner-up. Could 
he be sure of that ? Could he be sure, for example, 
that Nigel Burtell wouldn't be the next candidate ? ' 

' You seem resolved to acquit Nigel now,' replied 



152 THE FOOTSTEPS AT THE LOCK 

Bredon. ' But it still seems to me a possible 
theory, in spite of Mr. Quirk's suggestion, that 
Nigel was in it all.' 

' What's that ? ' asked Mr. Quirk sharply. 
'Wasn't it Nigel who consented to impersonate 
Derek Burtell at Millington Bridge, the way he'd 
get a lead on his pursuers ? 1 

' Yes,' returned Bredon dryly, ' but did that do 
Nigel any harm, if at the same time he let Farris 
know that it was only bluff ? Isn't it possible that 
it was a put-up job from the start between Farris 
and Nigel Burtell— that Nigel was really leading 
his cousin on into danger, while he pretended to be 
shielding him ? That he and Farris agreed to go 
shares, Nigel getting his fifty thousand in any case 
from the original legacy, and either he or Farris 
collecting Aunt Alma's ? ' 

' Well,' observed Mr. Quirk, ' you still haven't 
found your Nigel. It seems to me a very pertinent 
fact that it was on Saturday Mrs. Coolman died, 
and it was on Thursday Nigel Burtell disappeared. 
Say, doesn't that look like foul play ? As if Farris 
had been determined to take no risks, and had put 
both cousins out of the way before the old lady's 

will took effect ? ' 

' It's a nice point,' said Angela. ' Meanwhile, I m 
getting horribly hungry for luncheon.' 



CHAPTER XVI 



BREDON PLAYS PATIENCE 
EYLAND hurried back after luncheon to 



catch the three-twelve. It was essential 



A J for him, he said, to see the solicitors ; 
possible that he would have to break his journey 
at Wallingford on the way back. Mr. Quirk unex- 
pectedly asked him for a lift into Oxford ; it was 
his idea that something might be done towards 
tracing the movements of the man in the punt 
before he reached the river at all. His purchases, 
probably made at Oxford, of provisions for a river 
tour might yet be remembered by the shop people. 
Leyland agreed that such investigations would be 
best carried out by private effort ; he was not 
anxious to start false alarms, still less true alarms, 
as to the suspicions entertained by the Force. 
Bredon also applauded the expedition ; he himself 
had a commission for Mr. Quirk to execute in Oxford ; 
as to its precise nature, Angela was pertinaciously 
inquisitive, her husband obstinately dumb. 

Once they were left to themselves, he insisted 
that they must take a holiday. He was bored, he 
said, with the very name of Burtell ; he had long 
since ceased to feel the smallest interest as to the 
whereabouts of either cousin, in this or in a future 
existence ; they would forget their solicitudes, and 

11 153 




154 THE FOOTSTEPS AT THE LOCK 



spend an afternoon mudlarking on the Windrush. 
Angela had the gift, rare in her sex, of falling in 
with masculine moods without affectation ; and 
their day was all the more pleasant for being totally 
unworthy of record. If Thames banishes care by 
his easefulness, the tributary Windrush is an even 
more certain remedy ; that tempestuous rush over 
the shallows, those sudden windings, those perils 
of overhanging trees, demand entire concentration 
if you are to make headway against the unruly 
stream. An afternoon spent on the Thames is 
spent with an old, tried, mature companion, who 
refreshes you even by his silence ; an afternoon 
on the Windrush is like an afternoon spent with a 
restless, inquisitive child ; you find in perpetual 
distraction the source of repose. Both Miles and 
Angela had been stung with nettles, scratched with 
brambles, tormented by thistles underfoot, lashed 
with willow-branches, wetted by sudden inundations, 
tired out by ceaseless paddling, punting, and towing, 
before they returned to the Gudgeon ; the Burtell 
mystery seemed, by that time, a remote memory of 
the past, so much of mimic struggle and of miniature 
history had been fought through in the interval. 

Mr. Quirk met them on their return, at about a 
quarter-past six, cool, polite, and inexhaustibly 
loquacious. His success with the shops had been 
only partial; at one large store there had been 
distinct memories, fortified by ' the books \ of a 
stranger who had made considerable purchases with 
a view to camping on the river ; the date tallied, 
but unfortunately no mental picture survived of 
1 Mr. Wallace \ still less any legend as to his previous 



BREDON PLAYS PATIENCE 155 



movements. At the same time, in answer to a 
raised eyebrow, Mr. Quirk was happy to assure Mr. 
Bredon that his commission had been carried out. 
Nor was Angela left long in suspense. Dinner was 
no sooner over than four packs of cards appeared 
from nowhere, and her husband sat down to his 
interminable and intolerable game of patience. 

' Miles,' she said reprovingly, ' you know you 
aren't allowed to play patience when you're on a 
job ! Does this mean you've given it up altogether ? ' 

1 No, it means that I want to smooth out the 
creases in my mind. Too much accumulation of 
evidence always means tangle and brain-fag. I 
must take my mind off the thing if I'm to see it 
at arm's length, and that may mean seeing it from 
a new angle. Remember Mottram, remember the 
Load of Mischief, and try not to edge those cards off 
the table by leaning against it. I shall retire to bed 
punctually at eleven ; have no fears. But meanwhile, 
leave me to my paste-board. Go and tell Quirk what 
a handsome fellow I was when you first knew me.' 

The Ingle-room was still a welter of unintelligibly 
disposed cards, Miles was still wandering to and fro, 
ruffling his hair as he controlled their destinies, 
when Leyland looked in next morning. His errand 
was an urgent one. Ever since Nigel Burtell's 
disappearance, the police had naturally intercepted 
all the correspondence which reached his Oxford 
lodgings, but hitherto their curiosity had gone 
unrewarded. There was a healthy crop of bills, but 
never anything in the nature of a private missive. 
By that morning's post— it was Tuesday morning 
—a single post card had arrived, the address printed 



156 THE FOOTSTEPS AT THE LOCK 



in block capitals, the post-mark Paddington, the 
back covered with a series of apparently unrelated 
figures, which clearly indicated a cipher. 1 1 don't 
deny that I had a try at it myself,' confessed Ley- 
land, ' though I never was much use at ciphers. 
It beats me, anyhow, and I thought your husband 
might make a better job of it. Of course, if he's 
taken to Patience ' 

1 I'll take it in to him,' said Angela. ' He can't 
do worse than kick me out. You've got a copy, 
I suppose ? Very well, I'll give him the original, 
and you and I and Mr. Quirk will put out heads 
together over the copy.' 

Bredon hardly looked up when she came into the 
room. 'What? A cipher? Oh Lord! Never 
mind, prop it up against that inkstand on the table 
there ; I'll look at it from time to time when I want 
a rest. Better give me a pencil and a clean sheet 
of paper, in case it happens to arouse my interest. 
But it's probably one of these insoluble ones. 
Good. And don't forget to shut the door gently.' 

' We mustn't hope for much from him,' admitted 
Angela as she returned to the parlour—' the refec- 
tory ' Bredon always called it. 'Do they use 
ciphers much in the States, Mr. Quirk ? Now, let's 
have a look at it.' 

The cipher, in case the reader cares to try his 
hand at it, was not at first sight very illuminating. 
It consisted of a row of figures, with no other mark, 
no spacing even, to guide in their interpretation. 

They ran thus : 

' 912346853733200644812102181784160795482410 

3712559441029152917904-' 



BREDON PLAYS PATIENCE 157 



' Sixty-four in all/ commented Leyland. It s 
obviously impossible that one cipher should stand 
for one letter, because that means your alphabet 
is reduced to ten letters. They must be groups of 
figures, then, that represent letters ; and they can't 
be groups of three, five, six, or seven, supposing the 
groups to be uniform, because that wouldn't divide out 
right. I take it, then, that they are groups of two, 
four, or eight. The trouble is, you see, there are no 
repetitions. That's to say, if you make the groups 
eights or fours there are no repetitions at all, and, 
even if you make the groups twos, the only repetitions 
you get are 91 and 37, eath with a single repetition.' 

' And that's nonsense, isn't it ? ' agreed Angela. 
' Because it would have to mean that the message 
used all the letters of the alphabet and four non- 
existent letters, and only repeated itself twice.' 

' I recollect ', said Mr. Quirk, ' one of leading 
cryptographers in the States telling me that letter- 
ciphers had been practically abandoned nowadays, 
and word-ciphers were used instead. Say, isn't it 
likely a message of sixteen words, instead of sixteen 
letters ? ' 

' And if it is, we can take our boots off and go 
to bed/ replied Leyland. ' You can't solve a word- 
cipher on a single message, unless you've got the key 
beforehand. Stands to reason they wouldn't be using 
any of the recognized codes. Well, here's for it.' 

Their brows were knitted over it three-quarters 
of an hour later, when Bredon suddenly shouted 
from the door of the Ingle-room : 

' The groups are threes.' 

- Go back and count again,' retorted Angela 



158 THE FOOTSTEPS AT THE LOCK 



indignantly. ' You can't have even looked at the 
thing. Three won't go into 64.' 

' You will go the wrong way about these things. 
You sit over the cipher and try to worry it out, 
and of course it won't come out. But if you do as 
I do, keep taking a look at it and then going away 
and forgetting about it, you come to it fresh every 
time. And then, with luck, you see the arrange- 
ment of groups which makes the whole thing look 
natural. It's the eye does it, not the brain.' 

' Well, how do you work out the threes, anyhow ? ' 

' Don't count up to nine ; count up to twelve. 
You can count tens, elevens, or twelves as if they 
were single units.' 

' Have you read it yet ? ' 

' No, but you ought to be able to do it now. 
I'm busy.' 

They rewrote the cipher accordingly, and it 
certainly did look more promising. ' 912/346/853/ 
733/200/644/812/1021/817/841/607/954/824/1037/ 

i255/944/ I02 9A52/9i7/904-' 

Bredon came down to luncheon rubbing his hands, 

with the intimation that he had ' got it out '. 

' The cipher ? ' 

' No, the patience. It was a long sight more 
difficult. Leyland gone back to Oxford ? ' 

' No, he's scouring round the country investigating 
another of Mr. Quirk's great ideas. You do give 
us all plenty of exercise, I must say. Come on, 
Mr. Quirk, spill it.' 

With some hesitation, Mr. Quirk unfolded his 
great idea. He argued, in the first place, that it 
must be a book-cipher of some description ; that 



BREDON PLAYS PATIENCE 159 



was the only possible method for a couple of amateur 
cryptographers. If it was a book, it must be a book 
which was in the possession of both parties. ' Now, 
we know Nigel Burtell was one of the two parties ; 
who's the other ? I put it to you— Derek Burtell ! ' 

' Derek ! But you've spent a week trying to 
convince us that they're both in a watery grave.' 

' I must admit that I have been led to revise 
my conclusions very considerably. One of our 
greatest American thinkers has said that it's only 
a fool who doesn't acknowledge his mistakes. Now, 
according to my latest view both those two cousins 
are alive, and what's more, they're in correspondence 
with one another.' 

' This all opens up very wide possibilities. But 
let us have the great idea.' 

Stripped of some circumlocution, the great idea 
was as follows. The cipher must have been pre- 
arranged between the two cousins, possibly just 
before they parted, but more probably in the course 
of their tour. It appeared that, for whatever 
reason, they had separated on the Sunday night, 
Nigel sleeping at Millington Bridge, as we have 
seen, and Derek presumably finding a bed some- 
where else. It looked, therefore, as if the cousins 
had meant to part for good on the Sunday night, 
keeping the cipher as a means of correspondence. 
Each, then, had already access to the book from 
Which the cipher was taken ; Nigel at Millington 
Bridge, and Derek— where ? Derek could not have 
been far off ; they had been on the river till late, 
and there were no last trains to be caught. Derek, 
therefore, was somewhere close at hand : Mr. Quirk 



i6o THE FOOTSTEPS AT THE LOCK 

had been looking at the map, and he suggested 
White Bracton, a village inland, it was true, but 
only a mile and a half by road from the bridge. 
Assuming that Derek spent the night there, the 
book which gave the clue to the cipher had been, 
and probably still was, at the White Bracton Inn. 

' Isn't it a brain-wave ? ' said Angela. ' Wasn't 
it a very remarkable idea ? 1 

' It was ', Bredon admitted, ' a very re markable 
idea. But it's rough luck on Leyland to be sen! 
scouting across to White Bracton for the book, 
when of course, equally, it's here.' 

' What's that ? ' asked Mr. Quirk. 

' Of course it's here. Any country hotel keeps 
a railway time-table. Most country hotels don't 
keep Bradshaw, which fortunately narrows the area 
of our search.' 

' Oh, oh, oh, how perfectly beastly of you ! ' 
moaned Angela. ' You mean the groups were the 
names of trains ? ' 

' Of course they were. That's the advantage of 
playing patience. You come fresh to the puzzle 
every time ; and about the sixteenth time those 
figures suddenly stand out in your mind as train 
times— 8.24, 10.37, I2 -55, and so on. Of course 
the extra noughts in 200 and 607 are only to make 
the cipher look uniform. Once you've got the idea, 
you see that it must be so. The cipher runs up 
to 12 because the clock runs up to twelve. There 
are a lot of eights and nines about, because most 
morning trains start at eight something or nine 
something. Oh, it's as clear as daylight.' 

' Except what the thing means,' Angela pointed out. 



BREDON PLAYS PATIENCE 1G1 



1 Well, obviously the time of a train can only 
suggest a word or a letter if you connect it with 
the name of the station it starts from. I assume 
you have to take a page of the time-table, and 
find a station from which the first train or the 
last train— the first train, I suppose, from the 
nature of the figures— starts at nine-twelve, then 
one from which the first train starts at thrce-forty- 
six, and so on. It must be Great Western, because 
it's the only railway in these parts. It must be a 
main line, or you wouldn't get a train starting as 
early as three forty-six. Oh, have you got a time- 
table there, Mr. Quirk ? ' 

Mr. Quirk had produced a local guide from 
somewhere, and was scanning its pages. ' Here, 
you'd better do this,' he said. ' I never was much 
good with Bradshaw.' 

' Well, we'll try, anyhow. Take down, please, 
Mrs. Bredon. London, Reading, Chippenham, Wey- 
mouth and Taunton ; that sounds good enough. 
Dash, it's not so easy after all. . . . Hullo, here's 
a three forty-six in the morning starting from 
Oxford. Nine-twelve — that would be rather a one- 
horse sort of place ; here you are, Hungerford. 
And Woodborough, wherever that is, leads off with 
an eight fifty-three.' 

' Hungerford Oxford Woodborough. What a 
jolly message to get ! ' said Angela. 

' Oh, why did they never teach you acrostics 
when you were young? Look at the initials— 
" HOW " ; what's wrong with that ? ' 

' Miles « y° u are a pet sometimes. This is fear- 
fully inciting. Now for the seven thirty-three.' 



162 THE FOOTSTEPS AT THE LOCK 



' Moderately important, but not very important. 
I think we read straight down the page as far as 
possible. Seven thirty-three ; that's Devizes. An 
arrival, really, but he wouldn't notice that. And 
two o'clock must be some terrific big junction . . . 
no, it isn't. . . . Good God, think of arriving at 
Ilfracombe at two in the morning ! ' 

' DI, then the next one will be another D,' sug- 
gested Angela. ' Try Didcot' 

' Didcot it is ; and DID it is. Now, eight-twelve 
is a more local sort of time ; Aldermaston will do. 
What happens, I wonder, when there aren't enough 
stations to go round ? Oh, I suppose you take the 
second earliest train.' 

1 Miles, this is too exciting ; I can't stand it. 
Let's just take down the names, and read the 
initials afterwards.' 

' All right. Here goes.' And it went, until the 
last group was registered, and Angela, who had been 
keeping her hand over the page, revealed the follow- 
ing names in column formation : 

' Hungerford Oxford Woodborough Devizes Ilfra- 
combe Didcot Aldermaston Lavington Midgham 
Athelney Chippenham Upwey Thatcham Upwey 
Paddington Dorchester Edington Reading Evershot 
Kintbury.' 

'Yes,' said Bredon. 'Not a bad stunt, tie 
missed out Theale, which ought to come before 
Thatcham, otherwise he seems to have made no 
mistakes.' 

' Miles, don't be so provoking ! Don't you see 
that this message is most frightfully important ? 
* Oh,' said Bredon. ' You think it is ? ' 



CHAPTER XVII 



MR. QUIRK DISAPPEARS 

THERE are few more humiliating sensations 
than that of the man who comes into a 
room bursting with stale news. When 
Leyland returned he was plainly full of important 
secrets. He did not even hesitate at seeing Mr. 
Quirk in the room. 4 Derek Burtell's alive ! ' he 
announced. ' I must have a pint of bitter.' 
' Alive ? ' queried Brcdon. 

' Well, he's putting his signature to cipher mes- 
sages, anyhow.' Something in Angela's face checked 
him ; he was conscious of a repression. ' Good 
Lord ! ' he said, ' don't say you've been and read 
the cipher, Bredon ! ' 

* Fm afraid he has,' Angela apologized. ' If he 
wasn't so loathsomely idle he'd have read it three 
hours ago, and saved you that long, silly journey 
to White Bracton.' 

' Oh, I shouldn't have wanted to be saved that," 
said Leyland. 'That was all right— I found out 
more than the meaning of the cipher, you know.' 

' This is very interesting,' put in Mr. Quirk. ' You 
mean, I guess, that we've all got something to learn 
not only from the cipher itself, but from the way 
you found it ? ' 

'Oh, this morning's been full of adventures. 

163 



164 THE FOOTSTEPS AT THE LOCK 

For one thing, I called at the lock above Millington 
Bridge, and was told that the punt had been found. 
Nothing desperately mysterious about it, either. 
It was tucked away in a curious, purposeless kind of 
stone quay there is, hidden behind rushes, at the 
opposite side of the river just close to the Blue 
Cow. Of course, it's pretty evident that there was 
something fishy about Mr. Wallace, or he wouldn't 
have hidden the punt away like that. I suppose 
he made for the railway— it's not far from the 

river there.' 

' Not so very fishy either, if you come to think 
of it,' said Bredon. ' If he was making for the 
railway, he had to cross the river, and there's no 
regular ferry at the Blue Cow ; besides, he wanted 
to go downstream a bit. Naturally he took his 
punt with him ; naturally, if he wanted to go over- 
land, he stowed it away in a place where the casual 
passer-by wouldn't find it. You can explain his 
movements by haste, without suspecting secrecy. 

' Anyhow, there the punt is, with some remains 
of the man's stores in it, but no clue to his identity 
or his destination. However, that isn't all.' 

' You were going to tell us,' Mr. Quirk pointed 
out, ' what it was you found at White Bract0 ". 

' Yes, I was. There are several pubs at White 
Bracton, but only one that looks as if it wanted 
you to stay at it. The White Hart, its name is. 
But when I went in I found it was the sort of place 
where nobody pays any attention to you ; you rap 
on the floor with your stick, and nothing happens, 
except that a dog barks somewhere in the distance , 
you could run off with the stuffed trout, and no 



MR. QUIRK DISAPPEARS 165 

one the wiser. Just opposite me was one of those 
letter-racks they have at all these inns ; and on 
the rack there was a single letter. 

'For several reasons that letter interested me. 
In the first place, it was addressed by somebody 
who was writing with his left hand ; it isn't difficult 
to see when that's happened. In the second place, 
although the name was written in full, "Mr. H. 
Anderton," the address wasn't in full ; it was simply 
"The Inn, White Bracton ". In the third place, 
the letter had been there a week, to judge by the 
post-mark, and nobody had claimed it. 

' Those derelict letters always interest me ; it 
comes, I suppose, Bredon, of being a professional 
spy. And this one, lying about in a place which 
I'd gone to on purpose in the hope of picking up 
information, intrigued me particularly. The post- 
mark said "Oxford", but there was nothing 
enlightening in that. I dallied with the temptation 
for a moment, then slipped the letter into my 
pocket, and left the White Hart without asking 
any questions at all. When I was round the corner, 
I opened the letter, and found that it was exactly 
the thing I had come for. It was from somebody 
who signed himself Nigel to somebody whom he 
addressed as Derek ; and it explained in words of 
one syllable the whole system of the Bradshaw 
cipher which you solved this morning.' 

' Have you got the letter here ? ' asked Bredon. 
' I'd rather like to see the post-mark. Yes, the 
post-mark's all right ; it was posted late on the 
day of Derek's disappearance. And the envelope 
was untouched, I suppose, when you found it ? 



i66 THE FOOTSTEPS AT THE LOCK 



But of course, you'd have been bound to notice 
if it had been tampered with. Yes, that letter's 
genuine enough, and, as Mr. Quirk says, it's all very 
interesting. I suppose you've got specimens of 
Nigel Burt ell's handwriting to compare it with ? ' 

1 Trust me for that. The whole thing's genuine. 
And it looks rather as if we'd got to revise our 
whole view of the business, don't it ? ' 

' As how ? ' 

■ Why, on the face of it it looks as if the two 
cousins were both alive, and in active correspondence 
with one another. And if that's so, all the other 
clues we've been following up, the photographs, 
and the two sovereign-purses, and you-know-what 
on the island, must all have been simply a blind 
of some sort. And the hole in the canoe must 
be either a blind or an accident. And I don't quite 
see that we want to find the man in the punt any 
more. We certainly don't want to drag the river 

above Shipcote.' 

1 Yes, but you're going much too fast. You say, 
on the face of it both cousins are alive. But is 
that a necessary conclusion ? ' 

'No, not necessary, of course. But it proves, 
surely, that one or other of them's alive ? It's not 
very likely that a third person would be in the 

secret of the cipher.' 

' Yes, I think it's reasonable to assume that at least 
one of them is alive. But then, you go on to say 
that they're in active correspondence. There I don t 
agree with you at all ; it seems to me much the most 
interesting feature of the case that the correspond- 
ence between them is so extraordinarily passive. 



MR. QUIRK DISAPPEARS 



167 



' How passive ? ' 

' Why, my dear chump, don't you see that neither 
of them knows where the other is, or what's hap- 
pening to him ? A week ago, Nigel wrote a very 
intimate letter to his cousin, addressing it to the 
inn at White Bracton. He had reason to believe 
that his cousin was at White Bracton ; that means 
there had been some prearrangement ; he did not 
know the name of the pub at White Bracton, there- 
fore the prearrangement, such as it was, was very 
incomplete. Nigel sent a code, to be used in case 
of emergency — why hadn't that code been arranged 
already ? It means, surely, that when Nigel wrote 
there was already some hitch in the plan ; things 
weren't quite working out to time, and therefore 
it would be prudent to have a cipher.' 

' Yes, I suppose that's sound, as far as it goes.' 

' But it's not nearly all. The alias, H. Anderton, 
must obviously have been arranged beforehand. 
If Derek ever went to the pub at White Bracton— 
that's to say, if he ever went to the right pub— he 
must have looked about for letters addressed to 
H. Anderton. And if he had found one, he would 
have lost no time in taking it down from the rack. 
You wouldn't want to take any risks in such a 
correspondence.' 

* Yes, confound it all, I wondered why the letter 
was unclaimed, but I didn't see how important it 
was. You mean Nigel doesn't know where Derek 

IS . 

' know, anyhow. And, what's still odder, 

he thought he did know. Surely it's fair to say 
that there must have been a disarrangement of 



168 THE FOOTSTEPS AT THE LOCK 



their plans ? And, if so, the clues we picked up 
round the island and so on may still have a meaning.' 

' But this morning's message looks as if they'd 
got in touch again.' 

' Not a bit of it. If it was really Derek who wrote 
that post card, it shows that he hasn't kept informed 
of his cousin's movements in the least. If he had, 
he would have known, in the first place, that Nigel 
has gone down from Oxford ; and in the second place 
he would know that Nigel's movements have been 
suspicious, and that his old digs would be watched 
by the police. Therefore he wouldn't have sent 
him an incriminating message at that address. 
(I say incriminating, because there is always a 
chance of any cipher being read.) No, if Derek 
wrote that post card, it was a hopeless shot in the 
dark. But, of course, Derek didn't write that post 
card.' 

• You mean that he can't know the cipher, because 
he never got the letter addressed to him at White 
Bracton ? But that letter may have been verbally 

confirmed since.' 

' Not a bit of it. The two cousins haven't met, 
or Derek would know that Nigel isn't in Oxford any 
longer.' 

'That's true. But he might have written tne 
post card, knowing that it would fall into the hands 
of the police, precisely because he wanted it to fall 
into the hands of the police. After all, up till now 
Derek Burtell has had a good motive for stopping 
in the background. But since Aunt Alma's death 
he's got a remarkably good motive for reappearing- 

' But does he know what was in the will ? « 



MR. QUIRK DISAPPEARS 169 



not, it would be risky to reappear. Besides, why 
not simply reappear, instead of setting puzzles to 
the police ? Besides, at the risk of being rude, I 
must say I think he'd have set a much easier puzzle 
to the police while he was about it. I am per- 
sonally rather proud of myself for having solved it 
at all.' 

' Still, he might have guessed that we should have 
the White Bracton letter in our hands by now. . . . 
I don't know ; I suppose you're right about Derek. 
What you mean is that Nigel sent that post card 
from Paddington to himself ? ' 

' Exactly. And we're still completely without 
evidence whether Derek is alive or dead. I doubt 
if Derek knew, or knows, that the White Bracton 
letter was ever written. But Nigel knows that it 
was written, and Nigel might quite reasonably guess, 
mightn't he, that with all the hue and cry there's 
been, the White Bracton letter would have been 
found. Don't you think so, Mr. Quirk ? ' 

' Why, certainly I'm of that opinion. Seems to 
me it was very odd the idea of making inquiries at 
White Bracton never occurred to anybody till I 
got my little brain-wave.' 

' But what's Nigel's game ? ' objected Leyland. 
' He wanted his cipher to fall into the hands of the 
police, to make them think— what ? That Derek 
was alive ? ' 

'Of course. Assuming that Nigel has lost track 
of Derek, it's the simplest way he could find of 
convincing the police that Derek isn't dead— or at 
any rate that he wasn't dead when Aunt Alma 
cued, and her will took effect. After that, 



12 



170 THE FOOTSTEPS AT THE 

can die as much as he wants to. The point is that 
he mustn't be allowed to predecease Aunt Alma, 
and so rob himself of the legacy. Do you find any 
difficulty in that explanation, Mr. Quirk ? ' 

' Why, no ; I can't say that I do.' 

' Then you must be very differently built from 
me. I find one enormous difficulty in that explan- 
ation. How did Nigil know for certain that Mrs. 
Coolman had left her money to Derek, and there- 
fore that it was necessary for Derek to reappear ? 
If he didn't know for certain, you see, he could 
hardly have acted so promptly. From the point 
of view of the original legacy, it was still imperative 
that Derek should stay dead.' 

' Surely it was worth the risk,' suggested Angela. 
' Because Derek didn't need to be dead until Septem- 
ber the 16th. It wouldn't do much harm for him 
to come to life in the meantime, as long as he was 



again. 

' It would hardly do for him to develop a habit 
of alternate decease and resuscitation. Such a 
habit would awake suspicions among the most 

guileless of lawyers.' 

'I see one thing clearly/ broke in Leyland. 
' Whatever way you look at it, there's no reason 
to believe that Nigel knows more than we do about 
what's happened to his cousin. If the post card 
was his work, he was obviously trying a shot ID 
the dark. And therefore it s still important to find 
the man in the punt before we find Nigel Burtell. 

' In a sense,' Bredon admitted. ' And yet if we 
could lay our hands on Nigel, he might have some- 
thing to tell us.' 



MR. QUIRK DISAPPEARS 171 



' I suppose it's something said Leyland, ' to 
know that he's loose in London. He may have 
been seen there by people who knew him.' 

' If he's really living there. But the post card, 
you must remember, was handed in at Paddington. 
In order to post a letter at Paddington, you don't 
need to be living in London. It's quite as simple 
to be living anywhere on the Great Western. You 
just take a train up to London and then take the 
next train back.' 

' I've just one quarrel to pick with your analysis, 
Mr. Bredon,' suggested the American, who for some 
minutes appeared to have been plunged in thought. 
' You allow that young Nigel wanted his post card 
to fall into the hands of the police. Well, if that's 
so, why didn't he send it to the address of Derek 
Burtell's flat in London ? It would reach quicker, 
for one thing ; and for another thing he could be 
quite certain, instead of just guessing, that it would 
fall into the hands of the police.' 

'I know. But to put the London address on 
the post card would suggest collusion. Putting 
himself in Derek's place, the most natural assump- 
tion would be that the Oxford address was per- 
manently likely to answer.' 

' Well/ said Angela, ' one way and another we 
seem to be about as far on as we were before ' 

f I know/ agreed her husband. * Don't you think 

Mr ™Sr ld US * y ° U faWW ab ° Ut the business ' 



CHAPTER XVIII 



IN UNDISGUISE 

FOR perhaps a quarter of a minute the whole 
company stared at one another. Then the 
family weakness of the Burtells saved the 
situation, and Nigel fainted. 

It was when he had been carried up to his room, 
and Angela had imperiously assumed all respon- 
sibility for him, that Bredon and Leyland were free 
to discuss the situation. ' How long have you 
known ? ' asked Leyland. ' Did you recognize him 

from the start ? ' 

' Not exactly. There was something reminiscent 
about him, though. The staff of the Gudgeon 
ought by rights to have recognized him, but they 
didn't, you see. It's quite easy to suspect a person 
of being in disguise ; not nearly so easy to suspect 
him of being in undisguised 

' How do you mean — in undisguise ? 9 
'Why, that Nigel Burtell, the undergraduate, 
went about permanently disguised. He was round- 
shouldered, for example, but a singularly expensive 
tailor managed to turn him out a straight man. 
It was at Millington Bridge, wasn't it, that the 
landlady remembered him as a gentleman who held 
himself very straight ? Anyhow, that was the 
impression he contrived to make everywhere; or 

172 



IN UNDISGUISE 



173 



rather, his tailor contrived to make it for him. 
Mr. Quirk was the real Nigel, as his friends never 
saw him. The real Nigel, too, had his face disfigured 
by a yellow blotch — you've been seeing it on Mr. 
Quirk all this last week. As an undergraduate, 
he got rid of the defect by making up ; he was a 
pretty good actor, you know, and his make-up 
imposed upon the world at large. . . . Though 1 
imagine some of his friends wouldn't have minded 
much if they had known about it ; it would only 
have been a single affectation added to the rest. 
Of course, if that had been his natural complexion, 
it would have been tanned a deep brick-red after 
ten days on the river, and Mr. Quirk couldn't have 
happened. But I think his hair made more differ- 
ence than anything ; he used to wear it very long 
and brushed straight back— rather shiny hair it 
was ; and when he had it cropped quite close (that 
was at a small shop in Swindon) it showed up his 
slight baldness and made him look absolutely 
diilerent. Another thing everybody remembered 
was his voice, a slow, affected, disgustingly superior 
drawl That was quite unreal, too ; he found no 
difficulty in dropping it when need arose, and 
talking like an American instead.' 

' He's certainly a good actor. I can't think how 
ne managed to keep up the American part so well.' 

You mean his pronunciation of English ? No, 
that was comparatively simple ; his mother, as you 
know married an American, and his home was in 

mf „ ^ ^ aS he had ° ne - impresses 

Wrirlr 'V- le / ay he mana S cd t0 keep up the 
American attitude towards life-that curious fresh- 



174 THE FOOTSTEPS AT THE LOCK 



ness and simplicity they have ; that was foreign 
to his nature, if you like. That habit of always 
talking as if everything was quite different on the 
other side of the Atlantic — I shouldn't be surprised 
to hear an American say that the earth goes round 
the sun on the other side. He did that to perfection. 
Yet, in a sense, that simplicity was itself only a 
shedding of his own beastly affectedness. I don't 
think he had any positive disguise, if you see what 
I mean, except, of course, the horn spectacles; 
and they don't go far.' 

1 But you say you didn't recognize him straight 
away from the start ? Didn't even feel suspicious 

about him ? ' 

' No ; why should I ? I did take just a look to 
make sure he wasn't Derek ; but that was obvious ; 
there's no trace of drugs on him. I didn't think 
of his being Nigel because, when he introduced 
himself here, Nigel wasn't yet missing. If you'd 
come in at two o'clock, telling me that Nigel had 
disappeared, and then Mr. Quirk had rolled up at 
four, I should have spotted the thing at once. As 
it was, he got the start of you ; he was already 
established here before you came. The human mind 
doesn't solve problems until they have been set.' 

' He took big risks in coming here.' 

' Ah, but he had no notion I was here, you see. 
I was out when he arrived, and it was too late to 
draw back when Angela introduced us. As I say, 
I had a slight thrill of recognition, but I bottled it 
up — I always do. Of course, somebody coming out 
from Oxford might have recognized him, but it 
wasn't likely ; Oxford's all down by now. And as 



IN UNDISGUISE 



175 



for the staff of the hotel, they never notice that 

kind of thing. Business, to them, is an endless 

succession of strange faces ; consequently no one 

face calls for remark.' 

' What gave you the notion that something was 
wrong ? ' 

' Why, I believe the first thing was when he told 
Angela it was lucky I was such a good photographer. 
What did he know about it ? It puzzled me. 
Then, you remember, there was that business of 
the note-case.' 

' Which note-case ? The one at the island or 
the one the scouts found ? ' 

' The one the scouts found. Of course, it was 
nonsense supposing that Derek Burtell carried two 
purses. That meant that one or the other was a 
fraud, a blind. It seemed natural to suppose that 
it was the one with the visiting-card in it. The 
visiting-card had so obviously been put there. Now, 
the curious thing was that those scouts had been 
diving in that precise spot from Monday till Sat- 
urday, but it wasn't till Saturday they came across 
the note-case. Was it possible, I asked myself, 
that the note-case had been dropped in calmly 
overnight ? If so, who had dropped it ? Then I 
remembered that Mr. Quirk had been anxious to 
know the precise spot where the canoe was found 
and that he had gone out for a walk there the even- 
ing before. I wanted to know more about Mr. Quirk.' 

Thank God that riddle's solved. It was driving 
me crazy. ° 

' I still didn't feel certain that Mr. Quirk was 
Nigel. I toyed with the idea that he was some 



176 THE FOOTSTEPS AT THE LOCK 



American friend whom Nigel had put on to watch 
me. I'd only seen Nigel for quite a short time, you 
must remember, and in a rather dark room. But 
my suspicions were aroused, and I thought it would 
be a good thing to watch Mr. Quirk pretty closely, 
and give him his head. Though I never dared to 
credit him with the audacity which he proceeded 
to show.' 

' You mean all that business about Millington 
Bridge — the one cousin sleeping in the two rooms ? 
Yes, it was pretty bold. Why did he give us such 
a big slice of the truth ? ' 

' Oh, I've no doubt as to his primary object. He 
wanted us to take him into his confidence, so that 
he could keep a watch on what we were doing. 
And in order to do that, he felt he must put up some 
sensational bit of detective work, to make us value 
his help. But I'm not quite so sure about his 
giving us a slice of the truth.' 

' Surely you don't believe that both cousins slept 
at Millington Bridge that night ? ' 

' Well, we've no positive evidence about it except 
the finger-marks on the decanters. And those, of 
course, Nigel himself had just made, while we were 
looking at the window-frames.' 

' Good Lord ! My opinion of Mr. Quirk as a 
detective is going down ; but I am beginning to 
think highly of him as a criminal.' 

' It was a bad mistake he made, though. Of 
course, I never believed that those marks had been 
on the decanter the best part of a week. Grease I 
Why, he would have had to use plaster of Paris. 
I wonder that took you in, Ley land.' 



IN UNDISGUISE 



177 



'It all depends on whether you're expecting a 
thing like that or not. I was perfectly taken in 
by Mr. Quirk, and I never dreamt that he could have 
made the finger-marks.' 

4 Anyhow, as I say, he made a mistake. Because, 
as you know, I had got the print of Nigel Burtell's 
finger and thumb, and that told me exactly who 
Mr. Quirk was. All Saturday and Sunday, while 
you were away, I kept a keen eye on his movements. 
What worried me was the man's audacity in coming 
to the very inn where I was staying. Then I found 
the book he'd been reading, Warren's Ten Thousand 
a Year. If you've ever been old-fashioned enough to 
read that story, you will remember that the solicitors 
in it are Messrs. Quirk, Gammon, and Snap. 
That showed me where he'd taken the name from. 
And that showed me that he'd come to the Gudgeon 
quite carelessly, without even going to the trouble 
of inventing an alias before his arrival. In a word, 
he didn't know I was at the Gudgeon at all — he had 
simply come there to watch proceedings. He wasn't 
expecting the hotel people to ask him his name.' 

' Yes, that's pretty smart work. But why didn't 
you let on to me, if you don't mind my asking ? ' 

' Well, on the Saturday and Sunday you weren't 
there, anyhow. And I'm afraid I must confess that 
I thought you might want to arrest him straight 
away, and spoil the little game I was playing with 
him. Have you ever noticed what happens if you 
catch sight of a rabbit before it catches sight of 
you, even at close quarters? If you stand abso- 
lutely still, the rabbit goes on feeding quite happily, 
and you can watch it for a long time. I enjoy 



178 THE FOOTSTEPS AT THE LOCK 

doing that ; I enjoyed doing the same thing with 
Mr. Quirk. I loved watching the skill with which 
Nigel Burtell posed as Mr. Quirk, and remembering 
the equal skill with which Mr. Quirk used to pose 
as Nigel Burtell. As long as you and I made no move, 
he wouldn't run away ; he was too vain for that. 
But the next day, yesterday, I confess that I did take 
liberties with you. I let Mr. Quirk go up to London.' 
' To London ? ' 

' Yes, by the three-twelve, and back by the four 
forty-five. That's what he did when he went over 
to Oxford. I had misgivings about the whole 
thing ; it seemed as if he might be doing a bolt. 
But somehow I felt convinced that he wouldn't 
bolt now, because his game wasn't fully played yet. 
He now had to create evidence, you see, that Derek 
didn't die before Aunt Alma. So I risked letting 
him go away and manufacture his evidence. You d 
have looked a pretty good fool if he had got away, 
because he was travelling on your train.' 

' Confound you, I wish you wouldn't take these 



« Loyalty to employers, you see. You want to 
find a murderer. I want to find out whether there s 
a corpse. For that purpose, it was worth while 
giving Nigel his head. If I hadn't, we should 
never have known anything about White Bracton. 
' What do we know about White Bracton ? 
< Why, that on Monday night Nigel addressed a 
letter to Derek at the inn there. In fact we know 
for certain that Nigel, on Monday night, still believed 
his cousin to be alive, and believed he knew his 
address. That shows there was some hanky-panKy 



IN UNDISGUISE 



179 



about Nigel's actions, and also about Derek's inten- 
tions. When Angela has finished soothing the 
fevered brow, I hope to find out what.' 

* It will be queer to hear Mr. Quirk not talking 
American.' 

' It will be queer to think of him as not being an 
American. What an excellent disguise it was, after 
all ! If we meet one of our own fellow-countrymen, 
a stranger, at an inn or in a railway-carriage, it is 
our instinct to want to know everything about 
him — what part of the country he comes from, 
what is his business, and so on. But an American 
we take for granted. We don't want to hear what 
part of his country he comes from, because we know 
that we couldn't place it on the map within a thou- 
sand miles. We are terrified of hearing all about 
his business. He is so ready to impart information 
that we never ask him questions.' 

' Bredon, we're beating about the bush. What 
each of us really wants to ask the other is whether 
he thinks Nigel Burtell is a murderer— or at least, 
a murderer's accomplice. You say Nigel didn't 
know where Derek was on Monday night, or he 
wouldn't have written a letter to him at White 
Bracton. But you see as clearly as I do that it 
might all be part of his alibi ; that he may have 
deliberately written that letter, and then deliberately 
led us on to find it, in the hopes of persuading us 
that he was entirely ignorant of his cousin's death. 
Nigel BurteU is going to tell us his story— at least, 
if he doesn't want to we shall find means to make 
lum. But what we both want to know is whether 
the story he means to tell us is a true one.' 



i8o THE FOOTSTEPS AT THE LOCK 



' Personally, I'm waiting to see what it is before 
I start wondering whether it's true. But I'll tell 
you this much. I believe the late Mr. Quirk was 
right when he said that it's no good trying to prove 
Nigel was the murderer's accomplice until we can 
find the murderer. Unless we do that, Nigel will 
always be able to profess ignorance of what hap- 
pened. His alibi, you see, remains good. A canoe 
with a hole that size in it can't have drifted down- 
stream in the given time ; therefore it was pro- 
pelled downstream ; Nigel didn't do that, because 
he was on the nine-fourteen train ; therefore some- 
body else did it ; either Derek Burtell, still alive, or 
else a third person. And that third person must be 
found before we can definitely prove how Derek died, 
or indeed (for that matter) whether Derek is dead.' 

' I never quite see why you lay so much stress 
on the question of the boat's drifting. Surely even 
without that the alibi would be good— look at the 
time it must have taken, even if Derek was already 
dead, to photograph his corpse and lug it up on to 
the island.' 

' I'm not so sure. It was quick work, of course, 
but the train, you found, wasn't actually dead on 
time. I'll tell you what, when we've heard Nigel 
Burtell's story, we might do worse than spend part of 
to-morrow trying to reconstruct the thing. We'll go 
up to Shipcote Lock, and you can act as the dummy 
corpse while I see how long it takes to do the trick. 

' I was thinking of going and asking for an inter- 
view with Mr. Fairis.' 

'No need. He can't afford to ^ bolt, anyhow. 

Hullo, Angela, how's the patient ? - 



CHAPTER XIX 



THE STORY NIGEL TOLD 

NIGEL'S trouble proved to be something 
more serious than a common fainting-fit. 
It was a heart attack, which demanded 
a visit from the doctor, and its inevitable sequel — 
the prescription of ' a few days in bed '. Leyland 
was delighted at this turn of affairs. He had an 
intense horror of making unnecessary arrests, of 
putting suspects in prison and letting them out again 
with apologies. Nothing was so repellent to his 
professional pride. Yet it would have been difficult 
to avoid taking out a warrant against Nigel, so 
clever had been his manoeuvres, so widely had his 
description been circulated. In bed, and with his 
clothes removed under some hospital pretext, Nigel 
was as good as arrested ; the invalid is, for all 
practical purposes, a jail-bird. It was not, however, 
till the morning after his seizure that he was allowed 
to give any account of himself. 

' I think I ought to warn you, Mr. Burtell,' Ley- 
land began, * that, though no arrest has b*een made, 
I mean to make notes of your story, and shall be 
prepared to produce them in case of emergency.' 

' Yes, rather,' said the sick man. ' I'm hanged 
if I know whether I'm a criminal or not, you see. 
The situation has got so complicated. I think I 

181 



182 THE FOOTSTEPS AT THE LOCK 



should find it easiest if you just let me tell the story 
my own way, and don't interrupt me till afterwards. 

' You know, of course, that Derek and I weren't 
on very good terms. There was a woman — but I 
expect you've heard all about that. Anyhow, I was 
rather surprised at getting a visit from him the 
other day, suggesting that I should go out with 
him in a canoe up the river. He explained why ; 
Aunt Alma, he said, was beginning to sit up and 
take notice of the fact that she had great-nephews, 
and was wishing that we could hit it off better. 
If I was willing, he would come down to Oxford and 
meet me ; I would have a boat ready, and we would 
go up to Cricklade, making the best of a bad job, 
and tell Aunt Alma about it afterwards. I agreed, 
only I was doubtful about being able to finish the 
journey before my Viva. He pointed out that I 
could go ashore anywhere I liked, if we were pressed 
for time. Actually, I had made a mistake about 
my Viva, and expected it a day earlier than it 
came. 

' It was a queer journey, one way and another, 
but there's no need to describe it in detail. For a 
good deal of the time, Derek wasn't worth talking 
to ; he'd brought some of his drug with him, the 
silly ass, and he took it at intervals. Once he let 
me try some, and it pretty well laid me out- 
beastly, I thought it. But, what was much more 
important, in the course of the journey he explained 
to me a plan he'd got for saving his financial posi- 
tion, with or without Aunt Alma. He was sick 
of London, he said, and the fellows he met in Lon- 
don ; he wanted to emigrate somewhere, and start 



THE STORY NIGEL TOLD 183 



afresh. Only he'd no intention of starting penniless ; 
and that's what he'd have to do if things went on 
as they were. But why shouldn't he, instead of 
emigrating in the ordinary way, simply manage to 
disappear ? If he did that, his death would be 
presumed after a time, and the beastly Insurance 
Company would have to pay up ; the fifty thousand 
would remain safely in the family. 

' Only, as he explained to me with some candour, 
a confederate was necessary to the plan, and that 
confederate had got to be myself. In three years' 
time the fifty thousand would come to me, and I 
could borrow in the meanwhile on the strength of 
it. He suggested, then, that he should disappear, 
and I should automatically become my grandfather's 
heir ; we were to go halves in all the profits that 
resulted. He didn't (he was kind enough to explain) 
trust me a yard. But this agreement, once made, 
I should necessarily have to keep ; if I tried to 
play him false, he could simply reappear and, with 
some loss of dignity, expose me. He intimated 
that this was my only chance of seeing the colour 
of the legacy ; he was quite determined not to die 
before he was twenty-five, and so leave the field 
open to me ; sooner than that, he would turn 
teetotaller. 

' I had no moral scruples about the suggestion, 
but I hesitated a little at the idea of breaking the 
law in order to enrich a fellow like Derek. But 
it appealed to my pocket, and it appealed to my 
sense of adventure. We struck the bargain, and 
then he began to talk to me about the details. 
This canoe trip, he said, was providential ; it was 



1 84 THE FOOTSTEPS AT THE LOCK 



quite easy to disappear when you went out on the 
river, and the police would drag it for a fortnight, 
and then say you were dead. I said I thought 
most bodies of people drowned in the Thames were 
recovered, but he assured me there would be no 
difficulty so far as that was concerned. And I must 
say he had worked out the plan very ingeniously. 
That was the extraordinary thing, because Derek, 
you know, was always a bit of a chump. I think 
it was that dope he used to take which had given 
him the idea ; while its effect lasted, it really made 
Derek quite lively, and his brain worked like a 
two-year-old. 

' The great trouble about disappearing, he said, 
was that you couldn't actually hide in a haystack ; 
you must still go about and meet people, but of 
course under an alias. And the difficulty of an 
alias was that it began just where your old self 
left off — Derek Burtell disappeared, if you see what 
I mean, and immediately Mr. X came into existence. 
A clever detective would spot that ; would connect 
the facts and put two and two together. To avoid 
that difficulty, you must make your alias overlap 
with your real self. Mr. X must come into existence 
at least a day before Derek Burtell disappeared. 
You see the idea ? And he had a sound way of 
working the scheme. When we reached our last 
stage, at Millington Bridge, I was to go up to the 
inn twice in succession, pretending to be two 
different people ; I was to sleep in two beds, wash 
in two basins, get through two breakfasts, and pay 
two bills. So that everybody "would take it for 
granted we had both slept at Millington Bridge. 



THE STORY NIGEL TOLD 



185 



Meanwhile, he would totter off to White Braeton, 
a mile or two away, and establish himself there as 
a Mr. H. Anderton, a commercial traveller, or some- 
thing of that sort. (He wasn't sure, he said, 
whether we shouldn't finish up on a Sunday, and 
if we did, of course it wouldn't look well to be a 
commercial.) The point of the plan was that Mr. 
Anderton would come into existence on (say) 
Sunday night, and Derek Burtcll wouldn't disappear 
till Monday. Who would be likely to connect the 
two, when everybody assumed that Derek Burtell 
spent the night at Millington Bridge, and we could 
prove that Mr. Anderton spent it at White Braeton ? 

' All that we carried out. I left him at Millington 
Bridge, and did the two-headed man trick, while 
he sloped oft. Next morning he met me a little 
way down below the bridge, and asked me if it 
had all gone off all right. White Braeton, he said, 
was a pretty putrid hole, but he got a shake-down 
at the inn ; still, he felt awfully sleepy. So we 
went on down to Shipcote Lock ; it was still quite 
early in the morning, and there was nobody about 
much, though we passed one man in a punt.' 
, ' Excu se me one moment,' Bredon interrupted, 
but did you really take a photograph of Burgess, 
the lock-keeper ? ' to 

' Of course I did. You showed it me, didn't you ? 
ine last one that came out on that spool ; the other 
two were fogged.' 

! ?*? y° u never ex P° s e the last two, then ? ' 
1 didn't, but Derek may have. You see, while 
ve were in the lock, just when I was going off to 
the station. Derek shouted up that I might as well 

13 



186 THE FOOTSTEPS AT THE LOCK 



leave him the camera, and then he could finish up 
the spool if he saw anything worth taking. So I 
gave it him.' 

' You're contradicting, aren't you, what you told 
me at Oxford — that you must have dropped the 
films near the station ? ' 

* Yes. I thought it best to say that, because I 
couldn't imagine how the films got there, and I 
thought it might lead to awkward inquiries.' 

' One more question before you go on. Did you 
throw the camera down, or did you go down the 
steps and hand it to your cousin ? ' 

' Went down and handed it to him. Derek 
couldn't catch for nuts. Then he pushed off from 
the bottom of the steps, and I crossed the weir 
bridge and took the path for the station. We had 
agreed that I must have a perfect alibi, so that I 
should know nothing about his disappearance. I 
got the exact time from the lock-keeper. I looked 
round to see somebody on the way to the station, 
so that he could swear to me. But there was no- 
body ; and so — it was a suggestion Derek had made 
—I cut through the hedge on my left, and went 
through a sort of farm place that was quite out of 
my way, really — there were certain to be people 
about there, Derek said. I only saw one old lady 
in a top window, but I took off my hat to her, so 
that she'd remember my passing through. 

1 1 had dawdled purposely, so as to be able to 
catch the train at the last moment ; that was 
another of Derek's ideas. If I travelled without a 
ticket, he said, I could own up to the man at the 
barrier in Oxford station, and he'd have to sell 



THE STORY NIGEL TOLD 187 



me a ticket, so he'd remember about it afterwards, 
and cover my alibi. That worked out all right. 
Then, of course, my Viva was going to cover the 
next stage of the proceedings. That didn't come 
off, but I took a taxi out here, and asked for a 
drink so that I could have an argument about the 
time with the barmaid. That covered the other 
end of my alibi, you see. 

'Then I had to sit down and wait— we hadn't 
intended, of course, that I should have so long to 
wait— that was due to the mistake about the Viva. 
The arrangement was that at about half-past one 
I should be somewhere near the disused boat-house ; 
the canoe, we calculated, ought to be somewhere 
near there by then. I left Derek to arrange that 
as he thought best ; he was to give the impression, 
as best he could, that he'd fallen into the river 
with a heart-attack, that the canoe had been 
swamped, and so on. 

' Well, I did the agitated part all right, and took 
a man from here with me so as to have a witness 
when I found the canoe. It came up to time 
splendidly, and the man got it in to shore, then 
started diving to see if he could find Derek any- 
where. While he was doing that, I found a beastly 
hole in the bottom of the canoe, as I was trying 
to right it. That annoyed me, because I assumed 
that Derek had done it as the simplest way of 
swamping the boat, forgetting, the silly chump, 
tnat people would ask questions about it after- 

I? ♦ *J hj ? WaS the first thin 6 that went " rron g 
about the plan. 

' But the next thing was much worse.. We had 



188 THE FOOTSTEPS AT THE LOCK 



agreed that he was to send a letter to me as soon 
as he got home to White Bracton — that would be 
about ten o'clock in the morning, and it ought to 
arrive the same night. I was to write to him from 
my digs just to confirm the fact that everything 
had gone off all right. Afterwards, there was to 
be no correspondence, for fear my letters should be 
watched. Now, when I got home that night, there 
was no letter waiting for me. So I thought out a 
cipher, and wrote it off to " H. Anderton ", thinking 
that it might be easier for him to send messages 
that way, through the papers if necessary. But 
next morning there was still no letter from White 
Bracton. I began to get alarmed, and yet I could 
do nothing without attracting suspicion. And so 
it went on from one day to the next ; no message 
from Derek, and no prescriptions about what I 
should do. 

'You don't know, probably, what the end of 
term's like at Oxford— the end of one's last term, 
I mean. There's a sickening feeling of being at 
a loose end that makes you want to go away and 
die somewhere. All that ridiculous aesthetic busi- 
ness looks so empty and pointless when you've got 
to go down ; it felt like being in a theatre when 
you've lost your hat at the end of a play, and 
they're all turning down the lights. Its effect on 
me was that I wanted to cut adrift from the whole 
business and start again on a fresh tack ; I suppose 
it was a kind of conversion. ... If Derek was 
going out to the Colonies, why shouldn't I ? And 
then in a flash the thought occurred to me: il 
Derek was going to disappear, why shouldn t 1 « 



THE STORY NIGEL TOLD 189 



' I didn't know then that my own movements had 
aroused any suspicion. I wanted to keep near the 
scene of action, but staying in Oxford, with .ill 
that mockery of a past behind me, was too much. 
Why shouldn't I fade off into the surrounding 
country somewhere, and become a fresh person for 
a bit ? There was no need to disguise myself ; 
I had only to drop a disguise. It might be safer, 
perhaps, to pose as an American ; I've lived so 
much in the States that the impersonation was 
hardly any effort to me. I thought of this pub, 
which had seemed rather comfortable ; I was sure 
they wouldn't recognize me with my hair cut short 
and all the rest of it. I determined to do it. Fortu- 
nately I'd lots of cash in hand, because I'd been 
meaning to travel on the Continent, and hadn't 
yet booked my passage. I would let my luggage 
go up to London without me, and disappear into 
the blue by the next train, a few minutes later. 
It all seemed to work without a hitch. At the 
last moment I got the impression that somebody 
was watching me ; so I was very careful to skip 
off while he wasn't looking. 

' The train journey was a simple one— I expect 
you've worked it out for yourselves. Change plat- 
forms at Swindon, then double back by a slow train 
to Faringdon, and you're within a 'bus ride from 
here. On my way I called at White Bracton, and 
was really appalled to find my letter to " H. Ander- 
ton " still in the rack. Then for the first time I 
realized that something had gone very wrong indeed. 

hun S ***** for nearly an hour, waiting till the 
passage should be empty and I could get hold of 



igo THE FOOTSTEPS AT THE LOCK 

the letter, but they never gave me a chance ; so 
I got tired of it and came on here. 

' I had hoped to find the inn empty ; and it 
was annoying when a strange lady came up and 
talked to me. But I remembered that I was an 
American, and it was therefore my duty to introduce 
myself by name ; I picked it at random from a book 
I'd been looking at. Then I found I'd put my 
foot in it, because suddenly you walked in, and I 
had to be presented to you. But you seemed to 
have no suspicion at all. You must be a far better 
actor than I am, because until yesterday evening 
I hadn't the faintest idea that you suspected who 
I was. I got reckless, and determined to see the 
thing through. Among other things, I thought I'd 
help to establish Derek's death. I had a card 
which Derek had left on me ; I had a fiver of his, 
which he'd given me when we were settling up our 
hotel bills ; I put them into a note-case and planted 
them out in the river for the scouts to find. Then 
I thought it would be a good idea to worm myselt 
into your confidence, so I planned out that Millmgton 
Bridge affair, with the marks on the decanters. 
You seemed to be drinking it all in. 

' Aunt Alma's death was what altered the ook 
of things. When you told me about the will, 1 
realized what a silly position I'd put myself in 
Here was all Aunt Alma's money going to that ass 
Farris, unless Derek could be produced, and l 
hadn't the faintest idea where Derek was ! bo 1 
remembered the letter at White Bracton and 1 
thought I'd try the cipher stunt. I posted the card 
to myself at Paddington. I could have cried with 



THE STORY NIGEL TOLD 



delight when the visit to White Bracton worked 
out so well. And then . . . well, there I was, and 
here I am. Can I be prosecuted for a conspiracy 
to defraud ? I suppose I can ; but it isn't worth 
while unless you can find Derek alive ; and if you 
do, why there's all Aunt Alma's money to pay off 
our liabilities with. On the whole, I'm feeling more 
comfortable than I've felt for a week.' 

' M'm ! ' said Leyland, 'you've been conspiring 
to defeat the ends of justice all right, by your 
own account, but I'm hanged if I know whether 
it's actionable. May I just ask whether you've 
given us a complete list of your movements ? Or 
whether we have to thank you for any more of the 
little conundrums we've been trying to solve in 
these last ten days ? ' 

' No, I think not. ... Oh yes, of course, there 
was one thing I did, but not very important. When 
I found the canoe, you know, and saw that it had 
a hole dug in the bottom of it, it worried me a good 
deal ; because Derek's disappearance was meant to 
suggest accidental death. But this neat little hole 
in the bottom of the boat suggested murder or 
suicide or a game of some sort. Nobody could 
think that was an accident. Then it occurred to 
me that it might be taken for an accident if only 
the edges of the hole weren't so confoundedly regular 
Well, there was this chap who was with me, you 
know, plunging about in the water like any old 

boftnm rned K r T d the ed S es ^ the hole at the 

caS H n 6 h ° Pe that U would l00k as if ^e 
canoe had run aground and got smashed up that way/ 



i 9 2 THE FOOTSTEPS AT THE LOCK 

* 

1 Did you now ? ' said Bredon, his eyes burning. 
1 And did you by any chance happen to make the 
hole at all larger while you were about it ? 1 

' Oh yes, lots. It was quite a little hole to start 
with.' 

Bredon got up and walked about the room with 
his hands in his coat pockets, whistling. 



CHAPTER XX 




A RECONSTRUCTION 

'0/ said Bredon as he and Leyland paddled 
up, it seemed for the fiftieth time, to 
Shipcote Lock. ' I don't find Nigel 
Burtell's story incredible in the least. I was never 
at a University, but I can quite understand how a 
creature of poses like that might experience a sudden 
revulsion just at the end of his time there. In a 
small world it must be difficult for a self-conscious 
person not to pose — not to wonder what people are 
thinking of him and whether people are thinking 
of him ; not to impose upon them a false person- 
ality if his true personality is not worth imposing. 
And to leave all that behind must engender a desire 
to return to the simple emotions. But then, unfor- 
tunately, murder is one of the simple emotions; 
and I shouldn't be really surprised to hear that 
Nigel had returned to that. He's so confoundedly 
plausible, you see ; I wouldn't put it beyond him 
to give us a perfectly genuine analysis of his emo- 
tions, and then conceal from us the central fact. 
And it remains certain that he's blown his own alibi 
to bits. If there was only a hole about the size of 
a pin s head in the bottom of that canoe, the wind 
and the stream would carry it no end of a distance 
beiore it filled up. And, dash it all, that's all there 

10* 



194 THE FOOTSTEPS AT THE LOCK 



was. Why shouldn't the murder have been done 
before the canoe left the iron bridge ? And if it 
was, why shouldn't it have been Nigel that did it ? 1 
' I know, I know. But then, you've always been 
building such a lot on that argument. To me, the 
whole thing has been a question of the total time 
involved.' 

' Well, we're going to find out all about that now.' 

1 Yes ; and yet I'm not sure that all this recon- 
struction business is really a fair test. You see, 
you go about the business in cold blood, all gingered 
up beforehand and quite certain what you're going 
to do next. Interruptions and sudden after- 
thoughts don't put you off your stroke. When 
you undress by the bank, and dress again afterwards, 
your stud won't lose itself in the grass, one sleeve 
of your shirt won't pull itself inside out, because 
you won't really be in a hurry, only pretending to 
be in a hurry. To catch a train and do a murder 
while you're about it in twenty minutes is all right 
on paper, but when a man comes to do it he's bound 
to lose his head. Look at those two photographs, 
for example. I dare say you're right in thinking 
that the one of the footsteps was only due to an 
unintentional exposure of the film. But the one 
of the body in the canoe is an admirable snapshot. 
Well, you take photographs, don't you? Think 
what a confounded lot of sprawling and squinting 
and shifting one's feet about there is, before one 
gets the beastly thing right. Could a man do all 
that, when he was just catching a train, and it was 
a matter of life and death to him ? That's my 
trouble.' 



A RECONSTRUCTION 195 

' It's difficult, I grant you. I suppose there isn't 
any other conceivable way in which that photograph 
could have been taken ? No. . . . W;iit a 
moment, though. ... I say, Leyland, you haven't 
got that print I gave you in your pocket by any 
chance, have you ? ' 

' Of course I have. We want to get the whole 

setting of the thing exactly right. It's in my coat 

pocket, up there in the bows, if you think you can 

reach it without upsetting the canoe. Go gently, 
now.' 

Bredon retrieved the print, and looked at it 
intently for a good half-minute. Then he passed 
it back over his shoulder to Leyland, with the 
question: 'Do you notice anything funny about 
the shadows in that picture ? ' 

You mean. . . . Good Lord, what fools we've 
been ! They go from left to right ! ' 

' With the picture facing North ... and the 
time supposed to be nine in the morning. No it 
won't do, will it ? I wonder we didn't think of that 
before. We know they came back late in the after- 
noon to cart the body away, and of course it was 

then that they put it into the canoe and photo- 
graphed it. 

'That's all very well, but what about the fifth 

su^eiv t C ^ ** **** the footsteps ? That was 
surely taken in the morning, because it shows the 

^ot steps I U Wet ' We know the footst eps were 
< Ofc W i C , mornin g-Burgess swears to them.' 

mn™l i °° tStepS Were P hoto ^phed in the 
S J hi enou Sh- Otherwise the steps would 
cast a shadow-they face East, you see. But then, 



ig6 THE FOOTSTEPS AT THE LOCK 



I've always believed that film was an accidental 
exposure. If Nigel (say) was carrying the camera 
when he walked up the steps, and his foot slipped 
at the top, the exposure would be over and done 
with in no time.' 

' Yes, if it was accidental. But, now I come to 
think of it, why shouldn't they have taken a photo- 
graph of the footprints in the evening ? All they 
had to do, don't you see, was to fake the footsteps 
on the left-hand side of the bridge, instead of the 
right. Then a photograph taken in the late after- 
noon would look as if it had been taken in the early 
morning.' 

' Good for you, Leyland ! Only I'm hanged if I 
see what they could have wanted to do it for. The 
thing still works out all wrong, you know. Why 
did these murderers want to leave traces about 
which made it quite certain that the man had been 
murdered ? What impression did they want to 
create, which you and I are too stupid to see ? 
Confound it all, they've overshot themselves rather 
badly there. It seems to me just meaningless.' 

1 Anyhow, we've cleared up one point. When 
you give your little exhibition this morning there's 
no need to take a camera with you. All you ve 
got to do on your way to the train is to lift the body 
out of the canoe the quickest way you can and lug 
it up on to the clay bank. By the way^ what are 
you going to do about a dummy body ? I'm hanged 
if I'm going to understudy the corpse in that act. 

' We'll have to raise something from Burgess. A 
roll of carpet will do. Hullo ! here's the good old 
island. You get out and take your photographs 



A RECONSTRUCTION 



197 



while I paddle up to the lock and covet Mrs. Burgess' 
best piece of drugget.' 

Very carefully and methodically, Leyland took 
six photographs of the trail through the bracken, 
and two close-ups of the clay bank with the button- 
impress. By the time he had finished, Brcdon had 
returned with a substantial roll of oil-cloth, which 
he deposited on the left-hand bank of the island. 
A few minutes later they had taken possession of 
the lock. Mr. Burgess, wondering but obedient, 
was told to go on gardening, keeping a look-out 
to make sure that all their operations were beyond 
his range of vision. The lower gates of the lock 
were opened, and Bredon, standing at the bottom 
of the steps, gave a long, straight shove to the 
canoe, which carried Leyland, stop-watch in hand, 
briskly downstream. Bredon walked at a moderate 
pace towards the weir bridge. The moment he 
had crossed it, finding himself hidden from Mr. 
largess observation, he ran at full speed some 
Wrty yards along the bank, then sat down and 
undressed to his bathing-suit. He lowered himself 
without noise into the weir-stream, swam it. and 
pushed h.s way recklessly through the undergrowth 
at the southernmost end of the island. On the 
ock-stream, Leyland was now floating very slowly ; 
clear 'y ^ke him some time to reach the 

v aL n f f that rate ' Bredon ran t0 th <= bridge, 
walked backwards up the steps, swam up to the 

ar fun <r, §ht 11 *u Sh ° re ' b0arded fc. and paddled 

lifted 5""* the bridge - Here he landed ' and 

devot J 7 ^ n ° ne t0 ° gently, on shore ; then 
devoted himself to dragging the roll of oil-cloth up 



198 THE FOOTSTEPS AT THE LOCK 



to the middle of the island. Leyland, when he had 
tethered the canoe, walked back to the lock, and 
set out for the station on Mr. Burgess' bicycle, 
along the field path. He had only waited a moment 
or two when a rousing chorus of barks from Spin- 
naker Farm announced that Bredon, his work done, 
his clothes resumed, was hurrying up. 

' Sorry, sir,' said Leyland gravely, as the panting 
figure appeared round the corner ; ' the nine- 
fourteen's just away. All the same, you did a 
pretty good time. Twenty-five minutes, I make 
it. You know, he might conceivably have caught 
that train, if it was four or five minutes late. Did 
you have any checks ? ' 

' Yes ; got one of my sleeves inside out. That's 
the power of suggestion, confound you. And there 
was a beast of a barbed wire gate I had to climb 
over at the farm, which looked as if it ought to have 
been unlocked. Confound it all, I never realized 
what a hard time we let Nigel in for when we made 
him scramble through bracken with bare shins. 
He may have done it all, but he was a perfect fool 
if he did.' 

' Where you lost time,' said Leyland, ' was in 
clambering up those steps. I calculated that you 
might have saved three minutes if you'd swum out 
to the canoe higher up and started paddling at 
once. What the deuce did the man do it for, con- 
sidering the waste of time ? Burgess can hardly 
be lying about those footprints.' 

1 1 believe I'm just beginning to understand that. 
Look at it this way— the sixth photograph, we now 
know, wasn't taken till the evening. Hitherto we 



A RECONSTRUCTION iQ9 



imagined that the footprints were left on the bridge 
when Nigel (or somebody) went up to take the 
photograph of Derek in the canoe. But the foot- 
steps were there in the morning, and the photograph 
wasn't taken till the evening. Then why were the 
footprints there at all ? You saw me walking up 
those steps backwards, and I must have looked a 
fool as I did it ; certainly I felt a fool. It was, as 
you say, sheer waste of time. Which makes me 
suspect that the footprints were left there on 
purpose, in order to create a certain impression.' 

1 That's all very well, but it was a mere fluke that 
Burgess went along and saw them. If he hadn't 
happened to go just then, they'd have made no 
impression on anyone, because nobody would have 
seen them.' 

, ' Precisely. And, don't you see, that's why it 

was necessary to photograph them. The marks were 
made in order that they might be photographed. 
And the photograph was left about on purpose. 
Now, what impression was it that the murderer 
was trying to make ? ' 
' God knows.' 

' So do I. The silly part about these footsteps 
from the first is that they only went up one set of 
stairs, instead of two, and that they only went 
one way, instead of coming and going. That sug- 
gested to us either that somebody in the canoe had 
pulled himself up by his arms on to the bridge and 
walked off it, or else that somebody had walked 
4 U P the steps, backwards, and then jumped from 
the bridge into the stream. Either notion is pretty 
good nonsense, and therefore neither notion is the 



200 THE FOOTSTEPS AT THE LOCK 



impression which this rather acute criminal intended 
to convey.' 

1 Pity he didn't take more trouble to make his 
impressions foolproof.' 

' Don't you see why ? He thought that old 
Burgess would go on rootling in his garden ; how 
was it to be expected that he would suddenly start 
hen-hunting in the wooded part of the island ? 
Those footprints were not meant to be seen by Mr. 
Burgess, or by any human eye.' 

' Then why on earth ' 

' They weren't meant to be seen, but the photo- 
graph was meant to be seen. Now, suppose Burgess 
had never observed or reported the footprints, and 
yet we had discovered the photograph, what should 
we suppose about the footprints ? ' 

' I see what you mean. We should suppose that 
they went right across the bridge, from one side 
to the other, and along both sets of stairs. . . . Yes, 
I see. They were meant to look like the footprints 
of a man walking across, barefoot, from the Western 
bank of the river to the island ? ' 

' Talk sense. If the man was walking that way, 
and took the photograph as he did it, the film 
wouldn't register any footprints, because the foot- 
prints wouldn't have happened yet. You must 
make your footprints first and photograph them 
afterwards. No, the film was meant to look as if 
it represented the tracks of a man walking back- 
wards, from the island to the Western bank. In 
fact, to suggest that the murderer was somebody 
who went off afterwards in the direction of 
By worth.' 



A RECONSTRUCTION 



« In other words, that he did not go off by river, 
nor in the direction of Spinnaker Farm and the 
station.' 

' Exactly. Which recalls to us the interesting 
fact that there was one person who certainly did 
go off in the direction of the station, and that was 
Nigel.' 

' Hullo ! You are coming down on that side, 
then ? ' 

' I didn't say so. But I'm not exactly taking 
my eye off Nigel just yet, that's all.' 

' Meanwhile, have you got a match ? ' 

'Just used my last. There's an automatic 
machine on the other platform, though. We'll go 
across and talk to it, and then get back.' 

As they stood on the down platform there was 
a rumble and a whistle from near by, and a desultory 
porter showed signs of interest. A train puffed in 
from the Oxford direction, with the self-importance 
of one who is conscious that he is a rare visitor. A 
single passenger got out, a tall, well-built young 
man in a brown aquascutum winch half concealed 
and half revealed the fact that he wore shorts under- 
neath it. Confronted with the desultory porter, 
he began an exhaustive search of his pockets, and 
was rewarded at last by the discovery of his ticket ; 
but not before a pink, perforated slip had fluttered 
to the ground unregarded. Unregarded, I mean, 
by the principals in the action ; Leyland and Bredon 
exchanged an immediate glance, and the stranger's 
back was hardly turned before they pounced upon it. 

' This is too good to be true,' said Leyland as 
they turned it over. ' It's quite, quite certainly 



202 THE FOOTSTEPS AT THE LOCK 



the one the man in the punt took at Eaton. 
F.N. 2, as I live — the beastly number would have 
been found written on my heart if we hadn't come 
across this. Quick, what do we do ? ' 

' I'm going back to the canoe and upstream to 
meet him. He can't be coming back to pick up 
the punt. Look, he's gone off along the road— 
towards Millington Bridge.' 

' I'll follow, I think, and if he goes downstream 
you can take me on board when we meet. Here, 
take the bike. By Gad, this is the end of a perfect 
day.' 



CHAPTER XXI 
A WALK IN THE DARK 

BRED ON made no great pace up the river ; 
he was exhausted by his twenty-live minutes 
of variety performance at the lock, and there 
was, besides, no need for haste. If the unknown 
took his punt downstream at all— Leyland, in any 
other contingency, would be able to keep close on 
his tracks — he must needs reach Millington Bridge 
before he could get a lodging for the night or a 
high road to bring him back into touch with civil- 
ization. And it would be easy work for Brcdon to 
reach Millington first, in his lighter craft. Actually 
when the bridge stood up before him, dark-outlined 
against a cream and silver horizon of late sunset, 
he saw a figure leaning over the parapet towards 
him, and was hailed in Leyland's voice : ' Tie up 
the canoe at the raft, and join me up here. I'm 
on the look-out.' 

Millington Bridge is not among those one-way- 
traffic concerns in which our thrifty forefathers 
delighted ; there is room to pass a lorry on it ; but, 
by a kind of false analogy, it has a sharp angle over 
each of its jutting piers in which the pedestrian 
may take refuge from the dangers and the mud- 
splashings of the road. It is easy to lean over the 
parapet at these points, not nearly so easy to stop 

203 



204 THE FOOTSTEPS AT THE LOCK 



doing it ; the leisurely flow of the stream beneath 
laughs at the scruples which would forbid you to 
spend another five minutes in doing nothing . . . 
another ten minutes . . . another quarter of an 
hour, so as to make it a round number by the clock. 
To Leyland, and to Bredon, who now joined him, 
no such scruples even presented themselves. The " 
stranger, it appeared, was taking a quite easy 
course down the river ; and Leyland had had 
no difficulty in outwalking him. In a few more 
minutes he was due ; meanwhile, there was nothing 
to be done but watch the stream below them and 
talk over their immediate plans. 

It was one of those evenings when the clouds that 
have ushered out the setting sun find relief (you 
would say) after the formalities of that majestic 
exit by chasing one another and playing leap-frog 
across the clear expanse of sky. The sky itself 
had passed from fiery gold to a silver gilt that 
faded into silver ; and now the massed cloudscape 
that had hung, in islands and capes and continents, 
with bays and lagoons of fire between them, across 
the Western horizon, broke up into grotesque 
shapes which breasted the sky southwards — a 
lizard, a plane-tree upside-down, a watering-can, 
an old man waving a tankard. They moved along 
in procession, like the droll pantomime targets of 
the shooting-range at a country fair, cooling off 
as they did so from crimson to deep purple, from 
purple to slate-blue. The river, in the fading 
light, had lost something of its companionableness, 
but had taken on an austerer charm ; the patches 
of light on it were less dazzling but more solemn, 



A WALK IN THE DARK 205 

the shadows had less of contrast but more of depth. 
A silence had fallen on nature which made you 
instinctively talk in a low voice, as if the fairies 
were abroad. The willow-thicket that nestled 
under the extreme right arch of the bridge, below 
which they were standing, stirred and whispered 
with the first presage of a breeze. 

' He can't be long now,' said Leyland. ' When 
he comes round the corner we can walk away slowly 
towards the canoe— he'll hardly recognize us. What 
I'm afraid of is that he may want to stop the night 
here ; in that case I shall have to stop here, and 
you, if you don't mind, ought to go back and hold 
Nigel's hand for a bit. Do you mind making a 
land journey of it ? I'd rather keep the canoe.' 

' Not a bit. Good evening for a walk. But I 
bet he doesn't stop here. He's still time to get 
through Shipcote Lock, and it's all the better for 
him if he can do it in the half-light.' 

1 D'you mean he suspects that he's being trailed ? ' 
' At least he must know that he's walking into 
danger.' 

' I dare say you're right. Hang it all, why doesn't 
he come ? If he goes straight on, we must follow 
at a safe distance in the canoe.' 

' What about the lock ? It'll give him a good 
lead if Burgess has to fill up and let out again before 
we can get through.' 

' I've thought of that. You and I are going to 
drag over the weir. That puts us ahead, of course ; 
at the end of the weir stream, where it joins the lock- 
stream, we'll go across on to the Byworth bank, 
and lie up in those bushes till he comes past. We 



206 THE FOOTSTEPS AT THE LOCK 



can leave the canoe moored to the bank ; he won't 
find anything suspicious about it. We still follow, 
and then, of course, we can't exactly tell what 
he'll do.' 

' No. I take it, though, that he has no reason 
for knowing that Inspector Leyland of the C.I.D. 
has his headquarters at the Gudgeon Inn, Eaton 
Bridge.' 

' None that I know of. Perhaps fortunately for us. 
Confound it all, what on earth is he waiting for ? ' 

They stood there perhaps five minutes longer, 
and then, beyond the furthest fringe of the willows 
to their left, a punt-pole, rising and dropping 
rhythmically, betrayed the stranger's approach. 
The watchers turned, with a single motion, and 
walked slowly to the end of the bridge ; before 
the flashing pole was out of sight downstream they 
too had embarked, and were paddling noiselessly 
in its wake. 

It was the simplest piece of shadowing-work 
conceivable. They had only to hug the shore and 
keep a good look-out at the turns ; for the rest, 
they were content to follow the conspicuous white 
flash ahead of them ,i while they were concealed by 
every tuft of rushes, every stretch of overhanging 
bank. At any moment, with their superior mobility, 
they could have made a spurt and overhauled the 
fugitive. They had no wish and no need to over- 
haul him ; it was enough to shepherd him along in 
the direction of Eaton Bridge; there, surely, or 
close by, he would be bound to spend the night 
—it would be too late for him to demand the opening 
of another lock. Was a hunt ever so effortless and 



A WALK IN THE DARK 207 



so noiseless ? They felt almost disappointed that 
the course was not longer, so easy was the game, 
so safe the quarry. The shadows fell thicker as 
they went, the sky's colour died from silver to dark 
blue ; lights came out in the rare farmsteads, and 
the cattle in the fields showed only as indistinct 

blotches of grey. 

The negotiation of the lock at Shipcote needed 
more care. They had to wait till the stranger was 
well inside the lock, and even until the water itself 
had begun to subside, before they could reach the 
weir unobserved. But fortunately Mr. Burgess 
was no hustler, especially in his mood of evening 
repose ; meanwhile, the dragging of the canoe over 
short grass and thistles was an easy task, and a 
spurt down the weir-stream felt almost a relief 
after their dawdling progress. Long before the - 
punt had come in sight they had reached the end 
of the island, crossed the reunited stream, moored 
the canoe, and contrived to lie up in a willow-patch 
only a few yards away from it. They waited a 
little in silence, and then heard the dull ripple before 
the punt's bows, the intermittent scrape of the 
pole against its side. 

The stranger, however, when he came in sight 
of the moored canoe, did not seem so incurious 
about it as Leyland had anticipated. He stood 
for a moment or two with his pole poised, clearly 
irresolute, perhaps even (in some mysterious way) 
alarmed. He looked round him furtively ; then, 
with a quick outward thrust, brought his punt 
close in to the mooring-place. Leyland and Bredon 
were both puzzled and disconcerted by the gesture. 



2o8 THE FOOTSTEPS AT THE LOCK 



To betray their presence would be inopportune, 
and, to tell the truth, somewhat ridiculous : mean- 
while, it hardly seemed probable that the stranger, 
whatever interest he took in the boat's presence, 
would be at the pains of towing it off with him. 
But they had forgotten one possibility. With a 
quick motion, still looking nervously around him, 
the man caught up the two paddles that lay idle 
in the canoe, deposited them in his own boat, and 
with one vigorous shove started out again down- 
stream. 

A canoe without paddles is almost as helpless as 
a dismasted ship. You may improvise substitute 
instruments, but they will not carry you far or fast. 
What had been only a breath at Millington Bridge 
had now developed into a stiff breeze, and there 
was no hope, even, of crossing the river and making 
use of a practicable tow-path. To go back to 
Shipcote Lock in search of a paddle would waste 
precious time ; the loan of Mr. Burgess' bicycle 
would have been a more happy solution, but Bredon 
had unfortunately punctured it in riding back along 
the field path from the station. All these con- 
siderations occurred to the minds of the marooned 
couple, and were rapidly discussed in terms which 
it would be an affectation to print. Bredon sug- 
gested that he might try swimming to the opposite 
bank with the canoe in tow ; but the wind had set 
in from the East, and they agreed that the attempt 
would be time-taking, if not actually hopeless. In 
fact, there was nothing for it but to follow along 
their own bank, trusting to luck that they would 
be able to make a forced march through the fields. 



A WALK IN THE DARK 



209 



It was a hope which flattered them with fair 
prospects, and then plunged them into embarrass- 
ments. At first only the resistance of the standing 
hay about their trouser-legs threatened them with 
discomfort. But soon the hay gave place to bracken , 
rougher in its impact and more clinging in its 
embraces ; in the gathering darkness, they stumbled 
into holes and hidden runlets, or squelched pain- 
fully through patches of bog. Then came barbed- 
wire fences, and willow-fringed brooks with a 
treacherous carpet of reeds ; hedges that delayed 
you in a search for a stile, painful barriers of bur- 
dock and thistle. All journeys seem long in the 
dark ; the familiar distance between Shipcote and 
Eaton Bridge had lengthened itself out into a 
nightmare. Their feet were wet and slippery from 

, the bogs they had blundered into, pricked by a 
hundred thorns and hayseeds ; a mass of uncom- 
fortable details, ridiculous in themselves, insignifi- 
cant if you had had to face them in the daylight 
and at your leisure, made a martyrdom of their 
benighted journey. Fatigue and nerve-strain con- 
jured up disquieting pictures which lodged obstin- 
ately in the imagination — the stranger leaving his 
punt at Eaton Bridge and motoring back to Oxford ; 
the stranger pulling over the rollers at the next lock 
unobserved ; the stranger slinking into the Gudgeon 
and holding nefarious confabulations with Nigel, 
his presumed accomplice. When they reached the 
disused boat-house, they mistook its outline for 

4 the Gudgeon ; when they reached the Gudgeon, 
they were already wondering why the day had not 
begun to break. 



2io THE FOOTSTEPS AT THE LOCK 



All this time, naturally, they caught no glimpse 
of the punt. They did not even pass any belated 
river-goers who might have had news of its pro- 
gress. They came back to the Gudgeon angry, 
defeated, with no clear idea in their minds except 
the sheer necessity of sitting down and having a 
meal. 

' You poor dears ! ' cried Angela as they came in. 
' Supper's on the table, and has been for some time. 
I've felt dreadfully like the deserted wife in the 
comic papers, sitting up for hubby with the poker. 
I told them to light a fire, by the way. Come right 
inside.' 

No, nobody had passed in a punt that she knew 
of. No, it was not closing time yet ; in fact, there 
were still a few people about in the bar. ' I may 
say that I bought a whole bottle of whisky, in case 
you should be too late. They looked at me with 
considerable amazement. Nigel's asleep upstairs; 
the doctor says he can get up a bit to-morrow. 
Don't attempt to tell me what you've been doing 
till you've had your supper.' They were, indeed, 
hardly fit for the strain of conversation, and Angela 
almost immediately seized upon the excuse of 
' tucking up the baby ' to leave them in the enjoy- 
ment of a bachelor tete-d-tete. It was only as he 
looked down at the bottom of his second pint that 
Leyland asked, ' Well, and what next ? I shall 
curse myself all my life for not remembering to take 
the paddles out of that canoe.' 

' Confound it all, though, how on earth could we 
expect him to know that he was being shadowed, 
and that the canoe had got ahead of him ? That's 



A WALK IN THE DARK 



211 



what I can't get over. If he's any sense, realizing 
that he was being followed and not wanting to be 
caught, he'll have left the punt somewhere close to 
the bridge, and legged it for Oxford by road. Prob- 
ably he was in time to catch the late 'bus, which 
would mean getting to Oxford at a respectable 
hour. If you feel up to it, of course, we might 
take the car to Oxford and see if we can track him 
through the 'bus people. It's almost incredible 
that he should have had the effrontery to go on by 
river.' 

A door opened somewhere in the passage, and 
for a moment they heard, from the bar, the voices 
of agriculturalists raised in high debate — heard, 
from the kitchen, the inevitable drone of wireless. 
The door shut again, and there were uncertain steps 
, in the passage, as of a man hesitating which way 
he should turn. Then Angela was heard asking, 
' Did you want anybody ? ' and an unknown voice 
replied, ' I was wondering if I could see Inspector 
Leyland. I'm sorry to bother him at such a time 
of night, but it's really rather important. My 
name's Farris (would you tell him ?), Edward 
Farris.' 

It was not likely that the bearer of such a name 
would be kept waiting. Angela looked in, raised 
her eyebrows, and held the door open for the new- 
comer. Four eyes, still blinking after a long trudge 
in the darkness, turned towards it, and saw, unmis- 
takable on the threshold, the figure of the stranger 
3 in the punt. 



CHAPTER XXII 



ANOTHER STORY 

MR. EDWARD FARRIS, for all his vigorous 
physique, somewhat recalled in his speech 
and manner that legendary person who 
was said to be ' descended from a long line of maiden 
aunts' . His voice was carefully modulated, his 
pronunciation meticulously exact ; he marshalled 
his thoughts, without apparent effort, under head- 
ings A, B and C ; he brushed cigarette-ash off his 
trousers with irritating particularity. In a word, 
you might have supposed from first impressions 
that Mrs. Coolman had advertised for a lady's 
companion and had got one. 

1 My name must, I think, be familiar to you,' he 
began, ' assuming, what I suppose I am right in 
assuming, that your presence here is connected 
with the recent doings of the Burtell family. Their 
aunt, Mrs. Coolman, had been very good to me; 
I was, to all intents and purposes, her adopted 
child ; I had the melancholy privilege of being the 
last person she saw on this side of the grave. Thank 
you, yes, soda-water. Right up, please. 

' I ought perhaps to explain that the Burtell 
cousins were not personally known to me, except 
in their extreme youth. Partly because they saw 
very little of their aunt, partly because I felt that 

212 



ANOTHER STORY 213 



they must regard me as something of an intruder 
in the family. I knew them, however, by repu- 
tation, and I could not but feel regret when, at 
the very end of her life, Mrs. Coolman began to 
take a fresh interest in them. However, it was 
not for me to interfere. When she asked me what 
character they bore, I did not like to particularize ; 
but I said it was unfortunate they were on such 
bad terms with each other. This, of course, was 
common knowledge. 

' Mrs. Coolman was of a somewhat masterful 
disposition ; she liked to influence other people's 
lives. She immediately determined that this 
reproach must be removed from the family. I 
wrote at her dictation — for her eyesight was failing 
somewhat — a letter to her nephew Derek, less than 
a month ago, urging him to effect a reconciliation. 
He replied not long afterwards, in terms of what 
I could not help regarding as somewhat insincere 
affection. Nigel and he, he wrote, had decided to 
bury the past ; they were on terms of frequent 
communication ; and indeed, even as he wrote, he 
was off for a tour up the river with his cousin 
in a canoe. The tour had been recommended for 
his health ; but he had no doubt it would prove 
to be also a pleasure trip, with old Nigel in his 
company. 

' I am afraid that my manner on this occasion 
must have betrayed a certain incredulity. Mrs. 
Coolman, with the excitability of those who have 
the misfortune to suffer from heart trouble, took 
it amiss ; she asked me whether I really supposed 
that Derek was telling a he ? Did I suggest that 



2i 4 THE FOOTSTEPS AT THE LOCK 



she should demand to see the lock tickets ? I 
confess that I was a little put out on my own side. 
I reminded her that a lock ticket does not specify 
the number of persons present in the boat. " Very 
well, then," she said (I cannot vouch for her exact 
words), " you shall go and see for yourself. You 
will hire a punt at Oxford in a few days' time and 
go up to meet them. If you do not meet them, 
or if you find on inquiry that they have not been 
seen together, you shall come back and tell me." 
I supposed at first that she was speaking in irony, 
but discovered later on that she meant what she 
said. To tell the truth, I think she had doubts 
about her nephews' sincerity, and wished to make 
sure of it on her own account ; meanwhile, she 
screened this anxiety by a pretence that she only 
did it to satisfy my scepticism. I trust that I am 
making myself clear. 

' Before I left, I found that this unfortunate 
incident had made a great impression on her. She 
told me that it was her intention to make a fresh 
will, in which she would leave the bulk of her 
property to her elder nephew. She implied, what 
I had guessed but did not know for certain, that up 
till then I had been her principal heir. You will 
readily believe that I set out from Wallingford in 
a distressed state of mind. Moreover, I felt that 
my mission was uncomfortably ridiculous. What 
an unenviable reputation I should earn, if by any 
unforeseen chance the two Burtells should hear of 
my presence on the river ! I determined to take 
every precaution. I hired the punt under an 
assumed name, that of Mr. Luke Wallace, to be 



ANOTHER STORY 



215 



exact; and, to prevent gossip, I took my own 
stores with me, resolving that I would not stay at 
an inn till I was well past the track of the two 
cousins. I have grave reason to fear that my 
precautions were insufficient, and that one of them, 
at least, has taken my interference in a very vindic- 
tive spirit. 

' Apart from this uneasiness, my tour was a 
pleasant one. I enjoy living rough, and being 
alone with nature. It was not till I had passed 
Shipcote Lock— in fact, it was just above Ship- 
cote Lock, that I passed the canoe with the two 
cousins in it. I suppose it can only have been a 
matter of a few hours before Derek's regrettable 
disappearance.'- 

' Excuse me, Mr. Farris,' broke in Leyland, * you 

must see for yourself that your evidence may be 

very valuable. Did you pass anybody else on the 

way, either before or after the lock ? I need not 

explain to you that there have been suspicions of 
foul play.' 

' Let me see ; I passed an encampment of boy 
scouts lower do™ the river. After that, I do not 
think that I noticed anybody until I saw the lock- 
keeper. Then, immediately afterwards, I saw the 
two BurteUs, and after that nobody, I think, until 
MiUmgton Bridge.' 

' That, I suppose, would be about half an hour 
later ? 

' Oh no, it would be an hour or two later. I had 
luncheon there. Rather more than two hours if 
anything. You see, it was a very hot morning, 
ana 1 d made an early start ; and then, I had a 



216 THE FOOTSTEPS AT THE LOCK 



book with me I was rather interested in ; and so 
I just sat there in the punt reading, close above 
the lock.' 

' M'm ! ' said Leyland ; 'it's a pity you didn't 
select a spot just below the lock ; it would have 
saved us all a lot of trouble. And then I suppose 
you turned back home, as you'd finished your 
errand ? ' 

' Why, no ; I wanted to make quite certain, you 
see, while I was about it, that the two cousins had 
really been together. I asked at Millington Bridge, 
but the account the maid gave me there didn't 
seem to suggest that they had been together much. 
So I went on to an inn rather higher up, the Blue 
Cow. I wanted to find out if anything was remem- 
bered about the Burtells there. Besides, I had 
arranged to go up that far, and my letters were 
to be forwarded there by one of the servants at 
Wallingford— under the assumed name, of course. 
It was lucky that I had made these provisions, 
because as it turned out it was at the Blue Cow that 
I found with my letters a telegram, summoning me 
back to poor Mrs. Coolman's death-bed. Well, of 
course, I couldn't wait. I punted across the river, 
stowed away the boat in the first suitable place I 
could find, and then walked across country to Ship- 
cote station, where I fortunately got a train. 

' I'm afraid you are all thinking my explanation 
very long-winded, but I want you to realize the 
whole circumstances, for fear you should regard me 
as fanciful. Before Mrs. Coolman died, on the 
Wednesday, to be exact, she made a fresh will. 
cu„ .vnioinoH i+c nrnvicinns to me herself. She 



ANOTHER STORY 217 

had left me a livelihood, but she had bequeathed 
the bulk of her property to her elder great-nephew. 
"Unless", she added, "I outlive him, and that 
does not seem likely to happen now. The lawyer 
made me put your name in too, in case Derek should 
be unable to succeed." You may imagine my 
feelings when she told me this ; it was all but 
certain that Derek was dead, yet we had strict 
orders from the doctor not to allude to the subject 
in her presence. 

'After her death, I was naturally detained by 
business matters. But I had not forgotten the 
punt, and it seemed to me that to continue my 
interrupted journey by taking it back to Oxford 
would be a way of recuperating from the strain of 
the last few days. I took train this afternoon, 
via Oxford, to Shipcote, and went back to the place 
where I had left my punt. 

' I expect you will think that my nerves have 
been playing me false, but I could not get out of 
my mind the picture of young Nigel. I had, I still 
have, a strong suspicion that he made away with 

nLTlr m ,° rder t0 SUCCeed as his heir And 
on 1 TTv* t0 ^ that in a11 Probability only 

d ai Sf x VeCn Nigd a freSh inhe " tancc 

these 1J 7 °T 1 d ° n0t kn0W the l ™ 

would be T \ h . Ut J SUPP0SG that his bairns 
would be the next to be considered. And if Nirel 

's final 

^me ? t ' St ' ck at committing another 

idea at the Wv7 **. "^tand, a vague 



an uncom- 



2X8 THE FOOTSTEPS AT THE LOCK 

fortable suspicion that I was being followed. More 
than once, looking back, I thought that there was 
somebody tracking my footsteps, and anxious not 
to let me see that he was doing so. Even when 
I had started downstream in the punt, I could not 
shake off the suspicion. I quite clearly saw some one 
on the bank behind me, and when we were just in 
sight of Millington Bridge he passed ahead of me, 
keeping well inland. I am certain that, as he passed, 
he looked at me with no ordinary curiosity. 

' I determined, perhaps foolishly, to repay him 
in his own kind. I put the punt in to shore, landed, 
and went very carefully along the bank, hiding as 
far as possible behind the willows. When I reached 
the bridge, I saw him leaning over it, as if he were 
looking out for me. Very carefully I crossed the 
road, and concealed myself under the extreme arch 
of the bridge, which runs partly over dry ground. 
In a moment or two I heard him in conversation 
with a companion, and what they said assured me 
that my worst fears were realized. They were on 
my track ; they were in close touch with Nigel 
and they had the intention of heading me on 
somewhere below Shipcote Lock. But two encour- 
aging points emerged from their conversation. One 
was that they intended to go ashore at the end of 
the lock-stream-why, I do not ^™~™ d ™™ 
their canoe moored. The other was that Inspector 
Leyland of the C.I.D., whom they W^fJ* 
mention with some awe, was staying at the Gudgeon 

^fw^^pelied to go to the window and 
clean out his pipe ; he was not certain of his own 



ANOTHER STORY 



219 



gravity. Leyland, to his admiration, sat perfectly 
unmoved. 

' Well/ continued Farris, ' I hadn't the courage 
to break my journey at Millington Bridge. I went 
on down to Shipcote, and when I found their canoe 
moored, I— I stole the paddles.' He chuckled a 
little at the memory of his own cleverness. 1 Since 
then I've seen nothing of the canoe. But they 
may have followed me by land ; and I thought the 
best thing I could do was to report the matter at 
once to the police. I have a room booked here 
for the night.' 

'I see,' said Leyland. 'Oh Lord, tell him, 
Bredon.' And they told him. 

' Now that \ said Bredon next morning, * is as 
straightforward a tale as I've ever heard told. You 
can still go on suspecting him if you like ; I do 
myself, rather. But I'm just going over to Oxford 
to apply one more test to Master Nigel's perfor- 
mances. Coming ? ' 

' Afraid not Too many darned suspects about 

*S p * , mean t0 keep an e y e on tw> 

bo it was Bredon alone who went over to Oxford, 

kri J ' ^° Ugh amied Whh a note from 
S* we !V nt0 Mr « Wickstead's well-known 

t as c P ust a o nd dGma \ ded Mr. Nigel Burtell 

-ord rr -; e wh Hi her ' if so ' they had «* 

lUey brought out a portentous 



220 THE FOOTSTEPS AT THE LOCK 



volume, in which every client had a page devoted 
to himself, a complete chiropodic dossier. There 
was not a corn, it seemed, in any of the more exclu- 
sive Colleges which was not on record here. True, 
there was no absolute facsimile of the rising gener- 
ation's footsteps ; but there was an outlined figure, 
pencilled from the life, which gave the exact con- 
formation, and whatever facts it did not divulge 
were chronicled in the margin. A vast book, 
alphabetically arranged, from which your name 
never disappeared until you had paid off your bill 
to Messrs. Wickstead, or given them any other 
indication that you intended to take your custom 
elsewhere. 

Bredon turned the pages languidly, dawdling over 
one name after another as if he were afraid of not 
finding what he wanted when it came to the point. 
He noticed his own surname, and wondered whether 
he had some unsuspected relative in residence. At 
last he reached ' Burtell and, mastering his excite- 
ment, began to plough through the highly docu- 
mented record. ' Something about a hammer-toe 
here, I see,' he remarked. 

'A hammer-toe? Oh dear me, no, sir; Mr. 
Burtell's toes are perfectly straight ; you must be 
reading the wrong side of the page. Allow me, sir 
—there's "Shape of the toe"; nothing about 
hammer-toes there, you see.' 

' Yes, I see,' said Bredon. 1 Yes, confound it an, 

I 



CHAPTER XXIII 



BREDON PLAYS PATIENCE AGAIN 

"|XTOULD you be shocked', asked Nigel, 
\/V/ *if you thought I'd done it ? ' 
T T He was sitting up, for the first time, 
in a costume as nearly approaching full dress as 
Leyland would permit. Angela sat opposite him, 
knitting vaguely. Her attitude throughout his stay 
in bed had been rather embarrassed, and he was 
evidently determined to establish more normal 
relations. 

' I'm too old to be caught that way,' she said. 
' You want me to say or imply that I don't think 
you did it. You'd better ask me whether I'd be 
shocked if I knew you'd done it. Because, after 
all, it makes a lot of difference if you can give a 
person the benefit of the doubt. As it is, I'm only 
provisionally shocked, if you understand what I 
mean.' 

' But the idea of talking to a murderer does 
shock you ? ' 

' Of course it does. If I read in the paper that 
a total stranger has broken his neck I'm not shocked 
—not really. But if my hair-dresser broke his 
neck I should be shocked— why, I don't know.' 

' But that's a different kind of shock.' 

' I'm not so sure. I suppose very good people 

221 



222 THE FOOTSTEPS AT THE LOCK 



when they come in personal contact with really 
wicked people, do really disapprove of them morally. 
But an ordinary humdrum person, like me, doesn't 
really feel disapproval, only a sort of surprise. 
You have to readjust your values, to realize that 
the man you had tea with yesterday was the man 
who robbed the bank; and it's that feeling of 
surprise at the suddenness of the thing, to my mind, 
that means being shocked.' 

' Perhaps you're right. But, look here, would 
you be shocked if I told you this— that I would 
cheerfully have murdered my cousin at any time, 
if I could have made quite sure of not being hanged 
for it ? ' 

' Go steady. Don't say anything you don't want 
to say. Remember that I chatter to my husband 
continually, and I may pass on any remark you 

111 < 1 1\C ' 

' Oh, that doesn't matter. Your husband, I'm 
quite sure, thinks me capable of any crime, morally. 
So does Ley land ; he'd put me in jug to-morrow 
if he could see any way of explaining how I'd done 
it So it doesn't matter what they think about 
my character. Only I'd rather like to know what 

you think about me.' 

' I've told you ; I'm provisionally shocked. 1 
shouldn't be shocked, though, merely by your saying 
that you would do your cousin in for twopence, 
because I shouldn't believe you meant what you 
Sciid ' 

' But I do say it, and I do mean it. I don't think 
a person like Derek has any right to exist, and 1 
-w* cpp that it would have been wrong for me to 



BREDON PLAYS PATIENCE AGAIN 223 

put him out of the way. Selfish, of course I 
should only have been doing it to gratify my own 
feelings and my own pocket. But nut wrong, 
because he'd no right to exist. A fellow like that 
doesn't really qualify by any standard ; the parsons 
couldn't approve of him, the State gets no earthly 
good out of him ; and as for the aesthetic point of 
view, he simply doesn't count. He neither enjoys 
any of the higher pleasures nor helps anybody else 
to enjoy them. He's no function. That's my 
point.' 

' Oh, but that's just what seems to me absolute 
nonsense. Either everybody's life ought to be 
respected or nobody's. It's absurd to suppose that 
because you can appreciate Scriabin and Derek 
couldn't, the man who murdered Derek was doing 
something worse than if he'd killed you.' 

'That's putting it rather personally. I'm not 
quite sure that I've any right to exist either. I've 
made a pretty good fool of myself, and I shall make a 
worse fool of myself if I come in for any money as 
the result of all this — you see if I don't.' 

Nigel, like most people who fancy themselves as 
rogues, rather liked to have good women talking 
to him for his good. It enhanced your sense of 
importance, to have people trying to reform you, 
as long as they talked sympathetically and looked 
nice. But Angela was adroit at refusing such 
openings ; her common sense was admirably poised. 
' Yes,' she admitted, ' I should think you'd make 
a ghastly mess of it. I can imagine you doing a 
frightful lot of harm. But I haven't put strychnine 
in your Bovril for all that, and I'm not going to. 



224 THE FOOTSTEPS AT THE LOCK 



By the way, it's nearly time I gave you some— 
Bovril, I mean.' 

' Yes, but that would be for sentimental reasons, 
wouldn't it ? I mean, you'd probably hate killing 
a mouse. But you don't mind mice being killed. 
So why should you mind Derek being killed ? Or 
me, for that matter ? ' 

' I didn't say I would,' Angela reminded him. 
' I only said I'd sooner not know the person who 
did it, because I don't think he'd be a nice person 
to know.' 

' Then I can't be a nice person to know. Because 
I'm the kind of person who would have killed Derek, 
if I'd had the opportunity, and if somebody else 
hadn't (apparently) got in before me.' 

* Oh, I don't mind knowing people who think they 
would have murdered Derek. Because, as I say, 
I don't believe you are the kind of person who 
would have. Unless, of course, you did.' 

' Isn't that a tiny bit inconsistent ? ' 

' Not at all. Actions speak louder than words. 
Tell me you did it, and I'll believe you. Tell me 
you would have done it, and I won't believe you 
because I don't think you know yourself. Of 
course, it's different when one's excited ; but when 
it comes to cold-blooded murder, why, I believe 
we're all a little less unscrupulous than we think 
we are.' 

' All the same, where would have been the harm 
in murdering Derek ? He's for it, anyhow ; you 
can't go on drinking and doping like that without 
doing yourself in. What's the good of his being 
alive ? He's only keeping me out of fifty thousand.' 



BREDON PLAYS PATIENCE AGAIN 225 

'With which, as you say, you'd only make a 
beast of yourself. No. it's all nonsense worrying 
about the consequences of actions. The only thing 
is to stick to the rules of the game ; and murder 
isn't sticking to the rules; it's an unfair solution, 
like cheating at patience.' 

'Well, it's only speeding up the end. You'd 
hardly argue, would you, that Derek was worth 

keeping alive ? ' 

* Everybody's worth keeping alive— or rather, 
very few people are worth it, but everybody's got 
to be kept alive if it can be managed. Look at 
you the other day— we all thought you were a 
murderer, with nothing in front of you but the 
gallows. And yet we rallied round with hot- 
bottles and restoratives, and treated you as if you 
were the Shah of Persia. No use to anybody, 
particularly, but we had to do it, because one has 
to stick to the rules. Once try to make exceptions, 
and we shall all get into no end of a mess.' 
' Blessed if I'd do it.' 

' You would, though. If you were waiting behind 
a bush to murder a man, and he fell into the river 
on the way, you'd jump in and rescue him.' 

' You try me. If it was Derek, I'd let him sink 
and heave a brick after him.' 

'No, you wouldn't. You mustn't keep on 
contradicting, or I shall put you to bed and tell 
you not to agitate yourself. Now, I'm going to 
make your Bovril, if I can get at the bottle. I 
left it next door, and my husband's in there playing 
patience ; so it's quite possible I shall get shot out 
head first.' 



1 



226 THE FOOTSTEPS AT THE LOCK 



And indeed, she found her husband in no accom- 
modating mood. ' I want a 'bus time-table,' he 
said, retrieving a three of spades from the waste- 
paper basket. 

' Why not ring for one ? ' suggested Angela, with 
an assumption of hauteur. 

1 I've been wanting to for a long time, but I 
can't get at that dashed bell without disturbing 
the cards. Do be a sport and ask for one.' 

' All right. Chuck over the Bovril, though.' 
And she did contrive to secure a dog's-eared sheet 
from downstairs, which he thumbed this way and 
that abstractedly, while she watched him from the 
doorway. ' Good ! ' he announced at last. ' Things 
begin to clear up a bit. Tell the third chauffeur 
to have the Rolls round this afternoon, because 
we've got to make a little expedition to Witney.' 

' We've lots of blankets at home, you know.' 

1 Oh, go and feed Bovril to the patient. I'm busy.' 

Bredon appeared at luncheon with symptoms of 
suppressed excitement which Angela recognized and 
welcomed. He was vivacious, and, in the presence 
of Mr. Farris, he talked about everything rather 
than the Burtell mystery. 'Anything fresh this 
morning ? ' he asked, when he got Leyland alone. 

' A little. Only a little, and dashed puzzling at 
that. You remember Nigel told us that before all 
this happened he had been on the point of going 
off to the Continent. Well, that suggested to me 
that he'd probably already got apassport, and it didn't 
seem to me very safe to leave a passport in the 
keeping of such a slippery young customer. So I 
asked him about it, and he said he'd left it in his 



BREDON PLAYS PATIENCE AGAIN 227 



digs— told me exactly where I could find it. Appar- 
ently there were some few of his personal possessions 
that he'd left behind, to be picked up later. Well, 
I went over and searched, and there wasn't a 
confounded trace of the passport.' 
« You think he was just lying ? ' 
' We could find out, of course, from the passport 
office. But I don't think he was lying, because 
though I didn't find the passport itself, I found 
the odd copies of his passport photographs, one of 
them authenticated by his College chaplain. It's 
a mystery to me why the law always wants clergymen 
to do these things, because of all professions I think 
the parsons are the most careless about the way 
they give testimonials. However, there they were ; 
and indeed, here they are — have a look at them 
if you like. I don't call it a very good portrait, 
and it's rather blurred at that ; but these passport 
people will take anything.' 

' Yes, it's a dashed bad likeness, somehow. You 
can see the family chin all right, though. By the 
way, here's another point — who took that photo- 
graph ? Because you were hunting all over the 
place for a portrait of Nigel, and couldn't get one ; 
I think you said you circularized the Oxford and 
London photographers pretty thoroughly.' 

' Oh, apparently it's an amateur one. Actually 
it was done by Derek, before they started out on 
the river tour. At least, so Nigel says.' 

' But it can't have been immediately before.' 
' No, it would be about a week before, when they 
were arranging the trip together. Hullo, what's 
wrong with you ? ' 



228 THE FOOTSTEPS AT THE LOCK 



' Only that I think I've picked up an extra link. 
In fact, I'm pretty sure I have. Look here, Leyland, 
are you coming over to Witney this afternoon ? ' 

' Not unless I'm wanted specially.' 

' No, I don't think you'd be much use. Hullo, 
here's Angela with the car. Look here, I may have 
rather important things to tell you this evening, so 
try to be on hand about tea-time.' 

' Rather. Bring all your friends. We're becom- 
ing quite a party here, aren't we ? ' 

' No, I shan't bring anybody. But if I'm right 
—and I feel quite certain I'm right this time— I 
shall have news for you which will set you tele- 
graphing all over the place.' 

' Another pub-crawl ? ' suggested Angela, as the 
car turned the corner into the main road. 

'Exactly. But there can't be many pubs in 
Witney — decent ones, I mean.' 

' Whose name do we ask for this time ? ' 

' No name, particularly. Just to find out if 
anybody came there for the night on Sunday, the 

Sunday before last.' 

Their search was rewarded at the first and most 
obvious hotel. For a wonder, the hotel register had 
been kept, and it was not surprising to find that 
only one guest had arrived on the Sunday. Angela, 
looking over her husband's shoulder, read the 
words ' L. Wallace, 41 Digby Road, Coventry '. 

' Luke Wallace ! ' she cried, ' why, that's dear 
old Farris ! Miles, this is bright of you. But why's 
he gone and changed his address? He was in 
Cricklewood last time. Miles, I'm hanged if I see 
how you expected to find this.' 



BREDON PLAYS PATIENCE AGAIN 229 

' Oh, give a man time ! Is it possible you don't 
see that I wasn't expecting it ? I don't want Luke 
Wallace here one little bit. He spoils the whole 
show. Farris ! What on earth was he doing here ? 
And why on earth did he want a fresh address ? 
I think I'm going mad.' 

' So shall I, unless you tell me what it is you're 
after. Do you know, I quite enjoy seeing you 
puzzled, when you yourself are deliberately keeping 
me on the rack like this.' 

' The rack, the rack ! Luke Wallace on the 
letter-rack! That's it, that does it all. Now, go 
and ask that young creature in the cage what she 
can remember about Mr. L. Wallace.' 

But neither the lady in the cage nor the hotel 
porter could remember much about Mr. Wallace. 
He had attracted attention by arriving on a Sunday, 
by arriving late at night, and by leaving early the 
following morning. He had no heavy luggage with 
him, but talked of having left some at Oxford. 
He had inquired about the trains to Oxford, and 
had taken the earliest on Monday morning. Nothing 
more was known. 

At the Gudgeon, they found Leyland writing up 
his diary at a table by the window, while Mr. 
Farris, in an uncomfortable rush-bottomed chair, 
was reading the local directory. ' Well,' said 
Bredon cheerfully, ' it's up to you now. Angela's 
going upstairs to ask Nigel a few questions ; when 
I know the answer to those, I shall be able to leave 
the whole business in your hands.' 

' What exactly do you want me to do ? ' asked 
Leyland. 



230 THE FOOTSTEPS AT THE LOCK 



' Why, get on to the Continental police, and ask 
them to obtain all the information they can about 
the movements of a traveller who crossed the 
Channel about ten days ago, giving the name of 
Mr. Luke Wallace.' 

Leyland gave one anguished glance in the direc- 
tion of Mr. Farris, imagining that Bredon had not 
noticed him. Farris himself sprang to his feet with 
a look of utter bewilderment. ' The Channel ? 
The Continent ? But I assure you I haven't left 
England since Christmas ! Really, Mr. Bredon ' 

' It's all right ; nothing to do with you. Except 
that, apparently, somebody's been borrowing your 
alias. That can hardly be described as imperson- 
ation, though of course it's open to you to regard 
it as a breach of copyright. But I shouldn't use 
that alias any more, if I were you, because the 
gentleman who borrowed it will, before long, be 
much in the mouths of the police.' 

'That's all very well,' objected Leyland, 'but 
surely the fellow will have had the sense to take a 
fresh alias when he got across to the other side. 
Why stick to the old name, when he can always 

invent a new one ? ' 

' He might do that, of course. But he's been 
at such pains to identify himself, for a particular 
object, as Mr. Luke Wallace, that I have a strong 
suspicion he will stick to the name. You see, he 
thinks that the identification will put us off the 

scent.' 

' And the real name ? ' 

• Is, of course, Derek BurteU.' 



CHAPTER XXIV 



BACKED BOTH WAYS 



NGELA came in before anybody had time 



to add further comment. ' Fiance, Bel- 



gium,' she said. ' A good way up the 
river, near Ditcham Martin, just after breakfast. 
Yes, each took three of the other — Derek's sug- 
gestion.' 

' That settles it,' said Bredon. ' Leyland, I 
really think you might return Nigel his trousers. 
All the same, we won't ask him downstairs just 
now, because I may be taking his name in vain a 



' Derek Burtell ! ' said Leyland in a stupefied 
way. ' How long have you been on his track ? ' 

' Only since yesterday. I thought it all out this 
morning. But, of course, we ought to have recog- 
nized it was either he or somebody like him who 
was responsible for all this mystery-making.' 

' Somebody like him ? How, like him ? ' 

' Somebody who took drugs. Don't you see, 
this whole business has puzzled us from the first 
because there were signs of extraordinary cunning 
at work, and yet it didn't figure out right. It 
didn't give us a wrong impression, as it was obviously 
meant to ; it simply gave us no impression at all. 
It was fantastic, like a dream. And that was 

231 




bit.* 



232 THE FOOTSTEPS AT THE LOCK 



because it was a dream, really — an opium dream, 
only carried out in real life. 

' Derek, as we know, was a quite unimaginative 
person. But Derek was taking the stuff in large 
quantities ; and whatever else is certain about the 
effects of drug-taking, it's certain that it turns 
people into champion liars. Derek, in an ordinary 
way, was too stupid to lie, or at least to lie cleverly. 
But the drug let him out. They say every man 
has one good story in him ; and Derek has produced 
one story, not by writing it but by acting it. I 
don't think it would ever have formed itself properly 
in his imagination if it hadn't come to him in those 
moments of exaltation when the drug-taker sees 
clearly and imagines without effort. Like Kubla 
Khan, you know. Only this time there was no 
gentleman from Porlock to interfere, and the dream 
was realized. The outline was a framework of 
splendid deception; the details were untidily 
managed, because Derek hadn't got the drug in 
him when he arranged them. 

' Derek Burtell hated his cousin. We know that, 
and we know why. But his hatred took something 
like a moral form ; he at any rate believed that 
his cousin was as good as a murderer, because he 
was responsible for that woman's death. He didn t 
want to kill Nigel : he wanted Nigel to be executed 
by the laws of his country. Since Nigel couldn t 
be punished for the murder he had done, he should 
be punished for a murder he hadn't done_ He 
should be punished for murdering Derek, and Derek 
would disappear in circumstances which would make 
evervbodv think he was murdered.' 



BACKED BOTH WAYS 233 



1 One moment, Miles,' said Angela. ' Did Derek 
mean to give up his fifty thousand altogether ? 
Because if Nigel had been hanged, the legacy would 
never have been available.' 

' My impression is that he was backing himself 
both ways. If Nigel were hanged, well and good ; 
he would sooner have his vengeance than any 
amount of legacies. But if Nigel escaped suspicion, 
the other plan would hold : Nigel would come in 
for the legacy, Derek would get into communication 
with him, and they would split the proceeds. 
Derek took his cousin fully into his confidence up 
to a point. Beyond that point he kept him in the 
dark. And I suppose he never dreamed that 
Nigel would have the face to tell that story he told 
us yesterday morning, or that he would be believed 
if he did. It would be supposed that Nigel was 
just inventing the tale of the bargain, to save his 
own skin. I believe you did think that, Leyland.' 

' I'm still waiting to be told why I'm not to 
think so.' 

' Because of Mr. Luke Wallace's visit to Witney. 
We shall come to that. What I want you to take 
on trust for the moment is that everything Nigel 
has told us about his movements on that Sunday 
and that Monday is strictly true. The things he 
didn't tell us were things he didn't know. 

' Derek's difficulty was this— he didn't want to 
commit suicide ; not so much because he cared 
about his life, as because he didn't want his cousin 
to get the legacy. He had, therefore, to create the 
impression that he was dead, with Nigel's compli- 
city ; he had also, without Nigel's complicity, to 



234 THE FOOTSTEPS AT THE LOCK 



create the impression that he had been murdered. 
What steps he took to create the impression that 
he was dead, Nigel has already told us. They 
weren't very clever ones ; they were, I take it, 
the invention of Derek in his normal state. To 
disappear and leave a canoe floating about on a 
river, to lie low until your death is presumed, to 
start again in the Colonies under a fresh name— all 
that is a sufficiently clumsy idea, and a hundred 
accidents might have upset the plan. But the 
steps he took to create the impression that he had 
been murdered were, at least in their outline, very 
ingenious ; I give them full marks for ingenuity. 
They were Derek Burtell's Kubla Khan. Tell me, 
Leyland, why have you and I assumed up till now 
that it was a murder ? ' 

'Because it seemed certain that some human 
being had been with Derek after the moment when 
Burgess lost sight of him at the lock.' 

' Exactly. And what is our evidence that Derek 
Burtell was not alone during all that time ? ' 

'The photograph; or rather the two photo- 
graphs. No, a man can take a snapshot of his 
own footprints. But he can't take a photograph 
of his own body lying stretched full-length in a 
canoe. Don't tell me he did it by some arrangement 
of strings, because I won't believe it.' 

' No, that's what's been at the back of our minds 
all the time, imposing on us the idea of murder, 
or at least foul play. But what if the figure in 
the canoe was not really Derek's, but somebody 
else's ? The hat, remember, was drawn over tne 
face.' 



BACKED BOTH WAYS 235 



' But the chin was Derek's.' 

'It was a Burtell chin. But are you sure it 
was Derek's, and not Nigel's ? ' 

' But, hang it all, that doesn't make things any 
clearer.' He couldn't photograph Nigel if Nigel 
wasn't there. And if Nigel was there, Derek wasn't 
alone.' 

•Yes, I ought to explain, I suppose, that the 
photograph of Nigel was taken by Derek much 
higher up the river, near a place called Ditcham 
Martin. There is a light bridge over the river there, 
very much like the one at Shipcote Lock ; it's a 
common type, you know, except for the cement 
steps. Derek persuaded his cousin to take some 
of the drug, just to try it ; you remember Nigel 
told us that it "laid him out ". It did lay him 
out, on the floor of the canoe. Derek got on shore, 
let the canoe drift, and hopped up on to the bridge 
with the camera. The next film to be exposed was 
Number Three; Derek didn't expose that, nor 
Number Four, nor Number Five. He turned the 
spool on to Number Six, and with Number Six he 
took a snapshot of his cousin as he floated under 
the bridge. Then he turned the spool back again to 
Number Three ; not difficult to do, though of 
course he must have had to get a darkened room 
to do it in.' 

' And this happened, I suppose, in the evening ? 
That's why the shadows went from left to right 
instead of right to left.' 
i ' No, that's the funny thing. Derek was careful 

to take his photograph at the right time of day, 
soon after breakfast. But he'd forgotten that on 



236 THE FOOTSTEPS AT THE LOCK 



that particular bend the river is flowing South, or 
nearly South ; you can see it on the map here. 
So that was that. Long before the cousins reached 
Millington Bridge, the sixth film contained damning 
evidence of Derek's murder— at least, Derek thought 
so. 

' Now we can take the story in its historical order. 
At the Blue Cow, a little above Millington Bridge, 
Derek suggested to Nigel that idea that they should 
sleep in separate places. Derek himself would put 
up at White Bracton, a mile or so from Millington 
Bridge, while Nigel came to the hotel at Millington 
Bridge twice over, and so created the impression 
that they both slept there. Thus, at White Bracton, 
the useful Mr. Anderton would come into existence ; 
he was to be Derek's future alias. Only, without 
telling his cousin, Derek altered the plan. He 
caught a late 'bus, and went all the way on to 
Witney. Nor, at Witney, did he give the name of 
H. Anderton. He gave the first name that came 
into his head — his imagination, you see, had broken 
down ; and that was the name " Luke Wallace ", 
which he had seen on a packet of letters in the letter- 
rack at the Blue Cow. Observe that Derek had 
now got a new name and a new address, of which, 
Nigel could suspect nothing. 

' By 'bus, or perhaps by an early train, he reached 
Millington Bridge in good time on Monday morning. 
He pretended that he had slept at White Bracton, 
but not very well ; he pretended, therefore, that 
he was sleepy, and appeared to doze of! on the floor 
of the canoe. In fact, he was pretending to be 
already a corpse. You, Mr. Farris, could not have 



BACKED BOTH WAYS 



237 



sworn in a court of law, could you, that both pas- 
sengers in the canoe were alive ? ' 

1 Quite certainly not. To tell the truth, it gave 
me a slight shock when I saw Derek lying so motion- 
less. But then I remembered that he was said to 
be addicted to drugs, and thought that explained 
it.' 

' I see. Nor did Burgess at the lock see Derek 
move, or hear him speak. He did speak to Nigel 
from the canoe ; but by that time the water had 
sunk low, and the lock walls prevented any sound 
reaching Burgess' ears. In a court of law, Burgess 
would have had to depose that he had heard Nigel 
speaking to Derek, but not Derek speaking to 
Nigel. When inquiries came to be made, nobody 
would be able to swear to having seen Derek alive 
on the Monday. If those inquiries were very 
carefully made, it would also be seen that there 
was no real evidence of Derek's having slept at 
MiUington Bridge. The trick by which Nigel pre- 
tended to be two people would have been discovered, 
and it would have looked black against Nigel. It 
would have looked as if he had been ingeniously 
concealing his cousin's death.' 

' Do you know,' said Angela, * I believe I prefer 
Nigel to Derek.' 

'Well, it was Derek doped; so perhaps we 
oughtn't to be too hard on him. At the lock, 
Nigel acted precisely as he told us the other day ; 
and, on Derek's suggestion throughout, he acted 
precisely like a man who is interested in establishing 
an alibi. He went out of his way by Spinnaker 
*arm ; he asked questions about the time, and so 



238 THE FOOTSTEPS AT THE LOCK 



on. Meanwhile, Derek had given the canoe one 
shove to get it out of the lock, and lay doggo until 
he heard Burgess walk away. Now was his time 
to finish his preparations. 

1 Film Number Five on the spool had not been 
exposed. Something must be done with it, and it 
was an opportunity for doing something ingenious. 
Nigel was quite truthful when he told me that his 
cousin was fond of trick photography. He took, 
on Number Five, what appeared to be an accidental 
exposure, but was really a deliberate snapshot of 
his own footprints on the bridge — footprints which 
he had deliberately made, in order to suggest that 
somebody had been standing on the bridge with 
bare feet to photograph the corpse. What precise 
inference he meant us to draw from the footprints 
I don't know. He certainly didn't expect that 
Burgess would come along and see the footprints 
themselves. But there was one thing he had to 
be careful about. Derek Bur tell had hammer- 
toes ; Nigel hadn't. And, oddly enough, it was 
in looking to see whether Nigel had that I found 
out about Derek. Their foot-statistics were close 
together at Wickstead's, on opposite sides of the 
same page. That was when I really cottoned on 
to its being Derek who worked the whole plant. 
So Derek only left the marks of his heels and insteps. 

« He paddled down a short way, and then left, 
on the bank, those traces which you and I, Leyland, 
investigated so credulously. He wormed himself 
along on his back through the bracken, careful to 
make dragging marks with his boots. He lay flat 
op the clay bank, taking good care that one button 



BACKED BOTH WAYS 



239 



should leave its impress. He paddled round the 
end of the island into the weir-stream, driving his 
canoe hard into the bank so as to make a mark. 
He made a single track, walking, between the 
weir-stream and the chy bank. He crossed the 
weir-stream, and left the iilm lying about for some- 
body to find. I forgot to say that he had already 
dropped his note-case in the lock-stream, so as to 
look as if it had fallen out when his corpse was 
lugged ashore. In fact, I think he meant to create 
the exact impression which the various clues did 
create, Leyland, on you and me.' 

' Yes. I'm going to meet Mr. Derek Burtell, if 
I have to search every doss-house on the Continent 
of Europe.' 

' Then he paddled across the main stream to the 
Byworth bank. Before he turned the canoe adrift 
he managed, probably with one of those composite 
pen-knives, to dig a tiny hole in the bottom of the 
canoe. That, of course, was perfectly inconsistent 
with his main plan ; in the given circumstances, 
the supposed murderer would have been a fool to 
do anything of the kind. What he calculated on, 
I suppose, was that the hole in the canoe would 
immediately produce in everybody's mind the 
impression of foul play— as indeed it would have, 
if Nigel hadn't doctored the hole when he found it. 
Derek himself went off in the Byworth direction, 
leaving the impression that he had been murdered 
by Nigel at Millington Bridge or above it, ferried 
down next morning to Shipcote, photographed from 
the bridge and lugged ashore at the island, retrieved 
somehow and smuggled away later in the day. It 



2 4 o THE FOOTSTEPS AT THE LOCK 



was a fantastic impression ; but then, as I say, 
this wasn't a deep plot laid by a cunning schemer ; 
it was an opium-dream. 

1 1 dare say he had actually left some luggage at 
Oxford, but that won't help us, for we don't know 
under what name it was left. In any case he must 
have taken train at Oxford, I suspect for South- 
ampton. That meant crawling across country by 
Didcot and Newbury, instead of risking the possi- 
bility of a recognition in London. And there, I 
suppose, he would take ship to Havre.' 

' And his passport ? ' asked Leyland. ' You 
mean that he ' 

1 Yes, he'd provided himself with a passport, 
rather ingeniously. When he went up to make 
plans with Nigel, Nigel was just getting a passport, 
and he wanted an amateur photograph of himself. 
He asked Derek to do it, and Derek, foreseeing his 
own need of a passport, took three photographs of 
Nigel, and got Nigel to take three of himself, in 
exactly the same pose, on the same plates. (Nigel, 
of course, didn't realize this.) It was only one 
chance in a thousand, but one of the films did come 
out, as you can see, a perfect composite photograph. 
The photograph was sufficiently like Nigel to deceive 
the College chaplain. It was sufficiently like Derek 
to deceive the passport authorities at Havre. It 
was with that passport, then, that he got away. 
Of course, this was long before any hue and cry 
had been made over either cousin. What he's done 
since I don't know, but as the passport is visa'd 
for France and Belgium, I suppose he's in one or 
the other. Perhaps, if you circulate the news about 



BACKED BOTH WAYS 



241 



Mrs. Coolman's will, Derek will reappear of his 
own accord. If not, I suggest a complete inquiry 
into the whereabouts of Mr. Wallace. I don't 
suppose he will have been using another alias all 
the time, because he obviously meant to trade on 
the previous history of Mr. L. Wallace. If anybody 
suspects that L. Wallace is Derek Burtell, they 
will be silenced, he thinks, when they learn that 
L. Wallace stayed at Witney on the Sunday night 
when Derek Burtell was safely tucked up at Milling- 
ton Bridge. Remember, though, he's been brought 
up in France ; so he may by now be posing as a 
native.' 

' We'll find him all right,' said Leyland grimly. 
'If I can get leave, I'll go after him myself.' 

' Go steady with your revolver, then. The Com- 
pany won't like it a bit if he's a corpse by the 
third of September.' 




CHAPTER XXV 
A POSTSCRIPT 

September 6th. 

EAR MRS. BREDON, 

' It was very kind of you to write and 
ask after me, and I hope it wasn't mere 
curiosity that prompted you to do it, as you suggest. 
I've been here, of course, in this rather delightful 
Belgian country town, ever since the police got 
news that Derek was here — the result, somebody 
told me, of a wireless broadcast. Anyhow, it 
seemed only decent to come out and see that he 
was being looked after. Though that, indeed, was 
quite unnecessary, because the nuns have made 
him comfortable all the time, as far as he could 

be made confortable. 

'To answer your question — yes, I think your 
husband was exactly right in every particular. 
One or two explanations have been forthcoming, 
e.g. why Derek left me so little time to commit 
my imaginary murder in. It turns out that I was 
to blame for this, because I took so much longer 
getting away from Millington Bridge than I was 
expected to. As he had worked the thing out, we 
ought to have arrived at Shipcote with a clear 
half-hour or more for me to catch the train in. 
As it was, I started out late from the inn ; and 

242 



A POSTSCRIPT 



243 



Derek, though he was annoyed by the delay, 
couldn't oiler to help me with the paddling, because 
it was part of his plan to appear very tired and 
sleepy. If we had been more punctual, my "alibi " 
would have been singularly imperfect. But then 
if we'd been more punctual Derek would have 
passed Farris in the lock stream, and that would 
have complicated things all round. 

'The footprints on the bridge had, after all, a 
certain raison d'etre. Derek meant it to be sup- 
posed that I meant it to be supposed that the 
murderer had come from Byworth, and had made 
off in the Byworth direction ; that he walked back- 
wards as a piece of obvious bluff which the police 
would see through. (Only a dope-fiend, I imagine, 
could have worked out that idea of triple bluff, and 
expected the police to follow two-thirds of the 
calculation.) You were expected to think that the 
films dropped from my pocket on the Shipcote 
bank by accident. 

' There's nothing more, I think, for me to clear 
up except Derek's movements after he left the 
river. He did, of course, go via Southampton and 
Havre, and he travelled straight on to Paris. There 
he took refuge in a class of society where no ques- 
tions are asked and shaving is optional. He started 
growing a moustache and beard, and was listening 
eagerly for news of my arrest. But when that 
didn't happen, and the papers still refused to 
recognize his death, he left Paris and came here, 
dropping the name of Wallace as he did so. He 
had started taking drugs again, and soon after he 
got here he fainted in the street. He was brought 



244 THE FOOTSTEPS AT THE LOCK 



to this hospital, where the nuns had never heard 
the name of Burtell ; and he was too sick to read 
the newspapers at the time when Aunt Alma died. 
In fact, he knew nothing more of what was going 
on here until the police tracked him down. 

' There's one other circumstance about Derek 
which may not interest you, but interested me 
profoundly. He was engaged to some French girl, 
who proceeded to turn up at his bedside as soon 
as she heard of his whereabouts, and I'm blessed 
if they didn't get married. Which was all very 
proper and romantic ; but it had the awkward 
consequence that D. drew up a will in favour of 
his wife, which he calmly asked me to witness ! So 
Aunt Alma's legacy will not come into my branch 
of the family. 

1 However, what I wanted to tell you about was 
my first interview with Derek. It was almost 
immediately after I got here ; he insisted on seeing 
me alone; and, though I dreaded the interview, 
I had to go through with it. He was frightfully 
broken down, poor chap, whimpering all the time 
and very nearly crying. He grovelled quite dread- 
fully about his attempt to let me in for a murder 
charge ; said that he'd been made silly by drugs, 
and wasn't really responsible for his actions. He 
said he didn't think he'd really have let me swing 
—which I didn't believe. And I had to sit there 
like a fool, saying " Oh, shut up ; don't mention 
it and that sort of thing ; and all the time I 
could see that he was leading up to something— I 
couldn't make out what. 

'At last it came. They had cut him off, of 



A POSTSCRIPT 245 

course, from his drug, and lie was simply dying to 
get some. There was some, apparently, hidden 
away in his luggage, and he hadn't dared to ask 
the doctor for it, or any of the nuns. He wanted 
me to fetch it and give it him. I said, of course, 
that he was far better without it ; that he'd only 
kill himself if he took more. He said he didn't 
mind ; he was for it anyhow ; what difference could 
a week or two make ? I was still arguing about it 
when the nurse came in and turned me out ; said 
I mustn't tire him by talking to him any longer. 
I went straight to Derek's luggage, and found the 
dope just where he'd told me. I put it into my 
pocket, and went out for a little walk by myself. 

' What Derek said was perfectly true, and I knew 
it better than he did. The doctor had told me 
that the poor chap hadn't an earthly chance. He 
wasn't a bit interested in life, and I honestly think 
he'd sooner have poisoned himself with a last dose 
or two than flickered out gradually. A streak of 
good-fellowship in my nature kept on urging me 
to let him have the stuff. At the same time. I 
knew that it would kill him off-the doctor had 
warned me of that ; and as there was still three 
weeks or so to run before he turned twenty-five 
that would mean that grandpapa's fifty thousand 
came into my pocket, where it was needed, instead 
of being handed over to a beastly Insurance Com- 
pany which wouldn't even say thank you for it 

I leant over a bridge across the river ; and'all 
£ time my mind was back at the Gudgeon, with 

toS?* 2" Streaming ^ - d *2 
motors buzzing over Eaton Bridge, and that fool 



246 THE FOOTSTEPS AT THE LOCK 

peacock on the lawn. I remembered exactly how 
you said that if I were waiting to murder a man and 
he fell into the river, I should find myself jumping in 
to rescue him. I remember what you said about 
sticking to the rules of the game, because it was 
the only thing to do. And I remembered how I'd 
protested, and sworn that I'd do nothing of the 
kind ; and how old-fashioned I thought you. Well, 
here I was, in very much the required position. 
Here was a man I'd always hated, and I couldn't 
summon up any respect for him even on his death- 
bed. He'd been spreading himself, only a fortnight 
or so before, in an attempt to get me hanged on a 
false charge of murder. It wasn't a question of 
killing him ; it was only a question of providing 
him, at his own earnest demand, with a kind of 
drug which had come to be necessary to his happi- 
ness but which, quite incidentally, would kill him 
if he' took it. It was a kind of Philip Sidney touch ; 
and my reward for it would be fifty thousand down 
—fifty thousand which poor old grandpapa never 
meant to go out of the family. 

< And the awful thing was that I found you were 
richt. It wasn't that your wishes in the matter 
had any influence with me ; you hadn't expressed 
a wish, you'd only made a prophecy. And all my 
conscious reaction on that was an intense desire 
to prove you wrong ; to be able to write and teU 
you that you were wrong. And yet I couldn t do 
it • some curious inhibition stood in my way. « 
can hardly have been a moral scruple, for I don 
remember having any these last four or five yea^ 
It wasn't the fear of being found out, because 



A POSTSCRIPT 



247 



Derek was in such a dicky state anyhow that 
nobody would have been surprised at his pegging 
out any time. It was just an absurd something. 
There was nothing for it but to stick to the rules 
—leave it to chance whether Derek lived till his 
birthday or not. My hand (not my mind, not my 
will) dropped the packet very deliberately into the 
river. 

' Next day this French girl turned up, and that 
seemed to brace Derek a bit ; the doctor admitted 
that it was a slight rally, but said there was still 
no hope. The days dragged on, and by the night 
of September the second I found myself in a curious 
state of equilibrium. I wasn't wanting Derek to 
die, or wanting him to live. I wasn't even person- 
al^ interested, so it seemed to me, in the question 
whether he lived or died. I was simply a detached 
spectator, with only a spectator's excitement about 
the game Fate was playing with Derek and with 

got up I ound there was a priest buzzing round 
wbch made me think for a moment that it was a i 



hi wV} ; Derek died ab °ut ten "dock 

on h, birthday morning, looking ridiculously happy 

in me h f ' C 5f Bted ; and if tha * was virtue 

out fnll^Sl^l?^ a j ° b f0r me 
the bottom ' t'L diJf Ch mCanS " Startin S at 
So I am go J J fl d,sc ° ura ? n g modern phrase. 

The EuTop § ean g cr L **' ^ uirk after 

if we eve! m JT • ° f ***** simplicity ; 
ever meet again (which is improbable 



248 THE FOOTSTEPS AT THE LOCK 



you will find me explaining to you that two and 
two makes four on the other side. 

' Don't for the Lord's sake condole with me, or 
congratulate me. The thing had got to happen ; 
it has happened ; and I'm glad I didn't interfere. 

' Yours kindly, 

9 NIGEL BURTELL ' 



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